Remembrance photos

Today, to mark Remembrance Sunday, I photoed poppies outside Westminster Abbey, and got the sort of photos I usually do get at this particular time of year:

But then, I made my way along Whitehall, where wreaths had earlier been laid at the Cenotaph, and then turned right towards Embankment tube. Thus it was that I walked past the Royal Tank Regiment Memorial …:

and I photoed one of the messages that had been placed on it:

To me that brings it home more vividly.

I wonder how long that life together lasted.

A new Zaha Hadid Architects railway station in Tallin

The perversely lower-case lettered throughout designboom reports that “zaha hadid architects” have won a competition to build a railway station in “tallin”, which will look like this:

At the top of all this is a bridge, so I’m well disposed towards this Thing straight away.

Transport seems especially to suit ZHA. Recall that they are also doing that amazing airport in China.

It’s something to do with the fact that transport positively demands the kind of flowing curves that ZHA always want to do anyway. A train or a plane simply cannot do too sharp a turn. These vehicles simply must shift direction with slow, ZHA type, curves. So, the ZHA style fits. Even a car has to slow down a lot to do a ninety degree turn. Even in the rectilinear architectural sixties, roads would curve, when changing direction. (Think of those amazing motorway intersections.)

Sad, then, that this particular clutch of railway lines in Tallin seems to be dead straight. I bet ZHA ground their collective teeth about that. The ZHA curvilinear style suits curvey railway lines, but a straight railway line (or for that matter a straight airport runway) can do what nothing else in the known universe can. It can enforce straight lines upon ZHA.

Photo-uploading problems

For some mysterious reason, I am having problems uploading photos. Have I reached some sort of limit? One of the photos I tried to upload was a photo of a famous painting. Did WordPress recognise the famous painting, and get angry with me for some sort of copyright violation? Did I change a “setting” to something silly, that won’t work? I don’t know, but this posting is just me posting pure text, to see if that is misbehaving also.

Well that worked well enough when I pressed “Save Draft”. Let’s see if “Publish” now works. Yes it did, or it did from where I sit.

LATER: All is now well. A temporary back-up file was getting in the way and this has now been deleted, making way for such things as this:

This is what WordPress looks like, when it gets angry with you, which it enjoys doing. No. It’s “Cerberus”, by William Blake. I photoed this yesterday, at the Tate Britain William Blake Exhibition. You see a better version if you go to the Tate Britain website.

Context needed

Some photos are very clear. Here’s a photo. You look at it, to see straight away what it’s of. And, you do see. All is clear. It may or may not be interesting, but it is at least clear.

Other photos can be almost completely baffling, like this one, which I photoed in the summer of 2014:

I say “almost” completely baffling, because you can clearly see Big Ben in there, reflected in … whatever it’s reflected in. Reflected no less than four times. But what are all those bluey-grey and shiny shapes? Is it a car? Guess: yes. But is another car reflected in an original car? Are those shiny reflective surfaces glass or metal? But which surfaces, on what sort of car? Or cars? Side window? Back window? Maybe you can tell, but I just can’t work out what the full story is there.

This is one of those times when I badly need a back-up photo to explain what’s going on, less zoomy, with context. At least we’d know which way up we are, and what the original reflecting object consists of.

What I like best are photos in between the clear ones and the baffling ones, where you can work out what you’re looking at, but only after having given it some thought. (Examples of which may, or then again my not, follow.)

This one is of interest because, simply as an abstract pattern, this does have something going for it. The colours are nice, with the yellow Big Bens brightly lit up by the sunshine of that summer day. The shapes are nice, in a Zaha Hadid sort of way. But, what is it?

Lady photoers in 2013

Once again, I am catching up with showing you photos, this time photos photoed on a sunny day in September 2013, all of lady photoers. We are in my most regular photoing-photoers places, outside Westminster Abbey, outside Parliament, on Westminster Bridge and beyond, beside or above the River:

Ignore, click through at speed, linger if any seem worth lingering at, whatever you want.

What I see in these photos is a moment of maximum camera variety. There are big cameras with interchangeable lenses for maximum photo quality. There are bridge cameras, like the ones I use. There are little snappy-snappy but still dedicated cameras. There is even a great big tablet. And, of course, we observe the rise and rise of mobile phone photoing. As usual, I demanded facial anonymity, sometimes photoshop(clone)-cropping out recognisable bystanders. But typically, I cropped with the camera, because by then I had become pretty good at this. (Photo 4, for instance, is exactly as originally photoed.) And then I selected for artistic effect, not to make any point about cameras. Which means that the point about camera variety is made. I wasn’t going for this. It just happened.

Since then, all the major effort seems to have gone into making mobile phone cameras as good as they can be.

Mariah says to eat crisps for Christmas

A feature, by which I mean a bug, of Growing old is that all the heartfelt love songs of earlier times are now recycled by their original performers to sell sofas, deodorants, food, etc..

All I Want For Christmas by Mariah Carey is one of my most favourite pop songs, long before sophisticates came around to realising how good it was. (Same with Abba. I loved them from the moment they won Eurovision, before even the Gays noticed them. With the greatest pop songs of a certain vintage, the rule was: Me, Gays, Girls, The Public.)

But now, it turns out that all Mariah Carey really wants for Christmas is …:

… a packet of potato crisps.

Personally I like potato crisps, hence my possession of this crisp packet. But, I despise almost all crisp advertising. What crisp advertising ought to say is: Yes, our crisps are probably bad for you if you scoff too many of them, but they taste terrific, even the plane old salt-flavoured ones. But oh no. Instead, they bribe celebs whose successes in life have been based on not scoffing crisps or similar products, to tell the rest of us to do this, by pretending that they do too, and thereby to imply that crisps are good for you. The more you scoff them, the thinner you’ll be and the better you’ll be at football, and you’ll be athletic enough to win an Olympic medal.

The thing is, though, that Mariah Carey has had serious difficulty staying slim, and she might actually be telling the truth, in now claiming to prefer crisps to the sort of boyfriend she could have when she was young and effortlessly slim and when the world was at her feet.

Lady photoer on tour bus

We are on Westminster Bridge, in October of 2017, and a tour bus comes by. The lady photoer first photos the Wheel, and then turns her attention around, towards Big Ben and the Houses of Parliament:

I especially like the light and the colours in these photos. The Wheel is in front of a dark cloud background, but is itself lit up just that bit more by the afternoon sun, because behind us the weather is brighter. The colours of the bus go very well with all that. And the railing on the bus provides facial anonymity when her camera does not. I know what she looks like, from other photos I photoed of her. But I am not telling the big computer in the sky that she was doing what she was when she was. That’s her business, not the BC’s.

Ripped piece of paper under the microscope (100x magnification)

Here:

I included the 100x in the title, because that strikes me as not a lot of magnification, considering what it looks like. 100x is not that much more magnification than you can get with quite a lot of bridge cameras nowadays.

I’ve acquired a new camera, as noted in among this ramble yesterday. It has 60x. I wonder if I could persuade it to take photos like that. Probably not, because presumably microscopes get right up against what their microscoping, but cameras can’t do that.