Photo-uploading problems

For some mysterious reason, I am having problems uploading photos. Have I reached some sort of limit? One of the photos I tried to upload was a photo of a famous painting. Did WordPress recognise the famous painting, and get angry with me for some sort of copyright violation? Did I change a “setting” to something silly, that won’t work? I don’t know, but this posting is just me posting pure text, to see if that is misbehaving also.

Well that worked well enough when I pressed “Save Draft”. Let’s see if “Publish” now works. Yes it did, or it did from where I sit.

LATER: All is now well. A temporary back-up file was getting in the way and this has now been deleted, making way for such things as this:

This is what WordPress looks like, when it gets angry with you, which it enjoys doing. No. It’s “Cerberus”, by William Blake. I photoed this yesterday, at the Tate Britain William Blake Exhibition. You see a better version if you go to the Tate Britain website.

Context needed

Some photos are very clear. Here’s a photo. You look at it, to see straight away what it’s of. And, you do see. All is clear. It may or may not be interesting, but it is at least clear.

Other photos can be almost completely baffling, like this one, which I photoed in the summer of 2014:

I say “almost” completely baffling, because you can clearly see Big Ben in there, reflected in … whatever it’s reflected in. Reflected no less than four times. But what are all those bluey-grey and shiny shapes? Is it a car? Guess: yes. But is another car reflected in an original car? Are those shiny reflective surfaces glass or metal? But which surfaces, on what sort of car? Or cars? Side window? Back window? Maybe you can tell, but I just can’t work out what the full story is there.

This is one of those times when I badly need a back-up photo to explain what’s going on, less zoomy, with context. At least we’d know which way up we are, and what the original reflecting object consists of.

What I like best are photos in between the clear ones and the baffling ones, where you can work out what you’re looking at, but only after having given it some thought. (Examples of which may, or then again my not, follow.)

This one is of interest because, simply as an abstract pattern, this does have something going for it. The colours are nice, with the yellow Big Bens brightly lit up by the sunshine of that summer day. The shapes are nice, in a Zaha Hadid sort of way. But, what is it?

Lady photoers in 2013

Once again, I am catching up with showing you photos, this time photos photoed on a sunny day in September 2013, all of lady photoers. We are in my most regular photoing-photoers places, outside Westminster Abbey, outside Parliament, on Westminster Bridge and beyond, beside or above the River:

Ignore, click through at speed, linger if any seem worth lingering at, whatever you want.

What I see in these photos is a moment of maximum camera variety. There are big cameras with interchangeable lenses for maximum photo quality. There are bridge cameras, like the ones I use. There are little snappy-snappy but still dedicated cameras. There is even a great big tablet. And, of course, we observe the rise and rise of mobile phone photoing. As usual, I demanded facial anonymity, sometimes photoshop(clone)-cropping out recognisable bystanders. But typically, I cropped with the camera, because by then I had become pretty good at this. (Photo 4, for instance, is exactly as originally photoed.) And then I selected for artistic effect, not to make any point about cameras. Which means that the point about camera variety is made. I wasn’t going for this. It just happened.

Since then, all the major effort seems to have gone into making mobile phone cameras as good as they can be.

Mariah says to eat crisps for Christmas

A feature, by which I mean a bug, of Growing old is that all the heartfelt love songs of earlier times are now recycled by their original performers to sell sofas, deodorants, food, etc..

All I Want For Christmas by Mariah Carey is one of my most favourite pop songs, long before sophisticates came around to realising how good it was. (Same with Abba. I loved them from the moment they won Eurovision, before even the Gays noticed them. With the greatest pop songs of a certain vintage, the rule was: Me, Gays, Girls, The Public.)

But now, it turns out that all Mariah Carey really wants for Christmas is …:

… a packet of potato crisps.

Personally I like potato crisps, hence my possession of this crisp packet. But, I despise almost all crisp advertising. What crisp advertising ought to say is: Yes, our crisps are probably bad for you if you scoff too many of them, but they taste terrific, even the plane old salt-flavoured ones. But oh no. Instead, they bribe celebs whose successes in life have been based on not scoffing crisps or similar products, to tell the rest of us to do this, by pretending that they do too, and thereby to imply that crisps are good for you. The more you scoff them, the thinner you’ll be and the better you’ll be at football, and you’ll be athletic enough to win an Olympic medal.

The thing is, though, that Mariah Carey has had serious difficulty staying slim, and she might actually be telling the truth, in now claiming to prefer crisps to the sort of boyfriend she could have when she was young and effortlessly slim and when the world was at her feet.

Lady photoer on tour bus

We are on Westminster Bridge, in October of 2017, and a tour bus comes by. The lady photoer first photos the Wheel, and then turns her attention around, towards Big Ben and the Houses of Parliament:

I especially like the light and the colours in these photos. The Wheel is in front of a dark cloud background, but is itself lit up just that bit more by the afternoon sun, because behind us the weather is brighter. The colours of the bus go very well with all that. And the railing on the bus provides facial anonymity when her camera does not. I know what she looks like, from other photos I photoed of her. But I am not telling the big computer in the sky that she was doing what she was when she was. That’s her business, not the BC’s.

Ripped piece of paper under the microscope (100x magnification)

Here:

I included the 100x in the title, because that strikes me as not a lot of magnification, considering what it looks like. 100x is not that much more magnification than you can get with quite a lot of bridge cameras nowadays.

I’ve acquired a new camera, as noted in among this ramble yesterday. It has 60x. I wonder if I could persuade it to take photos like that. Probably not, because presumably microscopes get right up against what they’re microscoping, but cameras can’t do that.

The pronouns of Ricky Gervais

Yes, Ricky Gervais:

I identify as a comedian so my pronouns are He He.

This is not in an individual tweet. It’s currently at the top of his Twitter site.

Displacement

So much for logic. More World Cup torture, for England anyway. By the end, it wasn’t even close.

Looking back on it, it seems to me that what England did in this tournament was what France have done more than once in the past. England amazed everyone by beating the All Blacks and thus cleared the way for someone else to win it. Too bad it wasn’t England. I trust South Africans are suitably grateful.

I funked it again, in the sense that I watched it, but couldn’t bear to listen to what the commentators were saying. But on the plus side: my bowels were emptied more thoroughly and rather earlier than usual; I managed to set the date on a newly acquired camera; some washing up got done; various other displacement activities were accomplished, including reading early bits of this rather good book about Shakespeare; I listened more carefully than usual to parts of Record Review, which is still going now (a suitably agonised Shostakovitch string quartet). I mention such personal trivia because this is my blog, but more to the point because I have nothing to add to the rugby expertise that rugby experts will now be lavishing on this event. In a year’s time the only person reading this posting will be me, maybe.

From the look of it, England made too many mistakes, and South Africa just played better.

Creatures hitting the news in the USA

I’m not just talking about the hero dog who helped to catch an austere religious scholar, whose austere religious scholarship inspired him also to become a rapist and a torturer.

I’m also talking about goats:

A hungry herd of 500 goats has helped save the Ronald Reagan Presidential Library from the California wildfires.

In May, the library hired the goats to clear flammable scrub surrounding the complex as a preventative measure.

The goats ate the brush, creating a fire break that slowed the flames and gave firefighters extra time to react.

Okay, the goats didn’t exactly put the fire out. That was done by firefighters. But, the goats did help.

This next titbit is a bit stale, from two months ago, but I am still interested, because it concerns a bridge:

Engineers in southern California are hard at work designing the biggest wildlife corridor in the world, to extend over US Highway 101 to the north-west of Los Angeles.

The corridor will connect different parts of the Santa Monica Mountain chain, which is crucial to the future of mountain lions – but it will help other species as well. The $87m bridge has entered its final design phase and is on track to open in 2023.

Other Californian creature news involved voracious purple sea urchins:

Tens of millions of voracious purple sea urchins that have already chomped their way through towering underwater kelp forests in California are spreading north to Oregon, sending the delicate marine ecosystem off the shore into such disarray that other critical species are starving to death.

Meanwhile in Colorado, some 66-million-year-old fossils have been discovered. I’m guessing something threw their delicate ecosystem into disarray.

The delicate publication process for this posting was also thrown into disarray, by me pushing the “Publish” button last night, at a time when I should merely have been pressing “Save Draft”. Sorry about that.