Boundary Dragon – Boundary Dragon shadow

I love the City of London Boundary Dragons, and I am pretty sure that the photo below is my favourite City of London Boundary Dragon photo that I have ever photoed:

That is one of the two Dragons on the south end of London Bridge. I photoed this photo on August 12th 2008.

When a strong shadow and weirdness are involved, the Thing itself is usually clear, but the shadow is weird. But in the above photo, the Thing is weird. And the shadow makes everything clear again. Which is an effect that I especially like. And I think we can tell from the framing that I noticed this at the time. This was not a fluke, except in the sense that this effect was there to be noticed and I had the luck to notice it. What I mean is: I did notice it at the time. It didn’t just happen to show up in a photo that I photoed for other reasons, or for no reason.

And what of that building reflected in the window? I rather think that may now have been obliterated, to make way for The Boomerang. Memo to self: go back and do the same photo again, preferably at the same time of day. On August 12th 2020 perhaps? But even without the shadow, a different (or maybe the same) reflection would be worth a go.

Context needed

Some photos are very clear. Here’s a photo. You look at it, to see straight away what it’s of. And, you do see. All is clear. It may or may not be interesting, but it is at least clear.

Other photos can be almost completely baffling, like this one, which I photoed in the summer of 2014:

I say “almost” completely baffling, because you can clearly see Big Ben in there, reflected in … whatever it’s reflected in. Reflected no less than four times. But what are all those bluey-grey and shiny shapes? Is it a car? Guess: yes. But is another car reflected in an original car? Are those shiny reflective surfaces glass or metal? But which surfaces, on what sort of car? Or cars? Side window? Back window? Maybe you can tell, but I just can’t work out what the full story is there.

This is one of those times when I badly need a back-up photo to explain what’s going on, less zoomy, with context. At least we’d know which way up we are, and what the original reflecting object consists of.

What I like best are photos in between the clear ones and the baffling ones, where you can work out what you’re looking at, but only after having given it some thought. (Examples of which may, or then again my not, follow.)

This one is of interest because, simply as an abstract pattern, this does have something going for it. The colours are nice, with the yellow Big Bens brightly lit up by the sunshine of that summer day. The shapes are nice, in a Zaha Hadid sort of way. But, what is it?

I’m photoing in the rain

Contrary to English myth, and myth elsewhere for all I know, it doesn’t actually rain that much in England, and when it does, it doesn’t usually rain that heavily. The reason we fret about rain so much is that there is just enough for it to be a nuisance, and not enough for us to get properly organised to deal with it effectively. See also: snow.

Photoing rainy weather is a whole speciality in itself, caused by such things as the fact that rain makes things shinier and more reflective. Personally I don’t enjoy photoing in the rain. The light is less good, and you are liable to get rain all over the front of your lens. And yourself. For which I will not (see above) be properly organised. So, showable-here photos photoed by me, taken in rainy weather, are rare.

Nevertheless, here is a recent rainy weather photo that I photoed that I quite like:

This was photoed the same day I photoed that lady photoing her ice cream. This lady was photoing her mere companion, so not so fascinating on that front, but I do like the umbrella, the wheely-suitcase and the all round shininess of everything, reflecting the various colours bouncing around in that part of Soho, which is where I was. (Hence the massage advert top left.)

You can even see the green bike reflected in the smooth but wet pavement upon which it stands.

But the mere fact that this lady was content to have her suitcase out in the open like this is proof that this was not serious rain.

For what that is like, let us again consult a recent blog posting by 6k, who lives in South Africa:

It’s been raining for about 12 hours now, it’s still raining, and we’re already approaching an incredible 100mm. The pool is overcapacity, the gutters overflowing, the drains overwhelmed and the beagle is …

Well, it turns out the beagle wasn’t that bothered, because he was indoors. But you get the point. There’s rain like in London, in my photo. And then there’s rain, like that.

An elephant in a City shop

Last Sunday, I visited the Big Things of The City, up close and very impersonal. Sunday in the City is a strange time/place combination, which I like a lot. All those spaces to be occupied by thousands of people, but all the people away for the weekend. Memo to self: do this more often. Especially on great days like last Sunday was.

I photoed the Big Things very happily, and also photoed this big wooden elephant, which was in a shop window:

Shop windows are Photoshop before Photoshop, combining this scene with that scene, this wooden elephant with that Gherkin.

I recently added “Reflections” to the category list. Overdue.

The new Google building in King’s Cross is taking shape

And the shape is the big green thing that someone has stuck in the middle of this photo …:

… which I found here. More about this building-to-be here.

On the right, King’s Cross railway station. On the left, St Pancras railway station, which is where the Eurostar trains go to and come from. It’s a pretty well connected sort of place. And proof that physical connection remains important, in the world of virtual connection that Google does so much to route us all about in.

A while back I was in and around all this with a friend, and just before I photoed these photos, I photoed these photos:

There’s something very appealing to me about the big concrete towers that signal a big new project like this one, towers ministered to by cranes, cranes which on sunny days often leave shadows on the towers. In a few months, all will be completely different. No sooner are these towers built than they are smothered in something else, after which some degree of permanence will return.

And whereas those earlier towers and cranes I linked to were for Brand X unaffordable apartments, the above towers are being built for one of the great economic and political facts of our time.

The Wheel reflections and The Wheel juxtapositions (and a The Wheel postcard)

About a week ago or less, I found myself in the vicinity of The Wheel. The light was very good, with lots of sunshine and lots of lurid looking clouds. So, I took photos.

Below are a clutch of The Wheel related photos. My opinion of how to photo The Wheel is that you should combine The Wheel with other things. Like graphic designs featuring The Wheel which are in the vicinity of The Wheel. It’s the old modified cliché routine.

In this photo clutch, however, I do include one very old school photo of The Wheel. It’s the photo I took of a postcard (1.2), which features The Wheel. And look what the postcard calls The Wheel. It calls it The Wheel: “The Wheel”. None of this “London Eye” nonsense. Do large numbers of people in other parts of the world call The Wheel The Wheel? I do hope so. And I hope that this habit conquers London.

The next four photos, after the postcard (1.3, 2.1, 2.2, 2.3) are all of The Wheel reflected in a tourist crap shop. And then 3.1 is of The Wheel reflected in a place, next door, that sells sandwiches.

I like how I totally lined up the circular blue logo with The Wheel reflection, in 2.3. Could I also have done something similar with the circular things in 2.1 and 2.2, in the latter case an actual picture of The Wheel. I rather think that I tried, but couldn’t do that. But, memo to self, return to this enticing spot, on a nice day, and see what I can do.

This is what I like about taking photos in London, rather than in some foreign spot that I am only going to be in once. If, upon reflection back home, I suspect that I might have been able to do some of the photos better, I can, in London, go back to try to do this.

Originally posted at Brian Micklethwait’s Old Blog

Pavlova reflected in double glazing

Or so I assume. I can’t think what else might have created this effect:

Yes, it’s quota photo time, and that Pavlova statue on top of the Victoria Palace Theatre never fails to charm.

I took lots of similarly double glazed photos of Pavlova at the time I took this one, this one being my favourite.

Previous, quite recent, Pavlova statue pictures can be seen here, here, and here.

A new category is long overdue, but as of now I’m off to bed.

Originally posted at Brian Micklethwait’s Old Blog