Taken from a top-down perspective, every aerial photograph we take is of a real place on our planet. We like to compose our images as artworks rather than traditional photographs. Other than slight colour and contrast enhancements none of our images are manipulated in any way. As we always say, “the point is not to work out what it is, but to show how weird and wonderful the world can look from above”.
Actually, not quite my attitude. I like explanations, locations, etc. But, I still like these images.
Here are a dozen (I picked four, then nine, then twelve) that I especially liked:
Here’s the equipment the AAA guys use. Drones. Calling 6k. (The link at the top of this posting is to an earlier posting I did re another of 6k’s drone-photos.)
Late this afternoon, I went out walking, within walking distance of where I live. I had four tasks and I accomplished all of them, and then some. I have reached the age where getting four out of four in this sort of way is reason to self-congratulate. The and then some being that I took lots of photos that I hadn’t planned on photoing.
The first task was to stock up on some canned drinks that I can only buy at one shop. The second was to stop by a cash machine. The third was to photo a building, a detail of which I needed to know about for a blog posting. And the fourth was to photo this:
This being the entrance to the Queen’s Gallery. (Interesting that the Queen’s Gallery has no website.) I have arranged to meet someone there next week, to see the Leonardo da Vinci show they are showing. And I needed to check that saying “entrance” as the place where we’ll meet is clear and unambiguous. Better yet, I needed a photo of the entrance, so I can say: there.
Don’t you just love it when a piece of personal admin can double up as a blog posting? Well, no, you probably never do that, or feel that way about it. But I do and I do.
Yesterday I met up with a friend in Kings Cross, and afterwards, what with the victoria Line being all over the shop, I walked along the Euston Road, to places where other tube lines could be easily reached.
Here are a few of the photos I photoed:
My usual preoccupations are on show. Signs (ph4 ph5), sculpture (ph5), things that look like they could be sculpture but are not, like scaffolding (ph8) and like those strange yellow things (ph7). There’s even a photoer photo (ph3), outside St Pancras. And a taxi advert (ph2, about how you can “ID yourself”.
ANPR, I now learn, refers to Automatic Number Plate Recognition, which it would appear that motorists don’t need to have explained to them. But what are the strange yellow things? Weights to stop the fences being pulled over, is my guess.
Plus, note the surveillance camera, top left, in the last otherwise oh-so-pretty photo.
More pleasingly, I like how that glass penthouse-like (pentoffice?) addition has been added to the slightly older brick structure (ph6). The opposite of roof clutter. A lot of architecture is about adding stuff to already existing buildings these days. Which makes a nice change from smashing everything down every time, which they of course still do a lot of.
Adding stuff includes adding paint, to an already existing building (ph1). That building always amazes me whenever I see it. It’s a bank. There seems to be an architecture rule that the more flamboyant the building, the duller the institution that occupies it. Vice versa often applies too, I think.
On the same night (but later, when it had got dark) that I photoed this rather artistic roof clutter, I also photoed these rather more self-consciously artistic works of art:
Photography is light. If the Ferrari shop in Kensington was not intending that passers-by should take photos, well, they shouldn’t have lit their cars so well. I took only a few shots, and most came out (see above) pretty well.
These Ferraris are displayed in chronological order by my photoing, but they look good as a set (see above also). Pointing outwards, if you get my meaning.
I feel the same way about Ferraris like this, behind a shop window, as I do about tourist crap in tourist crap shops or Big architectural Things like the Shard or the Gherkin. I don’t want to buy it. Far too much bother. (Where would I put it?) But I can enjoy the amusing way it looks, by merely photoing it. If, like me, you are a collector, you can now easily collect how things look, without collecting the things themselves.
“Other creatures” in the category list is because of the Ferrari horse.
Yesterday, I walked about in London with GodDaughter2’s Sister. We walked through Trafalgar Square. What we first encountered, on the 4th Plinth, was this:
Spot The Wheel.
Read more about and watch video about what the above Thing “means”, here. It’s to do with the destruction of Things in the Middle East.
However, GD2S reckoned that the best 4th Plinth Thing ever was the Blue Cock. I agree, so I agreed.
Here are some photos I photoed of this, in the Spring of 2014, when it was there:
Scrutinise the label, bottom right, and you will learn that this Big Blue Cock was unveiled, on July 25th 2013, by Mayor Boris Johnson. Very appropriate.
There was another Big Thing on view in Trafalgar Square yesterday:
That being an enlarged replica of the Cricket World Cup. The miniature original of this will be presented to the winners of tomorrow’s final at Lord’s, between England and New Zealand.
In the semi-finals, New Zealand beat India, as has already been mentioned here in passing. This was a surprise. If England had beaten Australia last Thursday, that would not have been a huge surprise. But England smashed Australia, which was a bit of a surprise. As of now, England are favourites. So, and with due apologies to the massed ranks of my readers in New Zealand, no more surprises please.