Michael Jennings on China – as seen from Nepal and from Australia

I have one of my Last Friday of the Month talks at my home tomorrow evening. See the next posting for news about that. Meanwhile, here are some thoughts that Michael Jennings jotted down, concerning the talk he’ll be giving in the same series on October 25th. While writing this, he didn’t know he was writing a blog posting. That only happened when I asked him if I could stick it up here, and he said … okay, yes:

In April and May this year, I spent a month in Nepal. I spent a fair portion of this in very remote areas – places (such as the region of Upper Mustang) that were almost literally medieval kingdoms only 30 years ago. These places are no longer medieval and no longer kingdoms, but they are still very poor, agricultural communities. At least, the ones without roads connecting them to the outside world are very poor, agricultural communities. Communities with roads connecting them to the outside world are different. Still poor by international standards, but much richer. The roads are being built with Chinese money and expertise.

These places are also very close to the border with Tibet. These places have always been close to the border with Tibet, but of course, these days this means the border with China. As China has become economically more powerful in recent years, the Chinese influence on these places has become stronger. The locals have mixed feelings about that. The Chinese have resources and get things done, whereas governments of Nepal – and governments of their nearer and friendlier neighbour India – are not known for this. On the other hand, if you cross the border you had better not be carrying a picture of the Dalai Lama, and if a Chinese policeman tells you to do something, you had better do it. (Nepali policemen are fairly amiable, mildly corrupt, and not people to worry about that much). The Chinese are building roads and power stations, which is making people richer. This is generally considered to be good. The Chinese bring money and wealth, but they also bring an extremely authoritarian political model with it, and you can see this in one small, poor country of a very different culture to theirs

This is one relatively small, poor country case of the interactions that a rising China is having with much of Asia and much of the world. At the other end of this are things like the interactions of my native Australia with China. Australia was always rich, but is now very rich due principally to selling iron ore and coal to China for the last 20 years. Australia has a large Chinese community, that has arrived in the country mostly in the last 50 years. 30 years ago, Australia would have been unequivocal in its support for the present demonstrators in Hong Kong, if events such as that had been happening then. These days, the Australian government says nothing. Meanwhile, Chinese students in Australia are spied on by Chinese secret police, Chinese language newspapers in Australia – there are many – are intimidated into taking a pro-Beijing line, and other similar things. Do Australians like this – not much, although Australians do generally like Chinese people and Chinese immigrants individually. Australia is now in an uncomfortable position of gaining much of its prosperity from people with an extremely authoritarian political model that we don’t particularly like.

Two extreme examples, but a great many countries in Asia and Africa (and elsewhere) face the same questions, to varying degrees. I will be giving a talk in which I discuss what this means for the world and where this may all lead.

There’ll be another talk about China on the last Friday of November, which is November 28th, by Hong-Konger-now-based-in-London Katy Lau. No apologies whatever for the “duplication”. First, it won’t be. These will be two completely different takes on China. And second, could any subject in the world be more important just now, or more vast in its scope and significance?

The Temperate House

On August 24th 2018, exactly one year ago, GodDaughter2 and I visited Kew Gardens I of course photoed photos, of central London from the top of the Great Pagoda, of some inflated plastic dragons, and of the Great Pagoda and the dragons on the Great Pagoda.

Here are some more photos I photoed that day, of something called the Temperate House, so called because it contains plants from temperate climates:

But my favourite photo that I photoed that day of the Temperate House was this one that I photoed from the top of the Great Pagoda:

At the back there are some dreary concrete towers, which architects make a great fuss of, and of the sort that the rest of us mostly shrug our shoulders about and just put up with.

This was the photo that caught my attention when I looked again at my KewGardens Aug24-2018 directory today, and which got me doing this posting.

The Helter Skelter that never was

I don’t often often get close up with the Big Things of the City of London. Mostly I just admire the changing scene they have made for London over the last two decades, but from a distance.

But in November of 2012, I did get close to these Things, and in particular to the new Big Thing then under construction, known by its makers as “The Pinnacle”, and to the rest of us as the “Helter Skelter”.

Here is a smallish gallery from that expedition:

A sneaky selfie in the last one there.

The Helter Skelter turned into something else just as tall, but bulkier and duller, as recounted in this angry piece. Which means that my expedition captured a fascinating passing moment in London’s architectural history. The stump that was all it was then remained a stump, and then turned into the Biggest Thing in the top photo here.

I have mixed feelings about this story. On the one hand, the Helter Skelter would have been more elegant and recognisable. And it would also have been a great place to shoot a remake of King Kong, with KK sliding down it, carrying an English actress with him on his lap. On the other hand, the current architectural hulk that is catchily known as “22 Bishopsgate”, now nearing completion, being so very bulky and inelegant, will positively demand a much bigger Big Thing next to it, in the fullness of time. Rather in the way that Guy’s Hospital was, for its time, so big and ugly that it made the Shard happen.

One of Charlie Waite’s first ‘serious’ images

Yes, I follow Charlie Waite on Twitter, and he just said this:

I had been walking by the Serpentine in London. The deckchairs had been at rest when I arrived yet, within a few seconds, a thoughtful breeze turned them into a corps de ballet.

Click on the above link for the photo, which is in suitably 70s black and white, that being when the photo happened.

Like. Partly because it not that serious.

It’s great how ancient Real Photographers, the sort who used film, can now scan their best old stuff and show it to us.

Quota prophecy

Photoed by me last night, near Whitechapel tube station:

Well, it’s a point a view. And it makes a nice change from prophecies of climate doom.

Nevertheless, I am skeptical. I intend returning to this, once 2020 has come and gone. Prophets should be reminded about their prophecies, once their proclaimed deadlines have passed, and held to account in the court of public opinion.

And if this turns out to be right, then whoever said it should get the credit.

Herbert Sutcliffe with possum

Asked Cricinfo, a while back: Who has made the most runs in an Ashes Test only to end on the losing side? I love that kind of thing, so of course I went to find out who it was, and I encountered this charming photo of the answer:

The Ashes record is held by the England opener Herbert Sutcliffe, who scored 303 runs – 176 and 127 – in a seven-day Test in Melbourne in 1924-25.

According to this, the above photo first appeared in the Sydney Morning Herald on March 14th 1933.

Of Sutcliffe, Wikipedia, who picked out this same photo of him, says:

A right-handed batsman, Sutcliffe was noted for his concentration and determination, qualities which made him invaluable to his teams in adverse batting conditions; and he is remembered as one of the game’s finest “bad wicket batsmen”. His fame rests mainly in the great opening partnership he formed with Jack Hobbs for England between 1924 and 1930. He also formed notable opening partnerships at Yorkshire with Percy Holmes and, in his last few seasons, the young Len Hutton. During Sutcliffe’s career, Yorkshire won the County Championship 12 times. Sutcliffe played in 54 Test matches for England and on three occasions he toured Australia, where he enjoyed outstanding success.

What England wouldn’t now give for such a batsman.

London’s machines for living in are getting better

Le Corbusier famously described homes as machines for living in, and if this Property Reporter piece is anything to go by, it would seem that London’s machines for living in have been getting better lately:

Traditionally, period London property consistently outperformed new build in terms of desirability and price. However, times are changing and now there’s an emerging trend of buyers preferring new to old.

What this tells me is that the quality of the newest London homes has finally got better than the quality of older buildings from a hundred years ago and longer. The dark age of what can only be described as architectural incompetence, that the Modern Movement in Architecture unleashed by including so many very bad ideas about how to design things in its bran tub of ideas, looks like it may be over. In London, anyway.

This doesn’t mean that people love how the latest London “dwellings” look. They merely, given the choice between living in a picturesque building that works somewhat badly or an ugly lump of soulless modernity that works better, prefer the latter. Function trumps form. You want your life to work. If that means it looks a bit boring, so be it.

People never did hate actual functioning buildings; they merely hated “functionalism”. Sneer quotes there because “functionalism” tended not to function properly. “Functionalism” included too many bad ideas about how to design things, bad ideas like: it’s clever to turn your back on conventional designs for stuff. Housing modernity is now a bunch of design conventions that actually work, and which architects who wish to remain in employment now know not to turn their backs on. Despite many mere appearances to the contrary, architects in London are now very conformist in how they work, and that works much better.

The ideal arrangement, then, might be to have a brand new home – the very best and latest machine for living in – but for the outside of it to be old.

So this later bit in the Property Reporter piece especially interested me:

American buyers traditionally insisted on new build, but ironically they are now championing the old – but not the draughty, leaky version of old! Projects that leave the period façade in place, while replacing the rest with what amounts to brand new are top of the list for buyers from the USA.

You see a lot of this sort of thing being done in London, if you look out for it.

A sign with history lessons and with a map

On the 29th of last month I journeyed to Maze Hill railway station, walked north towards the river, just as I had planned, and in due course got to this spot:

I’m looking at signs. And I’m looking past the signs in the direction I intend to go. I love these signs that London has everywhere. And presumably also every great city in the rich world.

Let’s take a close look at the sign on the right in the above photo:

As you can perhaps see, this sign contains chunks of written information about places nearby. Chunks of the sort that I do not like to spend time reading direct from their signs, but which I do like to photo and then read later. Chunks like this:

So, the Isle of Dogs got its name from Henry III’s dogs, did it? Well, maybe. This is a fun maybe-fact, I think. Henry III was the one who had to escape the clutches of, and then execute, Roger Mortimer, Mortimer being the one who toppled Henry III’s Dad, Henry II. Henry II did badly. Henry III, at any rate by the standards that his subjects cared about, did very well, at least at first. What this means is that Henry II fought against his own nobles, in England. Henry III fought against the French, in France. Given how much pillaging and plundering and sheer destruction was involved in medieval warfare, in order to deny supplies to the enemy, Henry III’s wars were greatly preferred by the English.

(MUCH LATER: The above paragraph is mostly bollocks. Henry III was indeed the one with the dogs. But, I was muddling Henry III and Henry II with Edward III and Edward II. It was Edward III who fought against the French and whose Dad Edward II was deposed by Mortimer. Sorry. Now, back to the original posting, which still makes some sense, even though it is nothing to do with what it says on the sign:)

I know what you’re thinking. Why not just not have any wars, anywhere? Ridiculous. What century are you living in? This one? There you go. No wonder you just don’t get it.

However the sign is now out of date on the subject of the tallest tower in Britain. That was indeed, once upon a time, One Canada Square. But the Shard has since, metaphorically speaking, toppled it. See here for details of that story. The soon-to-be-completed 22 Bishopsgate is already also a lot taller than One Canada Square.

However, I am puzzled about whether we are at Anchor Iron Wharf, as claimed by the sign on the left in the first photo in this posting, or on Ballast Quay. Many the former ends on the left with sign on the left, and the latter begins on the right with the sign on the right.

The right sign also contains a map, which is rather faded (what with it being a rather ancient sign), but this had the effect of throwing my intended journey into sharper relief:

This map even helpfully shows, with a thin dotted pink line, the very first part of my walk from Maze Hill station to the River. Having thus arrived at where it says YOU ARE HERE, my plan was to follow the thicker squiggly pink line north, beside the River, all the way around the north of the Dome, and then either go across the River on the Dangleway, or else just go home on the tube from North Greenwich.

And that’s what I did.

Please do not explain this T-shirt to me

Speaking of cats, as I just was – well, of one cat – here is another cat-related photo, of one of the many photoers I photoed ten years ago to-the-day yesterday:

Photoed at the north end of Westminster Bridge, with the trees of Parliament Square in the background.

I kept that one back for today. That T-shirt looks like she might even have made it herself.

Once again we see in action one of those ultra-cheap and ultra-cheerful digital cameras, of the sort that has now been pretty much completely swallowed by the mobile phone.

Surrey v Middlesex T20: Out of the sun in Bedser Upper

On July 23rd, Darren and I went to the Oval to watch Surrey lose to Middlesex. I photoed signs, and I photoed a drone, and that was about the half of it, if by that you mean about 0.5% of it.

As earlier noted, we got there with lots of time to spare and to spend taking in all the incidental sights and sounds of the Oval before the actual game got going. Which meant that when we reached our seats, the entire place (not just the place we were in) was nearly empty.

Darren had purchased seats for us in something called Bedser Upper, in honour of this Surrey legend. And the first thing we noticed when we reached our seats was how very cool it was, compared to how hot it might have been. We could see everything perfectly, yet we would be sheltered from the sun:

Remember, this was was the hottest day ever in London since the dawn of creation. 38 degrees centigrade, and a sure sign of Gaia’s Wrath To Come, to punish Sinful Man for burning too much petrol, gas, oil, etc., and for being too happy and comfortable and well off. Humanity used to be a bunch of slave labourers. Now it is a much vaster throng of, pretty much, sports fans with, compared to olden times, part-time jobs. And the sort of people who disapprove of that disapprove of it by talking about such things as how very hot it was, in London, on that day. And it was indeed very, very hot.

But, not quite so hot in Bedser Upper. Darren had chosen very well.

Later we realised that we were also sitting inside a giant loudspeaker, into which dementedly deafening pop music would be inserted for the duration of the game. Such is modern (very) limited overs cricket. But, we agreed that this was a price well worth paying, for the lack of extreme hotness.

I love the architecture of the Oval. (By which of course I mean the Kia Oval.) So much more interesting that some dreary built-all-at-once football stadium. The big sweep of that big new stand, with its big curved roof, on the left. The classical nobility of the ancient gasometer. The magnificently tall pavilion, on the right. And in the distance, occasional glimpses of the Big Things of central London. What a place.

And, just as divertingly, for me, before the game got started there were lots of interesting rituals being played out by a total of getting on for a hundred people. WIth other sports, a lot of this stuff is hidden away behind the scenes. But with cricket, if you get there early enough, you see it all. More about all that in further postings here about this wonderful night out, Real Soon Now.