London’s machines for living in are getting better

Le Corbusier famously described homes as machines for living in, and if this Property Reporter piece is anything to go by, it would seem that London’s machines for living in have been getting better lately:

Traditionally, period London property consistently outperformed new build in terms of desirability and price. However, times are changing and now there’s an emerging trend of buyers preferring new to old.

What this tells me is that the quality of the newest London homes has finally got better than the quality of older buildings from a hundred years ago and longer. The dark age of what can only be described as architectural incompetence, that the Modern Movement in Architecture unleashed by including so many very bad ideas about how to design things in its bran tub of ideas, looks like it may be over. In London, anyway.

This doesn’t mean that people love how the latest London “dwellings” look. They merely, given the choice between living in a picturesque building that works somewhat badly or an ugly lump of soulless modernity that works better, prefer the latter. Function trumps form. You want your life to work. If that means it looks a bit boring, so be it.

People never did hate actual functioning buildings; they merely hated “functionalism”. Sneer quotes there because “functionalism” tended not to function properly. “Functionalism” included too many bad ideas about how to design things, bad ideas like: it’s clever to turn your back on conventional designs for stuff. Housing modernity is now a bunch of design conventions that actually work, and which architects who wish to remain in employment now know not to turn their backs on. Despite many mere appearances to the contrary, architects in London are now very conformist in how they work, and that works much better.

The ideal arrangement, then, might be to have a brand new home – the very best and latest machine for living in – but for the outside of it to be old.

So this later bit in the Property Reporter piece especially interested me:

American buyers traditionally insisted on new build, but ironically they are now championing the old – but not the draughty, leaky version of old! Projects that leave the period façade in place, while replacing the rest with what amounts to brand new are top of the list for buyers from the USA.

You see a lot of this sort of thing being done in London, if you look out for it.

Please do not explain this T-shirt to me

Speaking of cats, as I just was – well, of one cat – here is another cat-related photo, of one of the many photoers I photoed ten years ago to-the-day yesterday:

Photoed at the north end of Westminster Bridge, with the trees of Parliament Square in the background.

I kept that one back for today. That T-shirt looks like she might even have made it herself.

Once again we see in action one of those ultra-cheap and ultra-cheerful digital cameras, of the sort that has now been pretty much completely swallowed by the mobile phone.

Surrey v Middlesex T20: Out of the sun in Bedser Upper

On July 23rd, Darren and I went to the Oval to watch Surrey lose to Middlesex. I photoed signs, and I photoed a drone, and that was about the half of it, if by that you mean about 0.5% of it.

As earlier noted, we got there with lots of time to spare and to spend taking in all the incidental sights and sounds of the Oval before the actual game got going. Which meant that when we reached our seats, the entire place (not just the place we were in) was nearly empty.

Darren had purchased seats for us in something called Bedser Upper, in honour of this Surrey legend. And the first thing we noticed when we reached our seats was how very cool it was, compared to how hot it might have been. We could see everything perfectly, yet we would be sheltered from the sun:

Remember, this was was the hottest day ever in London since the dawn of creation. 38 degrees centigrade, and a sure sign of Gaia’s Wrath To Come, to punish Sinful Man for burning too much petrol, gas, oil, etc., and for being too happy and comfortable and well off. Humanity used to be a bunch of slave labourers. Now it is a much vaster throng of, pretty much, sports fans with, compared to olden times, part-time jobs. And the sort of people who disapprove of that disapprove of it by talking about such things as how very hot it was, in London, on that day. And it was indeed very, very hot.

But, not quite so hot in Bedser Upper. Darren had chosen very well.

Later we realised that we were also sitting inside a giant loudspeaker, into which dementedly deafening pop music would be inserted for the duration of the game. Such is modern (very) limited overs cricket. But, we agreed that this was a price well worth paying, for the lack of extreme hotness.

I love the architecture of the Oval. (By which of course I mean the Kia Oval.) So much more interesting that some dreary built-all-at-once football stadium. The big sweep of that big new stand, with its big curved roof, on the left. The classical nobility of the ancient gasometer. The magnificently tall pavilion, on the right. And in the distance, occasional glimpses of the Big Things of central London. What a place.

And, just as divertingly, for me, before the game got started there were lots of interesting rituals being played out by a total of getting on for a hundred people. WIth other sports, a lot of this stuff is hidden away behind the scenes. But with cricket, if you get there early enough, you see it all. More about all that in further postings here about this wonderful night out, Real Soon Now.

A drone at the Oval – and what drones will replace

I took this photo at the Oval (sorry the Kia Oval), on July 23rd 2012, when I and Michael Jennings were watching England lose by an innings to South Africa:

All very regrettable. England lost all twenty wickets, but South Africa only lost two wickets. Hashim Amla got a treble century. Boo hoo.

But, take a close look at the rather odd stick-like thing sticking up over that big stand in the distance. Not the big flyswatter, which is for floodlights. No, I mean the rather insect-leg-like thing to its left, as we look.

This:

That’s a simple crop-and-expand of the first photo above.

Then as now, I was interested not just in cricket, as in: Is my team winning? (It was not (see above)). I also was already interested in the means by which cricket is televised or video-internetted. I know this, because at about the same time I was photoing the above photo, I also photoed this photo:

Imagine spending your entire day, which on that particular day was a pretty hot day, doing that.

Okay. Now, fast forward to the Oval exactly seven years to-the-day later, July 23rd 2019, when Darren and I visited the Oval, to watch Surrey get beaten by Middlesex in a T20 game.

Once again, that my team was losing was very regrettable, but once again, I consoled myself by photoing other things besides the actual cricket, as already recounted in this earlier posting.

And the most interesting thing, by far, that I photoed that evening, was this:

I owe the spotting of this contraption, which hovered throughout the entire game over the same part of the ground as the 2012 crane-photoer did, to Darren’s sharper-than-my eyes, and to the fact that he reads this blog and knew that I would be interested. I would be amazed if I discovered that it was actually not videoing the game that Darren and I were watching, even if it was only panoramic views, for now.

It is surely only a matter of time before drones start being used to video games like the one I saw at Beckenham, where I also photoed video cameras.

And scaffolding. Drones don’t need scaffolding.

I’m guessing that the drone problem just now is keeping them absolutely still, or alternatively, moving them in exactly the required manner, the way crane-photoer has long been doing. But if humming birds can solve this problem, I presume that drones can, and that actually, somewhere, they already have.

Googling for drones-cricket etc. tells me that this is a technology that is bowling ahead, so to speak. For instance, it says here, in connection with the recently concluded Cricket World Cup, that:

The drone camera provided by Batcam will also provide stunning visuals of all venues across England and Wales.

“Batcam” link added.

So, as Darren suggested, it is quite probable that the TV picture in this posting was done by a drone, rather than by a bloke at the top of a crane.

Which means that the Big Alignment described in that posting (the Shard and the BT Tower) may have been no accident. Maybe the drone lined them up right next to each other on purpose.

Surrey v Middlesex T20: Signs and notices

Last night, good friend of mine and of this blog Darren arranged for me to go with him to a cricket match. Thanks a century by Middlesex captain Dawid Malan, Surrey were on the back foot throughout, and were beaten well before the official end.

Which is perhaps why I found myself enjoying all of the many incidentals of the game at least as much as I enjoyed the game itself. Even before I got inside the ground, I was taking photos of signs, many of them involving the names of Surrey greats of the past, familiar from the many hours of my childhood spent listening to cricket on the radio. Although, while I clearly recall Surridge, Lock, Laker, May and Stewart from those far off times, and while I know who Nat Sciver is and who Jack Hobbs (the gate) was, Tom Richardson (the plaque – never noticed that before) was way before my time:

All but the last three of those were photoed before the game had even begun. Darren says he likes to be there to “soak up the atmosphere”, and so we got there at 4.30 pm, for a 6.30 pm start. I had a great time photoing lots of things that you never normally see in regular cricket photos.

That “Welcome to the Kia Oval” sign I include to ram home that if you are anything officially connected to Surrey and you ever refer to the Kia Oval merely as “The Oval”, you will be savagely punished.

As you can see, the World Cup is still being remembered fondly, and smoking is forbidden throughout the ground, as are a bunch of other things, so you don’t feel tempted to throw them at the players. Or the umpires. Also no musical instruments.

The sign which says “4” on it means that someone has hit a 6, almost certainly Malan. That’s because spectators get given cards with 4 on one side and 6 on the other, to flaunt when someone hits a 4 or a 6, and my photoing was from the wrong side of the sign, so to speak. When someone hit a 4, that sign would say, to me, 6. At first I was puzzled at all the signs saying 6 when it was only 4. As you can maybe tell, this is the first T20 game I’ve ever actually been to.

The sign on a pole is to advertise the game at the Oval against Glamorgan tomorrow evening. Having now lost their first two games, Surrey need to start winning.

LATER: I missed this one!:

Next time I go the Oval, I’ll maybe do a complete photo-inventory of all the signs there that I can find. There have to be many more than I encountered yesterday.

LA roof clutter

You can see how, out of all of this photo-collection of LA trees at Mick Hartley’s, I’d pick out this one:

Eat your heart out MOCA.

Ferraris – well lit

On the same night (but later, when it had got dark) that I photoed this rather artistic roof clutter, I also photoed these rather more self-consciously artistic works of art:

Photography is light. If the Ferrari shop in Kensington was not intending that passers-by should take photos, well, they shouldn’t have lit their cars so well. I took only a few shots, and most came out (see above) pretty well.

These Ferraris are displayed in chronological order by my photoing, but they look good as a set (see above also). Pointing outwards, if you get my meaning.

I feel the same way about Ferraris like this, behind a shop window, as I do about tourist crap in tourist crap shops or Big architectural Things like the Shard or the Gherkin. I don’t want to buy it. Far too much bother. (Where would I put it?) But I can enjoy the amusing way it looks, by merely photoing it. If, like me, you are a collector, you can now easily collect how things look, without collecting the things themselves.

“Other creatures” in the category list is because of the Ferrari horse.

Big Thing alignments from Lord’s

One of the many things I like about watching cricket on the television, along with things like that I can see properly what is going on, is that in between overs, those high-up cameras often look beyond the cricket, to the surroundings beyond, a process which is especially appealing if the game is being played in London.

As last weekend’s Cricket World Cup Final was, at Lord’s:

That’s a photo I just snapped off of the TV, with a camera.

Let’s see if I can do better, by putting one of the three DVDs I made of the Final with my TV recording machine, into my computer, and then do a screen scan. It helps a lot having the score, because that way I can quickly find the same shot.

Here we go:

A bit better, I think. Not a lot, but a bit.

In the foreground there is Regent’s Park. but the particular thing I like is the way the BT Tower aligns with the Shard. The BT Tower even manages to place itself between the Shard and Guy’s Hospital.

Here’s another Lord’s photo, that I photoed myself on a more sedate Lord’s occasion. Rugby v Marlborough, on August 12th 2017:

I took that from the top of the big new stand which has a roof on it like a big tent. You can see the same alignment, of the Strata (the one with three holes in the top) and the Wheel, in the TV shot above. What this tells me is that the TV shot was taken from a lot higher up, and off to the left as we look. So, on a crane, standing at the Media Centre end.

Here is a photo of some Real Photographers …:

… whom I photoed that same day, minutes after that earlier photo. Lord’s was not exactly buzzing that day, was it? Anyway, I’d like one of those Real Photographers to be sent up to the top of the crane where the TV people took their shot from, and take some extra good stills of the same BT Tower/Shard alignment.

Alas, they probably wouldn’t be that interested. Plus, nowadays you can probably do everything you want along such lines with drones.

That earlier game, described here, had one thing very much in common with the recent World Cup Final game, which was this:

Neither side deserved to lose and cricket was very much the winner …

It was indeed a terrific contest, even if only a tiny few people watched it, compared to the crowd last Sunday, at the ground and on TV.

Goodbye to some old friends

One of the many symptoms of getting old is the reluctance to chuck away things that seem complicated and hence undeserving of being chucked away, when they have nevertheless stopped working. No “finding a good home” for them. (What home would want them? They’re not pets.) No ridiculous attempts to get them mended. (Who would mend them, at a cost remotely as low as that of just buying another?) No keeping them in case someone might want them. (Who? Why?) Just get rid of them.

And these three gizmos (four if the speakers count twice) all ran out of puff within about a week of one another, after each giving me at least a decade of good service:

The phone is the one that was in my bathroom. I could still hear everything, but suddenly those at the other end couldn’t hear me. The new phone is the same, but black

The speakers were attached to my computer. One of them conked out, even though the other one, with all the knobs on, is still fine. The new speakers, also black, are much bigger and much better. Crucially, they permit me to vary the tone just like the old white ones did, and beef up the base a bit. Many such speakers refuse to do this.

And the little black screen is for watching DVDs in bed. (I like DVDs. Spare me the comments about how you don’t and how you think I shouldn’t.) The replacement is also black. Black, it would seem, is the New Black.

I like that I can memorialise such dead gadgetry with a photo.