Getting out more

Today I got out more. Meaning, I got out. The plan was to take a photo, and show it here, only hours later, instead of my usual average these days of about five years.

I started by putting out the rubbish, in the yard that my kitchen window looks out over. And already I got two photos I liked, of the little urban garden someone has created down there, and from looking upwards:

Yes, also lots of bikes. Courtyards are good places to store them fairly safely.

And here are four diverting things I saw on my walking about. Some big hair, and three educational mugs with national flags, times tables, and the periodic chart of the elements:

Then I did some shopping, staggered home with far too much stuff, in particular far too many chocolate biscuits, and am now knackered.

Katharine Birbalsingh on the racism of David Starkey and on the nation state as an antidote to racial tribalism

I’m about half way through watching this “interview” on YouTube, done by the two Triggernometry guys (don’t yet know their names) with Katharine Birbalsingh, the quotes being because it doesn’t take much in the way of questioning to get Katharine Birbalsingh onto her soapbox and orating with no further provocation or prompting.

Birbalsingh was explaining that, and exactly how and to what extent, David Starkey is a racist. She quite likes Starkey, agrees with him about a lot of things, agrees that of course he’s not nearly as bad as Hitler, but somewhat worse that then a little old lady walking along the street who is scared when a bunch of black kids comes towards her. That’s her attitude towards him.

I’m only about half way through the whole thing, which lasts a bit more than an hour. But already (around 22 minutes in), one of the Triggernometry guys has put the defence of Starkey which I have been thinking myself. Which is: That Starkey talked about “damn blacks” not because he really thinks blacks should be damned, but because of the vehemence with which he disagreed with the argument he was denouncing, which equates slavery with genocide. I too have been thinking that Starkey made a serious error in using this phrase, but that he wasn’t sounding racist on purpose, he was just getting a bit carried away. (There is often a strong overlap between slavery and genocide. In Hitler’s Germany many thousands of slaves were deliberately worked to death, and killed if they stopped working, for whatever reason. I am sure similar things could be said of the slave trade. Nevertheless, the two concepts are clearly distinguishable.)

Birbalsingh had already said that Starkey actually has a lot of previous in saying things in a decidedly racist manner, and of generally making “mistakes” of this sort. He’s a smart guy. Had he wanted to phrase things more politely, make certain distinctions subtly instead of crassly, he could easily have taken the trouble to acquire this habit. He hasn’t. And that’s because he hasn’t thought that he needed to. In short, he is racist. She doesn’t want Starkey “cancelled”, but she wants him knocked down in the world to the tune of a peg or two.

Birbalsingh was very clear that being rather racist, like Starkey, is not the same as being Hitler. There’s a continuum of racism, a spectrum, with that scared little old lady at one end and Hitler at the other. I strongly agree with that point. (I actually think she was being a little unfair to the little old lady. That kind of racism is, for all sorts of reasons, often very rational, even as it may often be experienced as very insulting to those on the receiving end of it.)

On the Starkey matter, I found Katharine Birbalsingh rather persuasive. She changed my mind about Starkey. I now entertain the possibility that Starkey is indeed, and has long been, somewhat racist, in just the way she described. Which is only appropriate, because Birbalsingh prides herself on her ability to persuade people to change their thinking.

She also put one of the strongest cases I have yet heard for the Nation State. I’m a libertarian of the sort for whom the state is typically the enemy. “The state is not your friend”, and so on. She said that by inculcating a sense of Britishness into all her pupils, of all colours, she makes it far less likely that they will divide into racial tribes, including some racial tribes who consequently feel deeply unwelcome in what ought to be their own country, and which geographically and legally is their own country. My thing is: state/liberty, choose one. Hers: nation state/racial tribalism, choose one. Hers is a good point, I think. I’ve surely heard this argument before, in various forms. For some reason, her way of putting it really hit home.

Now I’m going to go back and listen to the rest of it.

First photos with the FZ150

I can still remember the Great Leap Forward that the Panasonic Lumix FZ150 “bridge” camera was. For me if not for all of photoer-kind. For me, the best “bridge camera” I could have was my perfect camera. Tons of zoom, but no faffing about with different lenses to at once capture whatever scene presented itself to me, near or far.

I went rootling through the photo-archives looking for some early photos I photoed with this wondrous new contrivance, looking at the first photo-expeditions I embarked upon, along the River, to the Victoria Docks, or just to Westminster Abbey and Bridge, to photo my fellow photoers, to pick out some photos that brought back the shock of pleasurable surprise I had when I first got my hands on it.

But then I realised I was looking in the wrong place. What I needed to see were not merely some “early” photos, photoed days or even weeks after I got this super-camera. What I wanted to see were the absolute first photos I took with this camera, on January 26th 2012.

And the very first one of all was this:

That scene, of my kitchen window and surroundings as seen from my swivel chair around which most of my life revolves, if you get my meaning. (It’s the chair that does the actual revolving.) I am happy to report that the big grey Thing, bottom left, which was for making ice, has been replaced by a slightly bigger black box, which also makes ice, and also looks after food of many other sorts, including in particular ice cream. Otherwise, nothing has changed.

On each side of the window are CD shelves, and the next few photos I photoed were all close-ups of CDs, edge on:

That was when it hit me, and I believe I can still remember this glorious moment. This was the camera I had been waiting for, all my life. The key point was not just that these were successful photos of distant details. I can tell from the numbering of these photos in the archive that there were no failures. None. All of my first dozen or so photos with this new camera came out fine, even the one of my pop music department, which was where it still is, way off to the left and way up near the ceiling.

Only the following day did I photo anything beyond my front door.

The first outdoor photo I photoed with my new FZ150 was this, dated January 27th, i.e. the following day, just before it got dark:

That’s looking across Vincent Square at the building activity in and around Victoria Street, which has been pretty much continuous, one place or another, for the last decade. Mmmmmm, cranes.

Since then, I have upgraded to the Panasonic Lumix FZ200 and then to the FZ330. But they are both really just the FZ150 with frills added. If my current camera, the FZ330 were to be snatched away from me, and I was given another FZ150 and told that this would be my last camera, I’d not be that bothered. Were I told that I would have to go back to the crappy camera I had before the FZ150, that would be a disaster. Soon after acquiring this FZ150, I wrote about it at some length for Samizdata. This confirms what, up until re-reading that, I had merely remembered. The FZ150 really was a huge step forward.

Hurrah for capitalism. It really is ridiculous that the world’s schools are now cranking out a whole new generation of nitwits, an appallingly significant proportion of whom seem genuinely to want to put a stop to this glorious process.

Robot dog progress

Researchers publish open-source, lower cost design for 3D printed robot dog.

What are the future applications of of such a “dog”? Some rather unconvincing tasks are mentioned in the above report, like hanging about in a forest “monitoring” animals. But that sounds like green-friendly make-work to me.

Warfare in complicated terrain does seem like an obvious application. Exploring Mars, in other words, and then fighting other robots for the control of Mars. And meanwhile filming it all, for entertainment purposes?

Airplanes flew for quite a long time before they found a major use for them, which was to spy on opposing armies and to make big guns cleverer, and then to fight and kill other airplanes. Then came high tech sport, in the form of air races, which was really just research and development for better and faster war planes.

Around then, also, very tentatively, airplanes began to deliver letters. And then, airplanes began to deliver people, which was to say very rich people. Eventually, half a century after they first flew, airplanes became part of the good life for regular humans.

Robot dogs look like they might follow a similar path. As of now, robot dogs are the robot equivalent of the useless and clumsy contraptions that airplanes were in the nineteen-noughts, good only for lunatics in goggles to play with.

Comments of how these weird creatures might actually make themselves useful, more quickly and less destructively than my grumpy pessimism just said, would be most welcome.

For starters, if these things are ever going to be liked by humans, they’re going to need heads, heads that are more than merely decorative which gather and transmit information. Then, maybe (and I seem to recall speculating along these lines at my long-lost Education Blog): child minding? A combination of such robot-human interaction and transport? Like a sort of super-intelligent horse?

Some well written advice about how to write well

At 6k:

I sort of knew this. I now know it better. I might buy this book. I now need a longer sentence, one that drives the point home a bit, but not too much, because after all I didn’t think of this, I just nicked it.

LATER (also from 6k): Plummenausfahrtwunderschein. In Germany, if you want to drive your point home really hard, you don’t construct a long sentence. You construct a long word.

Alex Singleton’s website

Yes, incoming from Alex Singleton:

Hi Brian,

Hope you are keeping well.

I thought you might find this amusing – a full and frank confession of my time as a teenager:

https://www.alexsingleton.com/diversions/fast-times-at-dulwich-college/

Best wishes,
Alex

The link above took me to a website entry adorned with this photo of the architectural splendidness that is Dulwich College:

Alex Singleton is a PR person. Not just any PR person, the PR person who wrote The PR Masterclass, which I possess and recommend, and about which, google reminds me, I wrote about the launch of in this rather ancient blog post.

Blog post summary:

If you hold a book launch for a book called “PR Masterclass”, that launch had better be packed out, or you look like a prune.

It was. He didn’t.

I get emails similar to the email Alex just sent me on a daily basis. However, they are usually much longer and duller and they usually refer to my Old Blog, which hardly inspires confidence. They just got my email from some random list. It tells you something about Alex Singleton’s skills as a PR person that I have reproduced his email in full. I assume Alex wants his website, which I’ve not seen before (certainly not this Dulwich piece), to be noticed. Hence this posting.

Alex is the kind of person who has lots of friends. But speaking as one of them, I never feel he is exploiting me when I get an email like the one above. There’s no pressure, not least because it reads like it took him only about fifteen seconds to write, and like he was sending out lots of other personalised emails to other friends at the same time. Maybe this was a mass mailing, with identical wording to all of us, but it doesn’t feel like that to me.

I had a rootle around in the website. Politically, Alex is a Free Marketeer. He doesn’t bang on about this at excessive length, but nor does he hide this fact, which I like. But mostly, it’s about how he does PR and about how he learned this.

He is upfront also in saying that the point of the website is to develop his personal brand. So many people in advertising and marketing forget to do this. They advertise everything, and do marketing for everyone, except for themselves. But if you can’t even drum up business for yourself, why would anyone else trust you to do the same for them? Being a PR person and being a bit pushy about it makes perfect sense.

Cat kindergarten

Why was I not informed about this remarkable building, erected in 2002 in Karlsruhe, Germany, until now?:

I am interested in unusual buildings. On Fridays, I like to do creature-related postings here, which are not just regular cats-or-dogs-doing-endearing-things postings, or at least not always. And, for a while, just after this building was built, I was an education blogger. So, The Internet really should have told me about the Kindergarten Wolfartsweier a decade and a half ago, rather than only yesterday.

The above photo is one of these, of Buildings That Look Like Animals. (Again, this list was published nearly two years ago, and only now am I being told about it. Come on Internet, you can do better than this.)

The Internet only got around to mentioning this building to me because Owen Hopkins has written a book about Postmodern Architecture (subtltled “Less is a Bore”), and The Internet finally deigned to send me an email, linking to an article about this book, at a website called “Luxury London”.

This article is quite informative, but the subheadings that sell it are a bit silly. As usual, the stupidest stuff in media is perpetrated by headline and subheading writers. For insteance, this:

London has become the global epicentre for postmodern architecture …

Which merely means that London, being quite big and quite rich, has quite a bit of postmodern architecture.

And this, which is silly, given what the article is about:

… narcissistic steel-and-glass megaliths of the City …

London is about to start seriously pining for more new narcissistic steel-and-glass megaliths, now that it has stopped building them, for the time being anyway.

What the world now needs is a narcissistic steel-and-glass megalith, shaped like a cat.

“I wish you bad luck …”

I don’t know which of the people I follow on Twitter drew my attention to the tweet that contained the quote that follows, a tweet which has been hanging around on my hard drive ever since I encountered it, but whoever it was, thank you.

There’s probably some computer trickery by means of which I could have straightened this out, but regulars here know that computer trickery is not a great strength of mine, and in any case, here at BMNB you get what you pay for. So, here is the quote, curves and all:

The tweeter who tweeted this, Daniel Negreanu, tells us that this is an excerpt from a commencement speech to a graduating middle school class, given at some time or other, somewhere in America, by someone called John Roberts. There is a bit of discussion below about who this particular John Roberts might be (anyone?), but basically, this is the only thing I have heard by or about him. This quote was in its turn quoted in The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting Up a Generation for Failure, by Jonathan Haidt and Greg Lukianoff. That being where the curvy graphics came from. A photo presumably.

This is the kind of thing I used to put on my now long defunct Education Blog. Maybe I should start doing more of this kind of thing.

I especially like what he said about luck.

Reflections in blue sunglasses

According to my hard disc, I photoed this photo on October 6th 2004. I fefinitely photoed it with my ancient Canon A70:

Not bad. Clearly visible on the right spectacle lens, as we look, and especially so if you click and make it bigger, is a current architectural obsession of mine, Battersea Power Station.

The guy wearing the glasses was a fellow pupil in a digital photography course, run by my Local Authority, which I participated in. To very little effect on me, I’m afraid. I was then and remain a self-taught pointer-and-clicker, on Automatic. Most of what I have learned is how well pointing-and-clicking on Automatic actually works. Aside from a few wisdoms about light and how to get it on your side, most of what I have learned has concerned what it makes most sense for me to be photoing. As I have noticed more things that I find worth photoing, my photos have got slowly better.

On the left, me. I don’t like regular selfies, with nothing but me. But I do enjoy Alfred Hitchcock type selfies, where I can be glimpsed in photos that are mostly about something else, or at the very least about more than just me.

Perpignan photos

A year ago yesterday I was in St Cyprien, and a year ago today I was in Perpignan. However, I was in Perpignan again on January 9th of this year, when the weather was much better and hence so were my photos. Here is a selection of the photos I took then, there:

Not only was the weather better last January than it had been in April of last year; there was also a temporary Wheel in place (photos 20, 21, 22, 26). And (see photo 9) there was an exhibition on of some photos by former President of France Jacques Chirac. How about that?

A feature of any visit to Perpignan is, or should be, a journey to the department store called Galeries Lafayette (the big white building in photo 18), the views from the top of which are excellent (photos 19-28). The views on the way down from the stairs are pretty good too (photos 28-30).

Other than that, it was the usual. Amusing signs in French, roof clutter, strange plants, pollarded trees, various sorts of sculpture ancient and modern, bridges, left over Christmas signs, a motorbike. All good stuff, and all looking much better in the much better light there was in Perpignan on April 9th. Click and enjoy.