Category: My photographs

Antisocial Benches

Remember Jeppe Hein’s red seat sculptures outside the Royal Festival Hall. Well, when I went back there, in early May of this year, when Lockdown was getting started, to see how the red seats looked in bright sunshine (strictly for the essential exercise you understand), I discovered that what Stein called his Modified Social Benches had been modified, to look like miniature crime scenes. They had been smothered in red and white tape, thus:

However, towards the end of the time I spent photoing all these benches that had been modified to make them anti-social, I photoed this lady and her bike, resting in one of the benches:

She either didn’t know she wasn’t supposed to be sitting there, or she knew but she didn’t care.

You can see how they wouldn’t want the tape to be, to echo the name of some popular entertainers of yesteryear, simply red. (a) Too much like smothering these things in red tape, and (b) what with the benches already being red, the red tape might be rather hard to see.

Poetry on the South Bank

Last summer, when wandering about where those Modified Social Benches are to be found, in the vicinity of the Royal Festival Hall, I happened to look downwards and I encountered, beneath my feet, this snatch of poetry:

When, more recently, I wondered what this poetry was, I was of course quickly able to identify the entire poem, hunting quotations down, even quite obscure ones, having now become so very easy.

I am sure that the off-puttingly antiquated language that I see in this poem is at least metaphorically speaking present, for many, in the classical music that I so love to listen to. These things are all a matter of personal taste. An insuperable barrier to one potential receiver of Art is no barrier at all to another. But for me, this sort of poetry is such that I hear only those barriers, rather than what is behind those barriers.

“O Thames!” … “Bards” … “fair River! … “fair Stream! … “Thy quiet soul on all bestowing” … “Vain thought!” … “thou art” … “ditty” … “the dashing oar” … “By virtue’s holiest Powers attended”. I just can’t get past such verbiage. If you can, I’m delighted for you, but I just can’t. This is close enough to the language I know and love for me to get straight away most of what is being said, but for that very reason, the fact that I and my contemporaries just wouldn’t say it like that also cannot be got around.

And, for me, the poetic momentum acquired by poetry when it really had a public impact, when people were spoken to strongly by words and phrases like those I have picked out from this Wordsworth poem, seems to weigh down even much contemporary poetry with its antiquated habits.

It’s not just the antiquated words. The very habit of “poetic” contemplation now seems to me more a suitable object for comedy than a real way to communicate. This much repeated bit of Rik Mayall stand-up seems to me to skewer the whole idea of being a poet, now. The puns that aren’t funny and aren’t even meant to be. The knowing proclamation of banalities, or just nonsenses, in a manner that implies deep wisdom. The deep suspicion verging on outright hostility that the Poet now has towards his potential audience, knowing that we think he’s rather laughable, in a bad way. The feeling that this character is a Poet, because he’s not up to being anything else of greater impact in the world as it now is.

I repeat. If you like poetry of the sort that poets do now, great. I am trying to describe how I feel, not making any sort of argument about what you should feel. I know I’m missing out on a lot of good things because of the above.

Here is something else I encountered, earlier on the same South Bank photo-walk in which I photoed that bit of Wordsworth.

A poet:

Yep. Definitely a poet. A poet is exactly the sort of person I’d expect still to be using a typewriter, and to ply his trade without drawing anyone’s attention to a website or social media presence. This is an exercise in self-conscious anachronism and, if this chap is silly enough to take what he’s doing seriously, almost inevitable downward social mobility.

Unless of course, he’s gathering material for his stand-up comedy act. That would make sense.

Photoers and birds in Trafalgar Square

Liking, as I so definitely do, those temporary moments in the ongoing pageant that is London’s variegated history, I remember fondly the time when Trafalgar Square sported a big blue cock:

My version of that moment of course includes the fact that photoers were photoing the big blue cock, with their friends in shot, sometimes holding the big blue cock up in their upraised hands.

I especially liked this photo of cock and photoer, where the big blue cock that the photoer was photoing is reflected in a big bus window behind the photoer that I was photoing:

I do like good reflections.

Other famous birds were also present, and photoers, knowing of their fame, were photoing them also:

But maybe my favourite photoer photo that I photoed that day was this, also bird related:

Real Photographers work away to contrive the exact photographs they want, and then they photograph them. But good luck contriving that one, ladies and gentlemen. Photoers like me just photo lots of photos, and then pick out the best ones to show somewhere like here, whether we contrived them or whether they were just flukes.

Boris Johnson at Lord’s on July 17th 2006

Indeed. On that day, for the final day of this game between England and Pakistan, I was at Lord’s, photoing photos like this:

You can see what I was trying for there. A nice uninterrupted photo of that Space Pod Lord’s Media Centre, with that Spirit of Cricket sign in the foreground. The spirit of cricket having undergone a lot of modernisation lately. Something along those lines.

Only this blond-haired bloke strode past and got in the way, and it took me three goes before I had a photo I could crop down into what I was going for.

However, Boris Johnson was even then a celeb, and he grinned happily at me as I photoed him. I knew, and have known ever since, who this chap in my photos was. So, absurdly blurry though his face is, that is definitely him. Just like me, he had been watching the cricket.

Which rather gives the lie to this piece in The Critic, by John Joliffe, with this subheading above it:

What happened to Boris as a child that he hates cricket so?

Backed up by this in the text, in which Joliffe speculates, without really meaning it, why the Johnson government has smothered cricket in social distancing regulations:

One wondered about the motives of a government which was willing to foist these futile regulations on a harmless amateur game. It seemed unlikely that Simon and his sanitiser was all that kept us from an early death. Perhaps 40 years ago at Eton, Boris Johnson was overlooked to play for the Colts 4th XI on Agars Plough and has never forgotten the slight or forgiven the game.

If Johnson has hated cricket ever since he was a kid, he had a weird way of showing it back in 2006.

I don’t think Johnson hates cricket. More likely, he hates what he has been doing, for over-riding political reasons he was and is powerless to resist, to cricket and to the country, because of this damn Plague, and what both the press and the “experts” were and are still telling him he has to do about it. As a Prime Ministerial predecessor of Johnson’s is said to have said: “Events, dear boy, events.”

The third and deciding game of this summer’s weird test series between England and the West Indies begins tomorrow morning. Weather permitting.

Photoing the cricket in 1938 – and photoing it now

Cricket Monthly has a piece up about the tech that accompanies cricket, with some great historic photos of the tech of yesteryear, including this wonderful photo, from the yesteryear 1938:

I found it a bit unclear, but I think that’s not even a movie camera. It’s a still camera.

Love the Reverend, with binoculars, who looks to be slumbering.

Here is a posting I did about how they do the videoing of cricket nowadays and about how that’s still, of course, developing.

And here’s a photo I photoed in 2017, or photoers, pros and ams, photoing the Rugby v Marlborough game at Lord’s that year:

It wasn’t a big crowd, so plenty of social distancing even then.

Now that there’s a gap happening, between test match 2 (which ended Monday) and test match 3 (which kicks off Friday), between England and the Windies, I am now missing this cricket, the way I never did during full Lockdown, when there just wasn’t any.

Photoer five years ago today

Indeed:

So much of the fun I have got photoing my fellow photoers is noting the physical contortions to indulge in they get their cameras just where they want them. This guy is standing naturally, but he needs his camera to be lower. He has no twiddly screen which he always uses, they way I do. So, not only must his camera be lower. So must he, his head in particular. At first, his stance for accomplishing this is ungainly. But then, he makes use of the steps, and he regains his gainliness.

To quote myself in this posting from a bit before the above photos happened, in 2014:

As I’ve said several times before, someone should do a ballet based on digital photoers.

ISIBAISIA. Saying “I’ve said it before and I’ll say it again” is a symptom of advancing years. Another symptom of advancing years is thinking of getting out and about in the nice weather, but then instead just staying in and having a lie-down. Which is what I did today. By the time I got vertical again, it was getting dark.

Behind the photoer, Southwark Bridge.

Strange sport

In between the first two photos I showed in the previous posting, of and from the coutyard, and the second two, of the hair and the mugs, I also photoed this:

That’s Vincent Square. In the far distance, the Wheel. In the not so far distance, the Vincent Square cricket pavilion. In the foreground? Cricket? There often would be at this time of year, played by the inmates of nearby Westminster School. But the Plague has kiboshed all that. Cricket is only just getting going again.

But we have had two test matches, the second of which concluded today, between England and the West Indies. It’s now one all and one to go, the one to go getting going this coming Friday. More heroics for England from Stokes.

Nobody is at the grounds watching these games, but for the many thousands following virtually, on radio or on television, these are still test matches. I found it oddly soothing, when I watched the highlights on television, or listened to the radio commentary, in which regular reference was made to the strangeness of it all. Usually, the empty seats that often afflict cricket test matches not against Australia are a source of regret, embarrassment even. But for these games, there was the perfect excuse.

This hasn’t been much of a posting, but I wanted something here to remember this strange summer of sport by. One of the oddest things about Lockdown was, first, the total absence of any sport, and then, the oddity of the professional sport that did resume. With all the apparatus of modern communication, but no actual spectators. The perfect reflection of what has been happening to the world as a whole. We weren’t allowed to go anywhere or be anywhere, but we had no trouble keeping in touch.

Getting out more

Today I got out more. Meaning, I got out. The plan was to take a photo, and show it here, only hours later, instead of my usual average these days of about five years.

I started by putting out the rubbish, in the yard that my kitchen window looks out over. And already I got two photos I liked, of the little urban garden someone has created down there, and from looking upwards:

Yes, also lots of bikes. Courtyards are good places to store them fairly safely.

And here are four diverting things I saw on my walking about. Some big hair, and three educational mugs with national flags, times tables, and the periodic chart of the elements:

Then I did some shopping, staggered home with far too much stuff, in particular far too many chocolate biscuits, and am now knackered.

That moment when three of the statues in Parliament Square were in boxes

For a few days in June, the statue of Winston Churchill in Parliament Square was hidden in a box, to protect it from demonstrators.

And on June 17th, I checked it out:

I also discovered that two other statues had been thus encased.

Mandela:

And Gandhi:

Although strangely, what with him having been threatened, not Lincoln:

I especially treasure photos like this, of moments in London history that are very striking, yet temporary. (Another of my photo-clutches that I especially like having photoed for this reason is all the photos I photoed of this broken crane.)

I vividly recall photoing these statues-in-boxes photos, yet when I went looking for them this evening, I couldn’t find them on my hard disk. I eventually looked on the back-up SD card that I always carry with me in my jacket pocket for when I forget to insert the regular SD card that is usually in my camera, and there these photos were. Still on that SD card, not yet downloaded to the hard disc, yet all present and correct. And I experienced that particular happiness that happens when life extricates itself from extreme misery, and back only to the extreme imperfection that is life’s normal state.

I returned on June 21st. By which time these boxes had gone and all the statues were back on view.

How London is about to copy Notting Hill

Towers continue to soar upwards into the blue sky of London town:

But now, with The Plague, Lockdown, social distancing, blah blah, do cities have a future? Does London have a future?

Here’s detail of the tower on the right in the above photo, photoed by me a few days later on a much gloomier day:

There’s no getting away from it. Those are coffins. Did the architect know something that the rest of us didn’t? Are urban apartments death sentences? Is the age of urban social communion about to die in front of our horrified eyes?

For my elderly generation, well, maybe, for a short while. But cities are not going to stop happening, merely because a few oldies have died of a cough that was worse than the usual sort. History may be all about lots of people dying, but mere life is lived and will continue to be lived by those who do not die. In the short run, it will be interesting to see if London takes any sort of visible hit from The Plague. Will we finally see a London skyline bereft of construction cranes, after the current crop of projects have been finished, on a we’ve-started-so-we’ll-finish basis? Will all those eastern European construction workers be packed off back home to the country towns and villages from whence they came?

Temporarily, maybe, although even this I doubt. Permanently, not a chance. The advantages of city life are too great, too abundant, too transformative, too agglomerative.

Actually, disaster is a tried-and-tested technique for urban regeneration. Consider The Blitz. So much of the current dynamism of London can be traced back to those stressful times. The Blitz destroyed. And, by destroying, it created new opportunities. Paris is only now starting to recover from not having been bombed.

I am old enough to remember the Notting Hill Riots of the late fifties. After a short period of post-riot economic downturn, during which all the timid oldies who lived in Notting Hill fled in terror, young and adventurous types moved in, and the place has never looked back. They even made a movie about how it had become the kind of place a super-glamorous movie star would unwind in on her days off, and become acquainted with Hugh Grant.

I predict, although I may not live to see it, that The Plague will have a similar impact upon London as a whole. Many oldies will die or flee to the suburbs, to the Cotswolds or to the West Indies. At which point the young and vigorous and risk-embracing, with plenty of viral resistance or resilience or whatever it is that you need to not die of The Plague and any subsequent variations, will take the place over. In about five or six years from now, London will be buzzing again, and in a whole new way. (Preliminary detailed prediction: more colour.)

I actually, very probably, will live to see the beginnings of this. I may even be able to summon up the energy to photo some of it.