Adam Nathaniel Furman – Colourful Modernist

Here we go. Colourful Modernism is on the up-and-up:

Design education “brainwashes” students into rejecting colour, pattern and ornament, according to Adam Nathaniel Furman, who said a group of London designers is finally overcoming bias against their use.

Furman named the movement “New London Fabulous” and described it as “design and architecture as a visual and cultural pursuit, which is highly aesthetic, sensual and celebratory of mixed cultures”.

The thing you have to understand about “architecture” (as opposed to just shoving up machines for living and/or working in) is that famous architects do most of it, and you have to work long and hard to become one of these people. What designers and architects aged around 35-40 are fantasising is not what gets done, except on a very small scale.

Architecture is not like Art. Art, you can actually do, now, whoever you are. You don’t need a room full of old people to all agree to spend a huge amount of money on it. (It helps that in addition to costing nothing, Art doesn’t have to “work”, as in: not collapse and not leak, and so forth.) But “architecture” needs just this sort of tedious functionality. So, you need to have spent a life-time impressing the clusters of old people who matter, persuading them that you are a safe enough pair of hands as well as a genius, blah blah. Your contemporaries with proper jobs, basically. So, you spend your life doing architectural propaganda and publicity. You do manifestos, books, essays, and little design jobs that attract disproportionate attention, given their often humiliating size (i.e. lack of it). Like Adam Nathaniel Furman is doing. Then, when you’re about sixty, the old men may pick you from the ranks of all the propagandists and visionaries, and let you build a bank headquarters building or an apartment tower or a museum, and that’s your chance. If that stays up, doesn’t leak, and attracts tourists and sells in miniature form in tourist shops and on postcards – if it is declared to be “iconic”, you then have the rest of your life to go on doing “architecture”. You become, as we now say, a Starchitect. Main rule to follow then: stay alive as long as you can.

Notice how Furman is both turning his back on “Modernism” and yet not doing this. His stuff, if and when he ever builds much of it, will still look “modern”. It is merely that he is utterly rejecting one of the founding principles of Modernism. He embraces colour, and also “pattern and ornament”. As he points out, “Modernism” as originally proclaimed, was often quite colourful. But the colours were just painted on. Colour was not stuck on, in an obviously colourful way. “Applied ornament” was an object of hatred and contempt for the original Modernists, and in practise, as we know, they and their followers mostly shunned bright colours also. Furman intends to apply ornament with colourful abandon.

But, not the old sort of ornament that the Victorians liked to do, and against whom the original Modernists reacted with such disgust. Furman is proposing enough of a change to enable architecture fans like me to see something big happening. What he is not saying, merely because Ancientists also like “pattern and ornament”, is that he actually wants to be an Ancientist himself. Perish the thought. He wants to “celebrate all cultures”, rather than just ours as it used to be.

Personally, I find Furman’s “fabulous” designs more than somewhat garish and over-the-top. But then, I almost always dislike strikingly new architecture, until I see it and get used to it. And whether I personally end up liking whatever Furman builds or not, in London it will fit right in. Why shouldn’t it? Everything else does.

Ian Leslie seems to be learning from his mistakes

You get the feeling that a certain New Statesman piece, written in June 2016, must have had a rather big impact on the life and career of its author. Here is what the headline above it said:

Calm down. Trump won’t be President – and Britain won’t leave the EU

The piece under that was written by Ian Leslie.

Here are a couple more headlines, that can be read above two more recent pieces by Ian Leslie, also in the New Statesman.

December 2019:

Political scientists talk about low-information voters, but too much information causes problems too

March 2020:

Society rewards bluffers, but now is the time to admit we don’t know what we’re talking about

The reason this posting is here rather than at Samizdata, which is the group political blog that I have contributed to a lot in the past and continue to contribute to rather less frequently, is that although I have noted the existence of these articles, I have not read all of them. I did read the first one, quite a while ago, but I’ve not read the other two. Before sounding off about all this on Samizdata I need to actually read what Leslie said, and in the case of the top one, read it again.

Two thoughts about this, in the meantime.

First, if my blog postings were gone through, heading by heading, I’m pretty sure that you could have plenty of this sort of fun with them. A difference between prominent and more mainstream opinionators like Ian Leslie, and me, is not that he’s often badly wrong, but I never am. It’s that his wrongness is more public than mine. Also, he’s paid to make a judgement. If I want to hem and haw and hedge my bets and sprinkle my blog postings with question marks, no editor tells me I’m paid to get off the fence rather than remain seated upon it.

I was also very surprised when Brexit won (I talk about this ten minutes into this conversation with Patrick Crozier), and when Trump won (see this blog posting).

Second, it is by being wrong that we often learn. This is a tedious American cliche, with “learning experience” often just being the American for a balls-up. But it’s a cliche because it is said so often, and it is said so often because it is often true.

You certainly get the feeling that Ian Leslie has at least tried to learn from his very public double error of June 2016. I don’t recall the details very clearly, but I do distinctly recall that Leslie’s first piece actually said quite a lot about why Trump won and Brexit won. He identified, that is to say, some relevant variables – degree of economic discomfort and indifference to grander political principles are two that I recall noting. He just got wrong how people felt about how these things mattered, in connection with Trump and with Brexit. He wasn’t wrong because he asked the wrong questions. He merely answered some right questions wrongly. He was half way there, in other words.

So, next step: read the pieces themselves. Remember: The biggest lies in the media are told by those who concoct the headlines. These are often not just wrong, but often immediately proved wrong by what is right underneath them.

Tiananmen tank man – the small picture and the bigger picture

Someone calling himself hardmaru tweets, of this photo …:

… this:

The full Tiananmen Square tank man picture is much more powerful than the cropped one.

Not sure that’s right. You only get the point of this big picture if you already know the smaller picture. If you didn’t already know that, would the big picture pack such a punch? Maybe this is my bad eyesight asking, but would you even properly see the guy in front of all the tanks?

I don’t know when this big picture first started getting around. But, having seen the small picture many times, I have only now seen this big one. So thankyou @hardmaru, and I’m glad that both can be seen.

Five years ago today on the South Bank

Yes, another retro-photo-meander, on May 11th 2015

Photo 1: This doesn’t exactly nail down the date, does it? This could be a headline from any day during the last two decades. False, every time. The only time we got tough on the EU was when the mere voters voted to leave.

But Photo 2 is suitably fixed in time, the time when they were just finishing those rather lavish looking student apartments, on the far side of Westminster Bridge. In my day, we lived in digs. These were holes in the road. Just kidding.

Photo 3: Just as photos of people wearing face masks take on a new meaning now, so now do crowd scenes. Who are those people wearing blue caps? No idea. Memo to self: gather up more crowd scenes. I haven’t done many of these. In future, I’m guessing now I’ll do more.

Photo 4: The Big Purple Cow is – was? – a comedy venue.

Photos 5 to 9 explain themselves. Above the streaks on concrete is a sign saying where we are.

Photo 10: On the right, that’s the ME Hotel Radio Rooftop Bar.

I can never remember what the roof clutter i Photo 12 is on the roof of, but I always like to photo it.

The vapour trail in Photo 15 was also this vapour trail. If vapour trails always looked this black and horrible, there would now be no planes flying.

Cat kindergarten

Why was I not informed about this remarkable building, erected in 2002 in Karlsruhe, Germany, until now?:

I am interested in unusual buildings. On Fridays, I like to do creature-related postings here, which are not just regular cats-or-dogs-doing-endearing-things postings, or at least not always. And, for a while, just after this building was built, I was an education blogger. So, The Internet really should have told me about the Kindergarten Wolfartsweier a decade and a half ago, rather than only yesterday.

The above photo is one of these, of Buildings That Look Like Animals. (Again, this list was published nearly two years ago, and only now am I being told about it. Come on Internet, you can do better than this.)

The Internet only got around to mentioning this building to me because Owen Hopkins has written a book about Postmodern Architecture (subtltled “Less is a Bore”), and The Internet finally deigned to send me an email, linking to an article about this book, at a website called “Luxury London”.

This article is quite informative, but the subheadings that sell it are a bit silly. As usual, the stupidest stuff in media is perpetrated by headline and subheading writers. For insteance, this:

London has become the global epicentre for postmodern architecture …

Which merely means that London, being quite big and quite rich, has quite a bit of postmodern architecture.

And this, which is silly, given what the article is about:

… narcissistic steel-and-glass megaliths of the City …

London is about to start seriously pining for more new narcissistic steel-and-glass megaliths, now that it has stopped building them, for the time being anyway.

What the world now needs is a narcissistic steel-and-glass megalith, shaped like a cat.

Love the NHS or die!

And speaking of photos by other people, as I just was, what of Michael Jennings? I linked to a photo of his not long ago, and do so quite often.

Well, on the first day of this month, Mchael was, he said on Facebook, in the Old Kent Road, and he photoed this:

The worship of the NHS is now so over the top that soon mainstream columnists are going to start trashing it, just to be different. Perhaps they already have and I just didn’t notice.

That’s a Soviet T-34, by the way.

Hong Kong Demo – London – January 19th 2020

The Chinese government has been taking advantage lately of the fact that there is now only one media story, and is now crunching down on Hong Kong. Because now, this isn’t much of a story, compared to the big story.

As soon as the current round of dramas in Hong Kong began, I was pessimistic about the outcome in the short run, and I am even more pessimistic now. The only hope for the HongKongers, I think, is to get back at their tormentors by turning China itself, in the fullness of time, into something far different and far better, which won’t be so CCP friendly. And in the meantime torment their tormentors by making them scared, and angry that they are liable not to be written up very kindly by History. In short, the HongKongers must now settle down to try to win in the long run, along with everyone else in the world who would like China to be less horribly governed and generally a better place and less of a plague, so to speak, on the world.

But, to do my little bit for keeping Hong Kong as a story now, here are some photos I took of a pro Hong Kong demo in London on January 19th of this year, but never got around to showing anywhere, until now. These next few photos concentrate on the messages the demo-ers were proclaiming:

One weird thing though, the demo seemed to be outside this place:

What have the HongKongers got against the Royal Institute of British Architects?

This slice of google mappery explains:

The RIBA is across the road from the Chinese Embassy, and the demonstrators were shoved across the road. I have various guesses as to who made this happen and why, but I basically do not know.

Japanese report says dictator is in a vegetative state

The vegitative state in question being North Korea.

Other inevitable headlines will will be variations on the theme of “Undead”.

FIRE UP THE MEME FACTORIES.

LATER: “Is he alive? Is he dead? For the moment, I’m calling him Schrodinger’s Dictator.” Ha.

Steven Pinker: “Don’t confuse pessimism with profundity …”

See the world through Pinker-tinted spectacles than you may be inclined to:

Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don’t confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas.

My sentiments exactly.

That’s to be read on page 452 of my paperback edition of Enlightenment Now, Pinker’s most recent book.

Meanwhile:

Those were a couple of the day before yesterday’s headlines. Let’s hope it soon becomes yesterday’s news. Problems are, as Pinker says, solvable, and let’s hope this one too is soon sorted.

Pinker is particularly aware of the way that the news is in the habit of putting a pessimistic spin on everything. If it bleeds it leads, and so on. Good news, meanwhile, creeps up on the world more gradually.

Bollocks can also be spelt Bollox

I note with pleasure and gratitude that BMNBdotcom has made it into David Thompson’s latest list of ephemera, because of an earlier little posting here concerning bollocks.

Some while after doing that posting I came across this Sun front page photo, taken the day after the last General Election:

I would have included that in the earlier posting if I’d remembered having photoed it. But today’s also a good day for it, because Friday is my day for animal kingdom related postings. Woof.

Another creature related ephemeron (?) in DT’s list concerns the eagles at the top of the Chrysler Building.