ISIBAISIA

ISIBAISIA stands for “I’ve said it before and I’ll say it again. As I get older, I find myself wanting to use this phrase more and more, hence my need for an acronym. Which, I note, other persons are already using also.

Anyway, the latest thing that I’ve said before and now find myself in the process of saying again (while linking back to the first version) is something which you will encounter if you scroll down in among this, at Samizdata, namely this:

Recently there was a comment thread here about modern art, about how ghastly it is, how badly it bodes for Western Civilisation, etc. etc. But I believe that to be as pessimistic about the future of the West as some of those pessimistic commenters were, merely because of a lot of stupid abstract paintings, is to fall into the trap of regarding artists in the way they like to regard themselves, as a vanguard of civilisation (an “avant guarde”), rather than as mostly a rearguard. You simply cannot understand Modern Art without appreciating that it takes place in a technological space first developed by, and then abandoned by, the industry of making pictorial likenesses. Abstract art is, in many ways, a rationalisation of the fact that likenesses are now no longer demanded, on the scale of former times, from “artists”. …

Old school art was a business as well as an “art”. …

Painting used to do likenesses. And the new point I am in the middle of making, in the next posting here, is that painting used to do beauty. But photography is now doing beauty also. (Expect a beautiful photo-illustration.) So painting has retreated out of that too. Art doesn’t “advance”. It merely ducks, weaves and accumulates, piggy-backing on technologies developed by more business-like businesses.

FaceID

Back in my Alternative Bookshop days, I and my libertarian pals used to joke about things that were both compulsory and illegal. It would appear that face masks in China are pretty close to being that, because of the conflicting demands of plague protection and facial recognition.

But at least, according to this report (at the top of which appears the above photo), I have (when displaying photos like these ones here) been getting how “FaceID” does and does not work approximately right:

Most complaints are about unlocking mobile devices. Apple confirmed to Quartz that an unobstructed view of a user’s eyes, nose, and mouth is needed for FaceID to work properly. Similarly, Huawei says that its efforts to develop a feature that recognizes partially-covered faces has fallen short. “There are too few feature points for the eyes and the head so it’s impossible to ensure security,” explains Huawei vice president Bruce Lee, in a Jan 21 post on Weibo.”We gave up on facial unlock for mask or scarf wearing [users].”

Or have I? The software used by mere people, for unlocking their mobile phones, may not now work if you are wearing a face mask. But what if the governments of the world have graciously permitted themselves to use far better software, which can easily see past a face mask?

Big Things in alignment

Are you fed up with photos I photoed years ago? Well, to make a change, here’s a photo someone else photoed years ago:

That’s the dramatic photo at the top of a piece in The Independent entitled, in appropriately dramatic capital letters, SUPERMOON 2020: HOW TO SEE SNOW MOON THIS WEEKEND.

Getty Images says, about this photo of theirs

A full moon passes behind The Shard skyscraper on 9 September, 2014 in London, England

Anyway, the point is, something similar might well, weather permitting, be happening this coming Sunday.

The first supermoon of the decade will rise over the skies of the UK on Sunday, offering the brightest and biggest view of the moon in almost a year.

It will be the first of four supermoons set to take place in 2020, and the first to occur since 20 March last year. They happen when the full moon is at its closest point in its orbit of Earth, making it seem bigger and brighter than usual.

Weather permitting, people around the world will witness the spectacle on 9 February, with the exact moment where the effect appears strongest happening at 7.34am GMT. The moon will appear full for around three days, spanning from Saturday to Monday.

The time of year means this full moon has traditionally been known as the Full Snow Moon or the Full Hunger Moon, as it often coincided with heavy snowfall and difficult hunting conditions.

Personally, I’m in favour of “difficult hunting conditions”, because I’m a townie and I hate hunting, of any animals not capable of turning around and attacking and devouring their pursuers. But I digress. I am in favour of good photoing weather.

The weather today, like the weather yesterday, was perfect. Here’s to that lasting. Which our forecasters now say it won’t. Shame.

New word

Cranebow:

Found this here.

LATER: From where I’m sitting, there is small and unwelcome gap just before where it says, below, “Monday 27 January 2020”. Can any passing WordPress experts explain this, and thereby help me get rid of it? (My guess is: Me asking this will cause this gap to vanish spontaneously.)

And I was right! It did vanish. And me writing the above paragraph enabled me to spot it, because the entire paragraph turned blue. A missing “/” was the problem, following the blue “here”, which, when inserted, abolished the gap. So, WordPress experts, forget about it.

Sneaky selfies

A sneaky selfie by me, a week ago:

And a dozen sneaky selfies by Vivian Maier, photoed somewhat longer ago:

The point being that selfies are selfies, but sneaky selfies are selfies but with lots of other stuff going on as well.

Vivian Maier being my favourite of all the photographers whose work I have got to know by being a regular reader of Mick Hartley‘s blog.

The entire British Concorde fleet in 1986

Here:

Alternative title: Five Concordes sniffing the arse of another Concorde. A Twitter commenter agrees.

As someone once said about a battleship: “This is how to waste public money.”

One of my most lasting regrets is that I never photoed Concorde, even though my first digital camera predated its demise.

Not ordinary things.

“The turquoise really was that turquoise …”

I love this photo:

For all the reasons he says, and particularly because of (see above) the turquoise bits on the left as we look.

And this lighthouse photo is pretty nice too. Again with the crashing waves.

Although, question. The acronym “RBOSS” signifies the excessive use of photo-editing to beef up photo-colours to absurd levels of colourfulness. And I also hate this. I always try to leave colours just as they came out of the camera. But what actual words do the letters R, B, O, S and S actually stand for?

Remember to photo the ordinary things

This is great advice:

Wallsend in 1963 by Colin Jones. If you are a young photographer who is just starting out remember to photograph the ordinary things in life, eventually time will make them extraordinary.

Got this from my Twitter feed. Twitter is not only bile and stupidity. It depends who you are following. I follow some photoers. That they typically have different political opinions to me is, for me, a feature rather than a bug, because I see into other political minds.

Elongated dog tries to catch a frisbee

Here, via here:

I mis-titled this above as DogFrisby. Not that this matters, but it’s bee not by.

The photo that the above was sliced out of is even better. Real photography at its most real.

Scene and screen mystery

Also photoed on Christmas Day:

And there it was, a seemingly unattended screen, staring impassively at The Wheel. I took lots of photos, including many close-ups, but nobody identified themselves as being in charge of this thing. Was this some sort of experiment? Was I being photoed myself? Was I not being photoed, but was I supposed to guess, as I did, that I might be being photoed myself?

And look, the screen is broken. Recent?

Sometimes you never find out what you were truly photoing.