Tasting the sunshine out east last August

Yes, last summer I went on several exeditions to such places as the Dome, and beyond. Here is a clutch of photos I photoed in the beyond category. On August 11th, I journeyed to the Dome, then took the Dangleway across the River to the Victoria Docks, and walked along the north side of them, ending my wanderings at the City Airport DLR station:

There are two of these favourite sculptures to be seen, in Photo 7 and Photo 11.

There are 35 photos in all. I think maybe my favourite is 33, which includes an advert that says: “OH REALLY?” I like that, for some reason.

Photo 27 has a sign, on the side of the Tate & Lyle factory, saying “TASTE THE SUNSHINE”. It was a very sunny day. I count three that include shadow selfies (23, 24, 31).

It is so much easier doing this kind of thing than it was at The Old Blog. (My thanks yet again to Michael J, who did this new blog for me.)

Keeping up appearances with scaffolding and pictures

I don’t know exactly where this was, only approximately. It was somewhere in the vicinity of Leicester and Trafalgar Squares, these being the places where I photoed the photo just before this one and just after this one:

But I do know for sure when I photoed this photo: April 30th 2015. And I know for sure that I like it. I hope you do also.

It’s that we see both the picture they have created, because of it being mostly front lit, and the means by which the painting is suspended, because of it being partly back lit, that I particularly like.

LATER: I also greatly like this, which was photoed about an hour later:

That was then playing at the Playhouse Theatre, Northumberland Avenue. It was a musical, apparently. Blog and learn.

Low level roof clutter on the House of Fraser

Presumably, many readers of this blog regard my fascination with roof clutter as a mere eccentricity, perhaps a consequence of me getting old. But, I believe that there is more to it than that. I mean, for starters, there is just, in a place like London, so much of it.

One matter illuminated by observing roof clutter is that one is thereby observing which parts of a city are, so to speak, part of the public performance, of the stage scenery as seen by the audience; and which parts are the mere behind-the-scenes clutter by means of which the appropriate public appearances are created, and by means of which the merely mechanical purposes of the buildings are kept going. And one of the things about this division is that it keeps needing to be changed, to incorporate the new ways people look at their city. They start looking down on it, from tall new buildings, for instance. Which causes all sorts of aesthetic oddities to be experienced. Like observing a vast see of roof clutter of a kind never originally intended to be observed at all.

This roof clutter photo strikes me as especially striking:

Yesterday I attempted to visit the roof garden of John Lewis, as resolved during the previous posting. But it turned out this roof garden is shut for the next three weeks. I only got as far as the floor beneath the roof garden. And it is amazing what a difference that small difference in height makes to what you can see. It’s the difference between dreariness and all manner of distantly visible excitements. Also, when I got to this not-quite-top, the weather was pretty dreary, so I didn’t stay long. But I did photo the photo above.

How come this particular stretch of roof clutter is so near to the ground? Why has’t it been tidied up. Why hasn’t it been arranged, prettified? Why hasn’t it been “designed”?

The reason is that in the normal course of things, nobody would ever look down on it.

This is because department stores are typically not places where you are supposed to be looking outwards, through the windows of the store. You are there to look inwards, at the produce on display, and to buy some of it.

Look at the department store windows in the above photo, the ones above the roof clutter. They aren’t real windows! They may have glass and everything, but they aren’t there to be looked out through. They are there to disguise the brute fact that a department store is a big box, with walls you aren’t supposed to be looking through instead of spending money.

And that part of Oxford Street is all department stores. So, when it comes to the roof clutter in the photo, nobody’s looking. This stuff is invisible. The only people looking at the facade of the House of Fraser are at ground level, and even they aren’t really looking. For them, a pavement is mostly a machine for walking along and a department store is a mostly machine for shopping in. What mostly matters to them about the House of Fraser is all the signs saying “House of Fraser” because that tells them what sort of stuff is inside.

There is also, of course, a decidedly backstage atmosphere to this entire little street.

Here’s what happens to a roof which, for some of the time at least, is often looked down upon, out of office windows for instance. Offices have real windows (and it occurs to me that one reason for the fake windows in the wall of the House of Fraser might be if they want to turn a bit of the store into an office, or maybe even convert the entire thing into an office (but I digress)):

I was only able to photo these photos because of the rather recent (?) habit of turning the tops of department stores, and office blocks for that matter, into observation decks, where food and drink can be sold and where the city, publicly impressive or merely cluttered, can be observed from above.

Christmas is coming

Lots of rather incomprehensible stuff to be seen through this charity shop window in Warwick Way last Friday (i.e. September 27th), and more to be seen reflected in it. But the central message, stuck on the inside of the window, is clear enough:

It would appear that the Festive Season has started even before the clocks go forward.

Urban picturesque

Indeed:

Photoed by me in September 2013.

I have labelled this photo “NearlyEverything” because for me, it has nearly everything. Scaffolding, roof clutter ancient and modern, a crane, Magic Hour light, the lot. Well, not the lot, there are things I like that are not present in this photo. But a lot of the lot.

There is even present a favourite item of London public sculpture, in the form of the statue of Mercury that adorns a building on the north bank of the River called Telephone House. If you follow that link, you’ll learn nothing about this sculpture being there. But it is.

Googling for “mercury statue” is greatly confused by the fact that a statue of pop singer Freddie Mercury has recently been on display outside the Dominion Theatre, across the road from Centre Point.

Is this taxi advertising anything or is this just decoration?

I’m talking about this taxi:

Which I photoed in the City of London this afternoon.

In my photoing experience, if a taxi is elaborately decorated, it’s usually an advert of some sort. But on this taxi, I would see no reference to any product or service. So is this Art?

I tried some image googling, but found nothing like this taxi to click on.

A van making a radical argument for eating cats

Here.

Demanding consistency can backfire.

Yesterday in Euston Road

Yesterday I met up with a friend in Kings Cross, and afterwards, what with the victoria Line being all over the shop, I walked along the Euston Road, to places where other tube lines could be easily reached.

Here are a few of the photos I photoed:

My usual preoccupations are on show. Signs (ph4 ph5), sculpture (ph5), things that look like they could be sculpture but are not, like scaffolding (ph8) and like those strange yellow things (ph7). There’s even a photoer photo (ph3), outside St Pancras. And a taxi advert (ph2, about how you can “ID yourself”.

ANPR, I now learn, refers to Automatic Number Plate Recognition, which it would appear that motorists don’t need to have explained to them. But what are the strange yellow things? Weights to stop the fences being pulled over, is my guess.

Plus, note the surveillance camera, top left, in the last otherwise oh-so-pretty photo.

More pleasingly, I like how that glass penthouse-like (pentoffice?) addition has been added to the slightly older brick structure (ph6). The opposite of roof clutter. A lot of architecture is about adding stuff to already existing buildings these days. Which makes a nice change from smashing everything down every time, which they of course still do a lot of.

Adding stuff includes adding paint, to an already existing building (ph1). That building always amazes me whenever I see it. It’s a bank. There seems to be an architecture rule that the more flamboyant the building, the duller the institution that occupies it. Vice versa often applies too, I think.

Walking north to the Dome

So there I was at YOU ARE HERE …:

…, and following a bit of shipspotting, I made my way north along the wiggly pink line beside the River.

And so now here is another of those click-click-click in-your-own-time fast-or-slow-or-as-you-wish galleries, of the sort I never used to do on such a scale at the old blog, because they were so much harder to do and so much harder for you to click-click-click your way through:

Looking back, at such things as the quadruple chimneys of the Greenwich Power Station. Looking left across the River to the towers of Docklands and towers further away. Looking at the strange shore, between the River and the land I was walking on, and at the strange things people do to such shores. Looking to the right, at the new machines for living in that are being constructed next to this shore. And looking to the right further away, to catch occasional glimpses of the Optic Cloak, which I admire more and more every time I see it.

There is no theme this time, other than the theme of this being where I was and this being what I saw from where I was. Fences, scaffolding, cranes, towers, and lots of signs, and, in general, a place that will be very different in a few years time. Also, quite a lot of plant life of various sorts, which I always enjoy in moderate doses, in among all the urbanity.

The walk involved quite a bit of digressing inland, as walks alongside the Thames tend to. This being because they are constantly altering what is next to the Thames, and don’t want you getting in the way while they’re doing that.

The final photo in this gallery features a huge fence, for stopping balls escaping from a mini-golf range. I did not see that place coming.

Surrey v Middlesex T20: Out of the sun in Bedser Upper

On July 23rd, Darren and I went to the Oval to watch Surrey lose to Middlesex. I photoed signs, and I photoed a drone, and that was about the half of it, if by that you mean about 0.5% of it.

As earlier noted, we got there with lots of time to spare and to spend taking in all the incidental sights and sounds of the Oval before the actual game got going. Which meant that when we reached our seats, the entire place (not just the place we were in) was nearly empty.

Darren had purchased seats for us in something called Bedser Upper, in honour of this Surrey legend. And the first thing we noticed when we reached our seats was how very cool it was, compared to how hot it might have been. We could see everything perfectly, yet we would be sheltered from the sun:

Remember, this was was the hottest day ever in London since the dawn of creation. 38 degrees centigrade, and a sure sign of Gaia’s Wrath To Come, to punish Sinful Man for burning too much petrol, gas, oil, etc., and for being too happy and comfortable and well off. Humanity used to be a bunch of slave labourers. Now it is a much vaster throng of, pretty much, sports fans with, compared to olden times, part-time jobs. And the sort of people who disapprove of that disapprove of it by talking about such things as how very hot it was, in London, on that day. And it was indeed very, very hot.

But, not quite so hot in Bedser Upper. Darren had chosen very well.

Later we realised that we were also sitting inside a giant loudspeaker, into which dementedly deafening pop music would be inserted for the duration of the game. Such is modern (very) limited overs cricket. But, we agreed that this was a price well worth paying, for the lack of extreme hotness.

I love the architecture of the Oval. (By which of course I mean the Kia Oval.) So much more interesting that some dreary built-all-at-once football stadium. The big sweep of that big new stand, with its big curved roof, on the left. The classical nobility of the ancient gasometer. The magnificently tall pavilion, on the right. And in the distance, occasional glimpses of the Big Things of central London. What a place.

And, just as divertingly, for me, before the game got started there were lots of interesting rituals being played out by a total of getting on for a hundred people. WIth other sports, a lot of this stuff is hidden away behind the scenes. But with cricket, if you get there early enough, you see it all. More about all that in further postings here about this wonderful night out, Real Soon Now.