Jordan Peterson on why zebras look the way they do

Today, I was thinking, what with it being Friday: What can I put here about cats or other creatures that would be of interest? But instead of looking for something along those lines, I was listening to a video conversation between Jordan Peterson and Camille Paglia, about the sorry state of the humanities departments of American universities. I can’t remember why or how, but I was. And twenty four and a half minutes into this, I listened in astonishment as Peterson suddenly started talking, fascinatingly, about zebras.

Why do zebras look the way they do, so very black and and so very white, and so very stripey?

This has long puzzled me. The arch enemy of the zebra is the lion, and the lions are impeccably camouflaged. Their coats are the same colour as the veldt, or whatever it is that the zebras roam about on and that the lions hunt the zebras on, and so the zebras don’t see the lions coming. But the zebras, with their garish black and white plumage, are nothing at all like the colour of the land they live on. What gives? Why the lurid and fantastically visible stripes?

Today I learned the answer to this question.

The answer is: When lions hunt zebras, they do this by deciding on just the one zebra that they are going to hunt, and they concentrate entirely on that one zebra. Eventually, the chosen zebra is exhausted, and the lions catch it and kill it.

And how do zebras respond, evolutionarily speaking? Answer: By becoming extremely hard to distinguish from each other. Their very stripey stripes do exactly this. The result of that is that although the lions try to hunt just the one zebra, thereby exhausting it and killing it, they instead keep getting confused about exactly which zebra is the one they are trying to hunt. And the result of that is that instead of hunting one zebra to its death, they hunt half a dozen zebras, not to any of their deaths, and go home without their dinner.

Some scientists who were studying zebra plumage did what turned out to be a rather cruel experiment which proved this. They squirted some colour onto one of the zebras in a zebra herd. The lions, confident now that they would not be confused about which zebra they were hunting, proceeded to hunt that one marked zebra to its inevitable death. Without such marking out, they couldn’t tell which zebra was which. With such marking, hunting success followed, every time. Every time, they chose the marked and hence easily distinguishable zebra.

I did not know this.

Peterson’s point was that American humanities professors are like this. They all have totally crazy, yet totally similar, opinions. That way, their enemies can’t fixate on one of them and destroy him. Or something. In this version of the zebra stripes story, Peterson is saying that people in general are like zebras. But I really didn’t care about that. It was the zebras and their stripes that interested me.

I love the internet.

Originally posted at Brian Micklethwait’s Old Blog

BMdotcom quote of the day: Amy Wax describes bourgeois virtues

Professor Amy Wax, quoted in this:

Get married before you have children and strive to stay married for their sake. Get the education you need for gainful employment, work hard, and avoid idleness. Go the extra mile for your employer or client. Be a patriot, ready to serve the country. Be neighborly, civic-minded, and charitable. Avoid coarse language in public. Be respectful of authority. Eschew substance abuse and crime.

These are the kind of virtues that, in Charles Murray’s words, the upper classes of the USA have been practising, but have been neglecting to preach to those below them in the social pecking order. Result says Professor Wax: disaster.

That phrase about preaching what they practise is a good one and I am glad it is getting around. (I mentioned it in this Samizdata piece.) I don’t always practise these virtues myself, particularly the ones concerning working hard and avoiding idleness. (I would also want to distinguish between serving my country and serving its mere state apparatus.) But I preach these virtues nevertheless. Do what she says, not what I do.

A little hypocrisy is far preferable to a lot of silence in these matters.

Originally posted at Brian Micklethwait’s Old Blog

The Wheel reflections and The Wheel juxtapositions (and a The Wheel postcard)

About a week ago or less, I found myself in the vicinity of The Wheel. The light was very good, with lots of sunshine and lots of lurid looking clouds. So, I took photos.

Below are a clutch of The Wheel related photos. My opinion of how to photo The Wheel is that you should combine The Wheel with other things. Like graphic designs featuring The Wheel which are in the vicinity of The Wheel. It’s the old modified cliché routine.

In this photo clutch, however, I do include one very old school photo of The Wheel. It’s the photo I took of a postcard (1.2), which features The Wheel. And look what the postcard calls The Wheel. It calls it The Wheel: “The Wheel”. None of this “London Eye” nonsense. Do large numbers of people in other parts of the world call The Wheel The Wheel? I do hope so. And I hope that this habit conquers London.

The next four photos, after the postcard (1.3, 2.1, 2.2, 2.3) are all of The Wheel reflected in a tourist crap shop. And then 3.1 is of The Wheel reflected in a place, next door, that sells sandwiches.

I like how I totally lined up the circular blue logo with The Wheel reflection, in 2.3. Could I also have done something similar with the circular things in 2.1 and 2.2, in the latter case an actual picture of The Wheel. I rather think that I tried, but couldn’t do that. But, memo to self, return to this enticing spot, on a nice day, and see what I can do.

This is what I like about taking photos in London, rather than in some foreign spot that I am only going to be in once. If, upon reflection back home, I suspect that I might have been able to do some of the photos better, I can, in London, go back to try to do this.

Originally posted at Brian Micklethwait’s Old Blog

Surrey Docks Farm

At the end of that walk along the river with GodDaughter 2, the one when I took this photo, and these photos, I also took these photos:

This was Surrey Docks Farm. As you can see in a couple of the above photos (most clearly in 4.3), Surrey Docks Farm has (of course (this is the twenty first century)) its own website.

We were on the path beside the river, getting a bit bored with the sameness of it all, getting a bit tired, knowing that we would soon be done, and then suddenly we found ourselves wandering around in a farm. There were no humans to be seen, just farm animals. The sheep in particular seemed really glad to see us, and stayed to have their heads scratched even after it had become clear that we had brought no food with us.

Originally posted at Brian Micklethwait’s Old Blog

Recent taxis with adverts photos

Yes, I’ve been continuing to photo taxis with adverts. Here are half a dozen of the most recent such snaps.

First up, further proof, if you need it, that the internet has not abolished television. People still like to be passively entertained, surprise surprise. But the internet is in the process of swallowing television, so that they end up being the same thing:

Next, become an accountant! Note how they include the word “taxi” in the advertised website, presumably to see whether advertising on taxis is worth it. Note to LSBF: I have no plans to become an accountant.

Note also the Big Things picture of London, something I always like to show pictures of here, and note also how out of date this picture is. No Cheesegrater, for a start:

Next up, a taxi advertising a book. I do not remember seeing this before, although I’m sure it has happened before:

Next, Discover America. I thought it already had been:

Visit a beach. I didn’t crop this photo at all, because I like how I tracked the taxi and its advert, and got the background all blurry, and I want you to see all that blurriness. Nice contrast between that and the bright colours of the advert. A little bit of summer in the grey old February of London:

Finally, a snap I took last night, in the Earls Court area. And now we’re back in the exciting world of accountancy, this time in the form of its Beautiful accounting software:

As you can see, it was pitch dark by the time I took this. But give my Lumix FZ200 even a sliver of artificial light and something solid to focus on, and it does okay, I think. A decade ago, that photo would have been an unusable mess.

I am finding that taxi advertising changes very fast these days. All of the above photos, apart from the one with the beaches, was of an advert I had not noticed before.

Which means that in future years, these taxi photos will have period value, because the adverts will have changed over and over again with the passing of only a handful of years.

Originally posted at Brian Micklethwait’s Old Blog

Scandinavia comes out on top according to the HDI …

… because the HDI is basically a measure of how Scandinavian your country is.

That’s Bryan Caplan, complaining about something called the Human Development Index, in a piece entitled Against the Human Development Index.

Originally posted at Brian Micklethwait’s Old Blog