Candace Owens – alarm clock for black America

My thanks to Scott Adams for telling me about this video speech to camera by Candace Owens. (When I watched this video at the Scott Adams twitter feed, the top of her head was sliced off, sometimes even including her eyes. Not recommended.)

The heart of what Candace Owens says about the dramas now unfolding in America is that black Americans are the only ethnic group in American who make martyrs and heroes out of their worst people, i.e. petty and not-so-petty criminals who come to bad ends. George Floyd is now all over T-shirts, but he was actually, first, a petty criminal, and then a not-so-petty criminal, as Owens explains. By martyrising and glorifying wickedness and failure, you set yourself up for a life of wickedness and failure. And mostly: just failure.

What Candace Owens says seems to me, and to Scott Adams, very persuasive. I hope it will prove persuasive to those whom it is most particularly aimed at, which is black Americans. But what Owens says is partly aimed at old non-black guys like me and Scott Adams, because what she says is also universally appealing wisdom. Wise people don’t do this! Owens has certainly done nothing to stop me hearing this speech of hers.

A twitter commenter says that Owens will become America’s first female black President. But Owens is surely in the meantime attempting something smaller and more immediate than that, and in the longer run potentially bigger and better than that.

The “alarm clock” reference comes towards the end of the video.

The China Works Tower

A while back I was walking along by the River, just upstream from Lambeth Bridge, and photoed this photo (number 5 of these) of the China Works Tower (thank you commenter Alastair for identifying it):

Also a while ago now, I went back there, yes, to photo stuff like all the signs at the other end of that link, but basically to check out this China Works building from close-up:

In an earlier posting here about would-be applier of architectural decoration Adam Nathaniel Furman, I said:

Furman intends to apply ornament with colourful abandon.

But, not the old sort of ornament that the Victorians liked to do, and against whom the original Modernists reacted with such disgust. …

Well, the above photos are of just this old sort of ornament, the sort that Furman doesn’t want to do. But, technologically, he intends to use very similar techniques. Ceramics. Also known as: China. (Odd that, naming a material after the big old country where they got the idea from. Are there any strange things called, in foreign parts, Britain or England? So, how’s your meat? Okay, but it could use a dash of Britain. Your skirt’s falling down, try using an England.)

This China Works Tower is surrounded and jostled aggressively by modern buildings, designed by the sort of people who grew up believing all the old sort of ornament to be an aesthetic abomination, or at the very least an aesthetic dead-end.

The most aggressive architectural jostler is a fire station, immediately the other side of a very narrow road. Which happens to be the start of Lambeth High Street, which is odd but there you go. Here are photos I took of all that jostling, with the fire station in the middle photo here:

You can see the white roof of the fire station in the photo at the top of this posting.

Luckily, the China Works Tower is not entirely isolated, and is hence not totally smothered by later buildings. It was once only a small part of a bigger collection of buildings, and a decent chunk of those earlier buildings remains, attached to the Tower and keeping it company:

There was a lot of sunshine and shade colliding on the facade of the Tower, so that doesn’t look so good there. But the blander, less decorated and bigger stretch of the old building was easier to photo, as you can see.

I shouldn’t grumble too much. At least the Tower survived, along with a chunk of the earlier buildings it presided over. The Tower was the architectural advert, so to speak, for a real business, one that survived longer than most Victorian-era enterprises, way past World War 2. And then the Tower was saved by an early manifestation of the Conservation Movement, in the form of two rich fogeys, aesthetically speaking. The link above, in paragraph one of this, concerning the history of this place and what they’re now doing with it is well worth a follow, so here is that link again.

I wouldn’t want London to consist only of such ornamented antiquities, but I am glad that quite a lot of such oddities still survive, and that they now look like having a decent future, to follow their distinguished past. And I am glad to have lived long enough to have experienced a time when this past can be easily learned about. During the last century, I would see such a building, wonder about it for about one minute, and then forget it and move on to the next equally baffling oddity.

Rioters and the ending of the Lockdown

Scott Adams:

Serious question: Did any Republican lose a business to rioters?

I began thinking of my answer, but the first tweet-in-response said it for me:

I bet some future Republicans did.

I’ve been suspecting for some time now that Antifa – or “Fa”, as I prefer to think of them – could be a project put together by Trumpsters to ensure his re-election. I mean, if they really were that, what would they be doing differently? (Take a gander at this bit of video, to see what I mean.)

On a more serious note, all these demos will speed up the process of discovering if ending Lockdown makes sense. I already think it does make sense. If, as I am now betting, no Coronoavirus spike now materialises among the demonstrating classes, others will likewise be convinced.

Meanwhile, a huge chunk of people are now behaving as if the only thing they’re scared of is dirty looks from other people. They aren’t scared of The Bug itself anymore. Lockdown is ending. You can feel it. You can see it, for real and on the news and social media. Two months ago, no matter who had done what, there’d have been no demos about it because almost everyone was truly scared of The Bug. Now, The Bug is right down there with car accidents and getting struck by lightning.

It’s almost as if no government action was required, either to make Lockdown start when that made sense, or now, to make it stop.

See also what Johnathan Pearce, has to say about these US rioters. JP links to all these videos, which I am now about to sample.

Time-lapse of braces doing their thing

I think Steve Stewart-Williams is now my favourite Twitterer. Never really understood these contrivances until now.

Another e-scooter sighting – and a couple of e-scooter quotes

This afternoon an electric scooter and its rider went past me and immediately turned a corner. I had no camera on me, but I scuttled after it anyway, to check that it really was electric. This is because electric scooters are so compact that the only way you can tell for sure that they’re electric is if they carry on for fifty yards without being pushed along by foot. Otherwise, you just can’t be sure.

These things may still be illegal, but they are already a fact of London life. I just nipped out for some milk, and there it was.

In this piece, a good point is made about how electric scooters are going to be much demanded in the aftermath of Lockdown, as a hygiene measure. Politically, this will be hard to resist:

Post-pandemic, will New Yorkers be willing to ride the subway, take a taxi or hire a private driver as they did before? Headlines here in New York already have mentioned a spike in bicycle sales. As New Yorkers re-think their transportation choices going forward in the wake of the coronavirus pandemic, the use of electric bicycles and electric scooters will undoubtedly become more common throughout the state.

That’s New York, but it could equally well be London. And the difference between an electric scooter and an electric bicycle is that an electric scooter is easy to carry and store while you work, while a bike could be a cumbersome nightmare by comparison.

Bikes are only built the complicated way that they are so you can peddle them. E-scooters just need charging up, and pushed by foot only in a power emergency. Or, you can just carry it, if necessary on a bus or train. (Will e-scooters be allowed on the Tube? They should be. Far bigger suitcases already are.)

Far later than I should have, I recently told Google to email me with e-scooter news, and here’s a bit from a press release I got a few days back, from Ollie Chadwick, Managing Director of this enterprise:

At the present time, eScooters are entirely legal in many countries and cities. In the UK they are permitted on private land and commercial sites. However, despite eBikes and foot-scooters being legal on the public road, eScooters are not – although they are in widespread use. It is this anomaly that requires clarification, together with a sensible ‘code of usage’.

Allowed, is what he is basically saying. I agree.

I can’t say about the rest of the world, because I seldom visit this place and have yet to do the relevant internet searching. But e-scooters are, I’m now betting, the next big thing in London transport.

Blackfriars buskers

All in the same spot, right near the southern end of the Blackfriars Railway Station Bridge.

July 2015:

September 2016:

May 2020:

Same spot. Different times.

Blotting out the face with reflections at the top of the Tate Modern Extension

Here are some photoer photos I photoed almost three years ago now, at the top of the Tate Modern Extension. They are all of the same person, taken one after another:

I think that what she’s doing here is a selfie with the Big Things of the City of London behind her. It’s because it’s a selfie rather than a straight photo of the view that she is facing us.

When photoer photoing, I am always on the lookout for ways for faces to be blocked out. The camera itself, smartphone (as above) or just a regular camera, often does this by getting in the way. Bags and coats often oblige. Lately, of course, there have been masks. Simplest of all is just photoing from behind the photoer. But simple can be ever so slightly dull, and that particular dullness was avoided this time.

What blots out this lady’s face is that she is behind a window, and the reflections in the glass of what is behind me do the job. Well, mostly. If you knew her already you might recognise her from the last one. But I doubt a face recognition computer could make much sense of it.

This Tate Modern Extension summit is a fabulous place for photoing, for me. Other photoers, great views out over the middle of London, often combinable in the same photo. Terrific. And with windows on three sides of the room at the top, and the viewing platform all around the outside, the reflections and combinations and complications are often mind-boggling. Just explaining what’s going on in the above photos would take another screen’s worth of prattle, and you’d probably be none the wiser.

And don’t get me started on those big spots on the windows. They add a whole extra dimension to everything.

The only way to explain all these complications and ramifications is to have a mass gallery, with lots of photos of photoers and of the place itself, to the point where you can all see for yourselves what’s going on, and why everything looks the way it does. But not today.

In which Patrick Crozier tells me that the Americans could and should have won the Vietnam War

This was in the course of our latest recorded conversation, which we had over the phone (by which I mean my phone and his computer) last Wednesday, and which has just been posted at Croziervision, with further verbals from Patrick.

Which I recommend, even if you don’t listen to the thing itself. Patrick’s posting is even more informative and full of pertinent links than usual. In particular, I draw your attention to the link concerning the Case-Church Amendment, which Patrick identifies as the moment (it happened in June 1973) when an American victory, having been pretty much won on the battlefield, was then thrown away by the US Congress.

B-1B selfies

If I were Senior Airman River Bruce, I’d be mighty proud of this photo:

Those are mechanics, so it makes perfect sense for them to put themselves in their photos. And well done Senior Airman Bruce for including them in his. Or hers, maybe? Air-man suggests his, but what do I know? Either way, it’s a great photo, which underlines how many man hours go into keeping one airplane like that flying.

With thanks to Austin Bay.

LATER: One thing did puzzle me. What was all this talk of “BONE”? Simple, it’s a One thing. B-One.

One year ago today: “You cannot do that!”

I love to photo the front pages of newspapers, while in shops from which I also buy things I still want:

And that was the front page of The Times of a year ago tomorrow, June 1st 2019.

The headlines make interesting reading now. Trump trying to stop us getting into bed with Huawei. Bet our politicians now wish she’d listened then.

And, the Lib Dems riding high in the polls. But this was because they had temporarily managed to get most of the Remain vote supporting them. Labour eventually got most of the Remainers supporting them. Meanwhile, the Leave vote was split, but would later unite in voting Conservative.

But most important of all, to me, are the pictures in between those two headlines. That’s Ben Stokes, taking an amazing catch, in England’s opening World Cup 2019 match against South Africa at the Oval, one year ago exactly. Stokes only had to take the catch this way because he at first misjudged it and got himself too far towards it. But who cares?!? He caught it. Video, with Nasser Hussain’s great commentary, here. England went on to win the tournament.

Now, YouTube is showing me the amazing Ashes test-match-winning last wicket partnership, at Headingley, between Jack Leach and … Stokes.

The weather now is perfect for cricket and has been for several weeks. But as of now, they still cannot do that, and we fans are having to be content with memories.