Although, question. The acronym “RBOSS” signifies the excessive use of photo-editing to beef up photo-colours to absurd levels of colourfulness. And I also hate this. I always try to leave colours just as they came out of the camera. But what actual words do the letters R, B, O, S and S actually stand for?
Wallsend in 1963 by Colin Jones. If you are a young photographer who is just starting out remember to photograph the ordinary things in life, eventually time will make them extraordinary.
Got this from my Twitter feed. Twitter is not only bile and stupidity. It depends who you are following. I follow some photoers. That they typically have different political opinions to me is, for me, a feature rather than a bug, because I see into other political minds.
And there it was, a seemingly unattended screen, staring impassively at The Wheel. I took lots of photos, including many close-ups, but nobody identified themselves as being in charge of this thing. Was this some sort of experiment? Was I being photoed myself? Was I not being photoed, but was I supposed to guess, as I did, that I might be being photoed myself?
And look, the screen is broken. Recent?
Sometimes you never find out what you were truly photoing.
That was photoed by this blog’s setter-up Michael Jennings, last month, in Los Angeles. Presumably these cars were for some sort of movie or TV show. Whenever you see cars being carried about in lorries like that in London, that’s why they’re doing it.
I missed this photo when MJ first put it up at his Facebook site. But I encountered it more recently when an email incame, alerting me to another MJ photo. I liked that one, but then I scrolled back through all his recent Facebooked photos, and liked the above photo even more.
I think this must be the first The Wires!!! posting at BMNB, but there were several at BMOB. What these postings celebrate is photography that itself celebrates new architecture, typically Japanese, which is full of The Wires!!!, but which never mentions The Wires!!!
Here are some classic photos in this genre, which I first encountered in this report, celebrating a modernistical new house in Kyoto:
I tried copying the top one of these three photos from where I had first seen it, but that didn’t work. Instead I tried copying it from here. That worked, sort of, because I found I’d copied all three of the above photos, in one big old .jpg file.
But since these all three photos feature The Wires!!!, and since, once again, these The Wires!!! were never discussed in the text, I am content to just shove up all three, in one big old .jpg file.
One day, some Japanese architect is going to design a building which includes The Wires!!! itself, as a decorative feature.
I predict that as soon as The Wires!!! start getting buried, The Wires!!! will start to be missed, and will become a relentless topic of architectural analysis. In other words the opposite of what they are now.
The originals are only 600×400, but still worth a click through.
The top few medal-winning photos will get lots of views, but it’s the quality of the pack at the front of the pack, so to speak, that impresses me. As I keep saying here, the real story of photoing now is not that the most brilliant photoers are indeed brilliant, but that everyone else who is willing to spare only amateur amounts of time and money can be pretty brilliant also.