A favourite posting featuring Dame Edna

As already reported, those who now dip into the Old Blog are no longer greeted with the Screen of the Red Death. But Google still says it’s “not secure”, and the whole point of this New Blog is it works far better, no matter what kind of hardware you are using. So, I’m still transferring stuff from the Old Blog to here, whenever the mood takes me.

Yesterday I transferred a particularly favourite posting, from way back in 2007, which featured a photo by me of a celebrity whom I encountered in Piccadilly Circus:

There is also, in this old posting, a photo of men wearing mankinis. Being photoed by others besides me, naturally.

All this happened on the one afternoon.

Get ready for electric scooter racing

It seems that my current obsession with e-scooters is quite widely shared. That being why I am obsessed with them.

As of now, e-scooters are only borderline legal. In some primitive places e-scooters are illegal in all public places.

Elsewhere, such as in London, well, as it says here:

Electric scooters have long been something of a grey area, ..

You can hire them and ride them, but you can’t own them and ride them. Or something.

Meanwhile, yesterday, I was out for a bit, and spotted three more e-scooters scooting by. The people are fast making up their minds. The regulators need to catch up, or they’ll start looking very silly.

See also, Michael’s comment on an earlier posting here, about how the path is being cleared by cyclists for e-scooters. The regulators are creating e-scooter paths, which they now call “cycle lanes”.

So, cyclists are smoothing the ride for e-scooters. I seem to recall once upon a time reading that cyclists, way back when, did something rather similar for cars. They created a demand for flatter and better roads. Which the cars then proceeded to dominate, until now, in places like London, where so many of the cyclists are members of the regulating classes. E-scooters are more evenly matched against cyclists. Perhaps because of that, expect battles. Maybe the e-scooters, like cars, will get kitted out with bumpers at the front.

A giant pink flamingo now presides over London

On the same photo-walk that I photoed the Red Lion (see immediately belw) I also came upon this:

And I got a hell of a shock, I can tell you. I am fond of graphic representations of London’s ever more entertaining skyline, so I took a close look at this piece of graphic fun and games. But but but!!! had they suddenly constructed a giant flamingo in the middle of London which I hadn’t heard about until now?!?

Turned out the Wheel is now the last minute dot com “London Eye”, and the pink flamingo is something to do with last minute dot com and the fact it helps you book hotels in foreign parts. At the last minute, presumably.

A giant flamingo might be quite a good idea. How about somewhere out east, beyond the Thames Barrier? That part of London could use a bit of livening up, with a giant tourist trap. Ideally, you could go up its vertical leg in a lift. Then stop off at a restaurant in the middle. Then climb up its neck on a staircase, from which you could view the estuary, and central London.

The South Bank (red) Lion

There has been lots of photo-reminiscing here lately, so here are some photos I took much more recently. Well, in May of this year anyway:

Yes, it’s the lion at the South Bank end of Westminster Bridge.

This South Bank Lion has quite a history, the strangest thing being that it used to be red. I was going to show you the “photo” of the lion when it was red that I found here, until I realised it was faked with Photoshop. But that link is worth following.

The lion hasn’t always perched on the bridge. His first home was on top of the Lion Brewery, a booze factory once based on a site now occupied by the Royal Festival Hall.

I bet the brewery would have made a better concert hall than the accursed RFH.

This photo, on the other hand, of the lion with men and scaffolding is genuine:

The photograph above was kindly shared by Nick Redman of London Photos, whose grandfather (second on the left) was one of the scaffolders who helped move the lion from the soon-to-be-demolished brewery.

I found that here. Also well worth clicking on.

I assume this must be why so many pubs are called “The Red Lion”.

Apparently Emile Zola was very fond of this lion. Blog and learn.

Pavlova dances – backed by a line of cranes

From 2014. Cranes, having spent the day transforming the top end of Victoria Street, relax by going out dancing with Pavlova:

The statue is carefully contrived to look beautiful. The cranes are just cranes. No aesthetics went into them at all. Yet they look beautiful also.

Spot the traffic light.

A smart and skinny skyscraper in Melbourne

Some Australian architects called Bates Smart have completed a very skinny skyscraper in Melbourne.

Skinny skyscrapers are now a definite trend. I recall speculating that this trend might have something to do with views having become a bit more desirable. But it is clear that what is really happening is that plots of available urban land are getting smaller, while structural engineering is getting cleverer. They build these Thin Things because they have long wanted to, and because they now can.

Personally I like the look of these Thin Things very much. Your typical old school skyscraper is often suitably elegant from afar, but when you stand right next to such a Thing at ground level it can be a bit overhearing, and just plain big. This Thin Thing has, at its base, a little decorated frontage left over from the previous building, that is no wider than a terrace house.

So, Keeping Up Appearances at ground level, while above that, the new stuff above soars off into the sky. This is a style I really like. Front doors need to announce themselves, in the established language of older and smaller buildings. What happens above them can just be tall and shapely. (That creaking sound you hear is the cadaver of Ayn Rand, turning in her grave.)

Since the top of this Thing is sliced off in the above-right photo, here’s how that top looks:

We have plenty of Keeping Up Appearances buildings in London, but I wish we had more of these Thin Things. Something to do with the soil? Maybe later. Sooner rather than later is my hope.

Der Bomber

The things you find in your photo-archives, if you are someone like me and you forget two thirds of what you’ve photoed as soon as you’ve photoed it.

This bloke, for instance, whom I photoed somewhere or other in London, I think somewhere near Embankment tube station, way back in 2006:

You see lots of shirts in London with stuff like this on the back, and without reading the small print, I assumed, as I surely assumed at the time I took the photo, that this was a reference to some sort of rock and roll combo, travelling and doing gigs in various places. In this case, it was probably techno-pop, because that’s the sort of music something called “Der Bomber” would do. Bit of a tactless name, though, if they’re trying to make friends while performing in foreign parts.

It was only when I googled “der bomber” that I discovered that this shirt was celebrating the German footballer Gerd Müller. And he wasn’t trying to make friends with foreigners. He was trying to beat them at football, and more often than not succeeding. And nor was he really having a “Welt Tour”. He was playing in the World Cup, in 1970 in Mexico, and then in 1974 in … Germany.

Photo and learn. Blog and learn.

The passions that used to attach themselves to bombing now have to find another outlet, and that outlet is now, mostly, sport. I believe that in recent months we have experienced what a gap is left in our world when sport is lacking. The sooner our politicians feel able to allow people back into sports stadiums, there to cheer on their preferred “bombers”, the better.

Strange transport (but no taxis with adverts)

I’ve been spending time looking for taxis with adverts in the archives. When did this photo-habit of mine cut in? It turns out, much later than I thought. Throughout the entire period of 2011, 2012, 2013, 2014, I only properly photoed, as in deliberately photoed for its taxiness and its advertness, one taxi. One. I photoed it twice, on two different occasions several months apart. But then, for two years and more, nothing. No taxis with adverts whatsoever. I’ll get around to that taxi soon, maybe, I promise nothing.

Meanwhile, however, I was already fascinated by other sorts of transport, of the weird kind. Transport like this:

Two yellow. Two black. A car. A trike. Two motorbikes. A sidecar. And a pillock of a cyclist, getting in the way of that amazing yellow tandem motorbike, may the Plague strike him dead. I’d never seen a tandem motorbike like that before, and I’ve never seen one since.

For those who care, we’re near Waterloo, on Tower Bridge, in Portobello Road, and in the City of London.

There were lots of other strange contraptions I might have included in this posting, but I am aware that during the last day or two, things have slowed down a bit here, and I wanted to post something quick, before doing some essential shopping. Something more this evening, I hope.

An England v West Indies memory – at least I got how the stumps looked afterwards

Tomorrow, assuming I have it right, a test match begins between England and the West Indies, in Southampton. There’ll be no spectators, but they’ve all played either English county cricket or whatever is the equivalent in the West Indies, so the players will know how to handle that, no worries.

My favourite moment in an England West Indies test match happened in July 2004 at Lord’s, when Ashley Giles, England’s skilled but nevertheless rather journeyman-type spin bowler, bowled Brian Lara, the West Indian batting superstar.

I photoed it. Well, I did a photo about a quarter of a minute after it had happened:

There you can just about make out Lara, trudging off into the distance, while Giles is mobbed by his team-mates.

Giles knocked back Lara’s middle stump. How do I know that? Because it’s in my photo, which I only just realised, because only just now did I examined it properly:

Crop, sharpen, and there it is. My Canon A70 was pretty terrible by today’s standards, but it was good enough to show that. YouTube confirms it (never seen that before). Giles’s hundredth wicket in test cricket, apparently. Blog and learn.

England bowled the West Indies out that day and won the match. Scorecard here.

Afterwards I watched the highlights on telly. I remember thinking how much more informative these were than actually being there. But despite that, less entertaining.

First photos with the FZ150

I can still remember the Great Leap Forward that the Panasonic Lumix FZ150 “bridge” camera was. For me if not for all of photoer-kind. For me, the best “bridge camera” I could have was my perfect camera. Tons of zoom, but no faffing about with different lenses to at once capture whatever scene presented itself to me, near or far.

I went rootling through the photo-archives looking for some early photos I photoed with this wondrous new contrivance, looking at the first photo-expeditions I embarked upon, along the River, to the Victoria Docks, or just to Westminster Abbey and Bridge, to photo my fellow photoers, to pick out some photos that brought back the shock of pleasurable surprise I had when I first got my hands on it.

But then I realised I was looking in the wrong place. What I needed to see were not merely some “early” photos, photoed days or even weeks after I got this super-camera. What I wanted to see were the absolute first photos I took with this camera, on January 26th 2012.

And the very first one of all was this:

That scene, of my kitchen window and surroundings as seen from my swivel chair around which most of my life revolves, if you get my meaning. (It’s the chair that does the actual revolving.) I am happy to report that the big grey Thing, bottom left, which was for making ice, has been replaced by a slightly bigger black box, which also makes ice, and also looks after food of many other sorts, including in particular ice cream. Otherwise, nothing has changed.

On each side of the window are CD shelves, and the next few photos I photoed were all close-ups of CDs, edge on:

That was when it hit me, and I believe I can still remember this glorious moment. This was the camera I had been waiting for, all my life. The key point was not just that these were successful photos of distant details. I can tell from the numbering of these photos in the archive that there were no failures. None. All of my first dozen or so photos with this new camera came out fine, even the one of my pop music department, which was where it still is, way off to the left and way up near the ceiling.

Only the following day did I photo anything beyond my front door.

The first outdoor photo I photoed with my new FZ150 was this, dated January 27th, i.e. the following day, just before it got dark:

That’s looking across Vincent Square at the building activity in and around Victoria Street, which has been pretty much continuous, one place or another, for the last decade. Mmmmmm, cranes.

Since then, I have upgraded to the Panasonic Lumix FZ200 and then to the FZ330. But they are both really just the FZ150 with frills added. If my current camera, the FZ330 were to be snatched away from me, and I was given another FZ150 and told that this would be my last camera, I’d not be that bothered. Were I told that I would have to go back to the crappy camera I had before the FZ150, that would be a disaster. Soon after acquiring this FZ150, I wrote about it at some length for Samizdata. This confirms what, up until re-reading that, I had merely remembered. The FZ150 really was a huge step forward.

Hurrah for capitalism. It really is ridiculous that the world’s schools are now cranking out a whole new generation of nitwits, an appallingly significant proportion of whom seem genuinely to want to put a stop to this glorious process.