I continue to read The Square and the Tower, and very good it is too, just like it says inside the front cover and on the back cover.
In the chapter about the Russian Revolution, appropriately entitled “The Plague”, we read (by which I mean that I read (on pages 214-5)) this:
It is now well known that fewer people were killed in the October Revolution than were killed in the shooting of Sergei Eisenstein’s tenth-anniversary film about it.
Well, this may now be “well-known”, but I did not know it.
Not that this makes the event insignificant. After it, the “plague” spread with astonishing speed.
Only amongst the vast peasantry and the Cossacks did the Bolsheviks lack leaders – which helps explain therapid descent of Russia into an urban-rural civil war in the course of 1918. Essentially, the Bolshevik virus travelled by train and telegraph; and literate soldiers; sailors and workers were the most susceptible to it.
That literacy was at the heart of the Bolshevik story is something that I did know.
That was photoed by this blog’s setter-up Michael Jennings, last month, in Los Angeles. Presumably these cars were for some sort of movie or TV show. Whenever you see cars being carried about in lorries like that in London, that’s why they’re doing it.
I missed this photo when MJ first put it up at his Facebook site. But I encountered it more recently when an email incame, alerting me to another MJ photo. I liked that one, but then I scrolled back through all his recent Facebooked photos, and liked the above photo even more.
Okay, no silly games, this is Disneyland London. They have in mind to construct this during the next few years, out east, on the south bank, on that bit of land that sticks upwards into the beginnings of the Estuary (“Swanscombe Peninsula”), just this side of Tilbury.
The details don’t interest me. I’m pretty sure I’ll never go, not to the finished object. I don’t know when or even if they’ll build this.
What does interest me is that this huge project, even if it never gets beyond being thought about and puffed in the media, illustrates how the centre of gravity of London is moving inexorably downstream. The other Thing as big as this in that part of London is London Gateway, the big container port now being built on the north side of the Estuary, a long walk beyond Tilbury.
This evening I happened upon episode 1 of Trains That Changed The World on Yesterday TV, the show which has Steve Davies in it. This was the episode I missed the first time around, so I am very happy about this.
For the first half of the show, we were in Britain, covering the Stephensons and the transformation that trains wrought, as you’d expect, upon Britain. But then we crossed the Atlantic, and learned how trains put the U in USA. Which all the talking heads, including Davies, agreed that they did.
In particular I learned about this loco:
On the left, an Old Photo of what I take to be, more or less, the original. And on the right, painted in totally implausible paints of many colours, and also photoed in full colour, a Reproduction produced in the 1970s. And looking like it’s just got the part of its lifetime in Back to the Future 3.
This is the 4-4-0, the Model T of the railroad track. The big thing I learned about the 4-4-0 (which gets its name from its wheels) is that it burns wood rather than coal, on account of America being made of trees rather than coal; and that the big bulge on its chimney is to stop solid bits of burning wood pouring out and setting fire to America. I did not know this.
This is a Tweet where you have to show it all or it makes no sense:
"Bill if you take this TV thing, you're finished. You're an actor, for God's sake! Theatre! Movies! I've seen that script too – it's kid's stuff, embarrassing! Not even a medical drama! I'm begging you, Bill – do not do this." pic.twitter.com/j9NV5hbRMT
(LATER: In the first version of this posting, it said “22 people are talking about this”. And I put, at this point: “Make that 23”. Ho ho. But now I note that the above manifestation of this tweet automatically updates itself. Blog and learn.)
Maybe, to you, that tweet still makes no sense. Well, on the right there is a black-and-white fifties British film actor, saying all that stuff. And on the left, William Hartnell, about to become the very first Doctor Who.
It was surely this attitude, that television didn’t matter and would never amount to anything, which was all part of why some of those early Doctor Who episodes went missing. Shame. Selfishly, I don’t much mind, because I never got excited about Doctor Who when it first happened. But I have a friend who still does mind.
I don’t know exactly where this was, only approximately. It was somewhere in the vicinity of Leicester and Trafalgar Squares, these being the places where I photoed the photo just before this one and just after this one:
But I do know for sure when I photoed this photo: April 30th 2015. And I know for sure that I like it. I hope you do also.
It’s that we see both the picture they have created, because of it being mostly front lit, and the means by which the painting is suspended, because of it being partly back lit, that I particularly like.
LATER: I also greatly like this, which was photoed about an hour later:
That was then playing at the Playhouse Theatre, Northumberland Avenue. It was a musical, apparently. Blog and learn.
As Michael Jennings, this blog’s technical curator (to whom continuing thanks), would say, this was in Straya.
Aerodynamic contrails occur when a plane lowers the air pressure as it flies, in turn lowering the air temperature and causing condensation to form on the wings. This condensation then trails behind as the plane continues forward.
In certain humid conditions, the drop in temperature and pressure is such that the droplets of condensation will freeze at varying sizes.
When the sunlight shines through these different sized droplets, it will refract at different wavelengths, hence the variety of colours that can be seen.