AAArt

I like photos that look like abstract art but which are really of something real.

To quote myself (underneath the August photo there, of London Bridge station seen from above):

I tend not to admire Modern Art. It takes itself far too seriously for my liking. But I love it when real stuff resembles Modern Art. Explain that to me, somebody?

Still working out the answer to that one.

So anyway, it would appear that these guys, agree with me. They call themselves AAA (they arrange the AAAs more aaartfully than this), which stands for Abstract Aerial Art.

Quote (from this):

Taken from a top-down perspective, every aerial photograph we take is of a real place on our planet. We like to compose our images as artworks rather than traditional photographs. Other than slight colour and contrast enhancements none of our images are manipulated in any way. As we always say, “the point is not to work out what it is, but to show how weird and wonderful the world can look from above”.

Actually, not quite my attitude. I like explanations, locations, etc. But, I still like these images.

Here are a dozen (I picked four, then nine, then twelve) that I especially liked:

Here’s the equipment the AAA guys use. Drones. Calling 6k. (The link at the top of this posting is to an earlier posting I did re another of 6k’s drone-photos.)

One of Charlie Waite’s first ‘serious’ images

Yes, I follow Charlie Waite on Twitter, and he just said this:

I had been walking by the Serpentine in London. The deckchairs had been at rest when I arrived yet, within a few seconds, a thoughtful breeze turned them into a corps de ballet.

Click on the above link for the photo, which is in suitably 70s black and white, that being when the photo happened.

Like. Partly because it not that serious.

It’s great how ancient Real Photographers, the sort who used film, can now scan their best old stuff and show it to us.

Herbert Sutcliffe with possum

Asked Cricinfo, a while back: Who has made the most runs in an Ashes Test only to end on the losing side? I love that kind of thing, so of course I went to find out who it was, and I encountered this charming photo of the answer:

The Ashes record is held by the England opener Herbert Sutcliffe, who scored 303 runs – 176 and 127 – in a seven-day Test in Melbourne in 1924-25.

According to this, the above photo first appeared in the Sydney Morning Herald on March 14th 1933.

Of Sutcliffe, Wikipedia, who picked out this same photo of him, says:

A right-handed batsman, Sutcliffe was noted for his concentration and determination, qualities which made him invaluable to his teams in adverse batting conditions; and he is remembered as one of the game’s finest “bad wicket batsmen”. His fame rests mainly in the great opening partnership he formed with Jack Hobbs for England between 1924 and 1930. He also formed notable opening partnerships at Yorkshire with Percy Holmes and, in his last few seasons, the young Len Hutton. During Sutcliffe’s career, Yorkshire won the County Championship 12 times. Sutcliffe played in 54 Test matches for England and on three occasions he toured Australia, where he enjoyed outstanding success.

What England wouldn’t now give for such a batsman.

Oscar on high

Incoming from GodDaughter2’s Dad:

It’s a cat called Oscar, on a roof. But photo any creature from that low angle and it acquires a dignity and even a spot of master-of-all-he-surveys grandeur that it would otherwise not exude.

I took a few photos of Oscar on that roof when I was there in the south of France last April, which I have yet to show here. And I photoed other Oscar photos in other places which I have shown here. Some were quite entertaining, and a few of them even proved to be rather important. But all the Oscar photos I just linked to were from above, and none were as imposing as that recent one by GD2D, to whom thanks.

Looking at that photo some more, I think it greatly helps that the roof, its true roofness masked by the dark, looks more like a rock formation than a regular roof.

A drone at the Oval – and what drones will replace

I took this photo at the Oval (sorry the Kia Oval), on July 23rd 2012, when I and Michael Jennings were watching England lose by an innings to South Africa:

All very regrettable. England lost all twenty wickets, but South Africa only lost two wickets. Hashim Amla got a treble century. Boo hoo.

But, take a close look at the rather odd stick-like thing sticking up over that big stand in the distance. Not the big flyswatter, which is for floodlights. No, I mean the rather insect-leg-like thing to its left, as we look.

This:

That’s a simple crop-and-expand of the first photo above.

Then as now, I was interested not just in cricket, as in: Is my team winning? (It was not (see above)). I also was already interested in the means by which cricket is televised or video-intenetted. I know this, because at about the same time I was photoing the above photo, I also photoed this photo:

Imagine spending your entire day, which on that particular day was a pretty hot day, doing that.

Okay. Now, fast forward to the Oval exactly seven years to-the-day later, July 23rd 2019, when Darren and I visited the Oval, to watch Surrey get beaten by Middlesex in a T20 game.

Once again, that my team was losing was very regrettable, but once again, I consoled myself by photoing other things besides the actual cricket, as already recounted in this earlier posting.

And the most interesting thing, by far, that I photoed that evening, was this:

I owe the spotting of this contraption, which hovered throughout the entire game over the same part of the ground as the 2012 crane-photoer did, to Darren’s sharper-than-my eyes, and to the fact that he reads this blog and knew that I would be interested. I would be amazed if I discovered that it was actually not videoing the game that Darren and I were watching, even if it was only panoramic views, for now.

It is surely only a matter of time before drones start being used to video games like the one I saw at Beckenham, where I also photoed video cameras.

And scaffolding. Drones don’t need scaffolding.

I’m guessing that the drone problem just now is keeping them absolutely still, or alternatively, moving them in exactly the required manner, the way crane-photoer has long been doing. But if humming birds can solve this problem, I presume that drones can, and that actually, somewhere, they already have.

Googling for drones-cricket etc. tells me that this is a technology that is bowling ahead, so to speak. For instance, it says here, in connection with the recently concluded Cricket World Cup, that:

The drone camera provided by Batcam will also provide stunning visuals of all venues across England and Wales.

“Batcam” link added.

So, as Darren suggested, it is quite probable that the TV picture in this posting was done by a drone, rather than by a bloke at the top of a crane.

Which means that the Big Alignment described in that posting (the Shard and the BT Tower) may have been no accident. Maybe the drone lined them up right next to each other on purpose.

And remove dentures

6k and I continue to amuse one another. Most recently I amused him with this. And, even more recently, like: just now, he amused me with this:

It’s one of these, which he linked to from this posting.

Today being Friday, I was doing displacement activity (see below) looking for exotic creatures, which he often photos. Very well, I think. (Or: have a browse here.) But this sign was even better.

Big Thing alignments from Lord’s

One of the many things I like about watching cricket on the television, along with things like that I can see properly what is going on, is that in between overs, those high-up cameras often look beyond the cricket, to the surroundings beyond, a process which is especially appealing if the game is being played in London.

As last weekend’s Cricket World Cup Final was, at Lord’s:

That’s a photo I just snapped off of the TV, with a camera.

Let’s see if I can do better, by putting one of the three DVDs I made of the Final with my TV recording machine, into my computer, and then do a screen scan. It helps a lot having the score, because that way I can quickly find the same shot.

Here we go:

A bit better, I think. Not a lot, but a bit.

In the foreground there is Regent’s Park. but the particular thing I like is the way the BT Tower aligns with the Shard. The BT Tower even manages to place itself between the Shard and Guy’s Hospital.

Here’s another Lord’s photo, that I photoed myself on a more sedate Lord’s occasion. Rugby v Marlborough, on August 12th 2017:

I took that from the top of the big new stand which has a roof on it like a big tent. You can see the same alignment, of the Strata (the one with three holes in the top) and the Wheel, in the TV shot above. What this tells me is that the TV shot was taken from a lot higher up, and off to the left as we look. So, on a crane, standing at the Media Centre end.

Here is a photo of some Real Photographers …:

… whom I photoed that same day, minutes after that earlier photo. Lord’s was not exactly buzzing that day, was it? Anyway, I’d like one of those Real Photographers to be sent up to the top of the crane where the TV people took their shot from, and take some extra good stills of the same BT Tower/Shard alignment.

Alas, they probably wouldn’t be that interested. Plus, nowadays you can probably do everything you want along such lines with drones.

That earlier game, described here, had one thing very much in common with the recent World Cup Final game, which was this:

Neither side deserved to lose and cricket was very much the winner …

It was indeed a terrific contest, even if only a tiny few people watched it, compared to the crowd last Sunday, at the ground and on TV.