Lady photoers in 2013

Once again, I am catching up with showing you photos, this time photos photoed on a sunny day in September 2013, all of lady photoers. We are in my most regular photoing-photoers places, outside Westminster Abbey, outside Parliament, on Westminster Bridge and beyond, beside or above the River:

Ignore, click through at speed, linger if any seem worth lingering at, whatever you want.

What I see in these photos is a moment of maximum camera variety. There are big cameras with interchangeable lenses for maximum photo quality. There are bridge cameras, like the ones I use. There are little snappy-snappy but still dedicated cameras. There is even a great big tablet. And, of course, we observe the rise and rise of mobile phone photoing. As usual, I demanded facial anonymity, sometimes photoshop(clone)-cropping out recognisable bystanders. But typically, I cropped with the camera, because by then I had become pretty good at this. (Photo 4, for instance, is exactly as originally photoed.) And then I selected for artistic effect, not to make any point about cameras. Which means that the point about camera variety is made. I wasn’t going for this. It just happened.

Since then, all the major effort seems to have gone into making mobile phone cameras as good as they can be.

Lady photoer on tour bus

We are on Westminster Bridge, in October of 2017, and a tour bus comes by. The lady photoer first photos the Wheel, and then turns her attention around, towards Big Ben and the Houses of Parliament:

I especially like the light and the colours in these photos. The Wheel is in front of a dark cloud background, but is itself lit up just that bit more by the afternoon sun, because behind us the weather is brighter. The colours of the bus go very well with all that. And the railing on the bus provides facial anonymity when her camera does not. I know what she looks like, from other photos I photoed of her. But I am not telling the big computer in the sky that she was doing what she was when she was. That’s her business, not the BC’s.

Mobile phone with unicorns

Indeed:

With a very blurry City Hall behind. Photoed just before I photoed this photo.

Characteristic photoer stuff with that left fifth finger.

Modelled and graphic after-echoes of the Helter Skelter

In August I wrote here about the Helter Skelter that never was, in a posting that featured how it looked when they started (as they then thought) to build it. Well, in the course of rootling through the archives looking for a very different image, I came across several graphic after-echoes of this building. Even though it never got built, this non-building quickly achieved “iconic” status.

Here was the original idea (with apologies for all those hard-to-avoid patches of shininess), which I photoed at the Building Centre, which is in Store Street just off Tottenham Court Rd, in 2010:

Note how they were then unsure about whether to call this Big Thing the “Bishopsgate Tower” or “The Pinnacle”.

And, at the bottom of the verbiage on the right there, it says:

Status: Due for completion in 2011

But I photoed my photos of the early stages of “The Pinnacle” in November 2012. By then, London had decided that this Big Thing wasn’t going to be “The Pinnacle”, but rather the Helter Skelter, which is what it remains today, despite never actually having been built.

Soon after then, building ceased, and they started wondering what they could manage to do on that site, preferably without destroying those early Pinnacle stumps.

Nevertheless, in the big ongoingly updated model of London that they also have at the Building Centre, I took this photo of the City Big Things bit of the Model, in the summer of 2013. The Helter Skelter was by then known to be doomed, but it had yet to be removed from the Model …:

… , mainly, I guess, because they then had no clear idea what was going to go there instead.

The Helter Skelter is now long gone from this Model, because eventually they did decide what to put there instead. Now an even Bigger Thing is very nearly finished:

The Biggest Thing in that photo, photoed by me from Tower Bridge, and which also includes another photoer, is now called “22 Bishopsgate”, what with it being such a Lump that it doesn’t deserve a proper London name. But I am sure some suitably insulting moniker will be agreed upon by London for this Lump in due course, perhaps involving the word Lump.

Meanwhile, the Helter Skelter lives on, still, in 2019.

Here is a photo I took in Bermondsey this summer, advertising beer:

There’s the Helter Skelter, right in the middle, between the Gherkin and the Wheel.

And here is another even better relic of the Helter Skelter. This shop window graphic is a walk away from where I live, in Vauxhall Bridge Road. I keep expecting this graphic to be altered, but every time I go by this enterprise, there it still is, and there it remains, unless it has been updated during the last day or two:

Again, the Helter Skelter, between the BT Tower and the Shard.

How long will these relics last? I will certainly be keeping an eye on that last one, because I go past it every time I go shopping for food.

Selfie fun

I’ve come to the end of one of those days where everything took far longer than it should have, including my first shot at doing a blog posting here. So here is a piece of pure quota frivolity from earlier this year, at the end of June, beside the River:

I like how I’m looking straight down, so to speak, on the top of the head of the girl doing the V sign. Well, it’s another way to be unrecognisable.

Slightly cropped, to exclude the face of the boy on the left as we look, of whom we now only see an arm.

Poppies and tablets

Five years ago, to mark the centenary of the outbreak of World War 1, poppies surrounded the Tower of London

Like many others I photoed the poppies, and I photoed a few of those photoing the poppies.

Above are four poppy photos I photoed of photoers using tablets to do their photoing. The second is, I guess, the strangest one. But all it is is a man showing his wife (?) the photo that he has just photoed.

My impression is that tablets were used to photo at that time a lot more than they are now.

Or then again, it could just be that the number of photoers of these poppies was so huge that there were bound to be a few tablets on show. And by their nature (them being big) I noticed and photoed all the tablets that were being used in my vicinity. Maybe photoing with tablets was as rare then as it is now.

But, for whatever it may be worth or signify, I don’t think so.

There is nice history, of things like tablets and digital photoing. And there is not so nice history, of things like World War 1. We should pay respectful attention to both sorts of history, I think.

Regent Street rollerblading girls

Photoed by me yesterday. They were going pretty quickly, up the bottom end of Regent Street, where it’s quite steep:

I like how the one in black is holding her smartphone behind her back like that.

I’m photoing in the rain

Contrary to English myth, and myth elsewhere for all I know, it doesn’t actually rain that much in England, and when it does, it doesn’t usually rain that heavily. The reason we fret about rain so much is that there is just enough for it to be a nuisance, and not enough for us to get properly organised to deal with it effectively. See also: snow.

Photoing rainy weather is a whole speciality in itself, caused by such things as the fact that rain makes things shinier and more reflective. Personally I don’t enjoy photoing in the rain. The light is less good, and you are liable to get rain all over the front of your lens. And yourself. For which I will not (see above) be properly organised. So, showable-here photos photoed by me, taken in rainy weather, are rare.

Nevertheless, here is a recent rainy weather photo that I photoed that I quite like:

This was photoed the same day I photoed that lady photoing her ice cream. This lady was photoing her mere companion, so not so fascinating on that front, but I do like the umbrella, the wheely-suitcase and the all round shininess of everything, reflecting the various colours bouncing around in that part of Soho, which is where I was. (Hence the massage advert top left.)

You can even see the green bike reflected in the smooth but wet pavement upon which it stands.

But the mere fact that this lady was content to have her suitcase out in the open like this is proof that this was not serious rain.

For what that is like, let us again consult a recent blog posting by 6k, who lives in South Africa:

It’s been raining for about 12 hours now, it’s still raining, and we’re already approaching an incredible 100mm. The pool is overcapacity, the gutters overflowing, the drains overwhelmed and the beagle is …

Well, it turns out the beagle wasn’t that bothered, because he was indoors. But you get the point. There’s rain like in London, in my photo. And then there’s rain, like that.

Black bird on street lamp

Yesterday was my day for finally admitted that Summer has, for a while now, been well and truly over. I wore socks and shoes to go out, for the first time (and then socks in bed). I didn’t wonder whether I should go out with a cardigan of some sort, I just went out with a cardigan of some sort, on. And, I installed my annual winter-months double glazing, which I do with bubble wrap and masking tape.

Before I did this latter project, I noticed a photogenic circumstance to be seen through my still easily-openable living room window. This:

Yes, a quite big black bird, on a street lamp. (And indeed, looking very autumnal and post-summery.)

I like London’s street lamps. They are very variable, often rather ornate in the fake-antique style, done with more than half an eye towards impressing tourists, especially in the centre of London. And if it is tourist-driven, this habit has spread to other non-touristy areas such as the one where I live. This habit being one which, like I say, I like.

And I like this bird. It is definitely a black bird. But is it a blackbird? I’m guessing: not. Too big, and with a front end (bill?) that is way too big. Is it a crow? A jackdaw? Or some other brand of bird unknown to me? Any birdophiles reading this are respectfully requested to supply guidance.

Helicopter photos of London

Incoming from 6k:

Hi Brian

Hi 6k.

Hope you’re well.

I am, and likewise. Although, I usually know how you are, because you often blog about this subject. My recent favourite in this genre was the one where you included a chart of your stress levels for an entire day when there was a football match in the evening, involving your team.

Been a while since I’ve been in touch, but I am (of course) still reading BMNB dot com every day.

Good, good.

I only had to look at the title of this one – London’s Imperfect Geometry Revealed in Aerial Photography by Bernhard Lang – to know that I had to send it your way: enjoy!

Given 6k’s keenness on photoing with a drone, I half expected these aerial photos of London to be drone-photos also. But I guess it makes just as much sense to use a helicopter, given the amount of grief you’d surely get if you launched a drone into London’s sky. For starters, you can’t go within a kilometer of an airport, which rules out a big chunk of London near to London City Airport.

If you want to, make a start on drone law by reading this.

Meanwhile, my favourite of Herr Lang’s snaps was, of course, this, with all its bridges:

I make it eight of them.

My personal record is seven bridges, and all of my seven bridges are to be seen in the above photo by Lang. Only the nearest bridge (Waterloo Bridge) in his photo is missing from my photo. Not only that, but Lang’s photo also includes the spot where I did my photoing from, in the bottom left corner of his photo. This was the top of the Hotel ME, which is at the western end of the D that is made by The Strand and The Aldwych. Follow the link to my earlier posting at the start of this paragraph and you’ll also encounter a map which shows this. 6k thought I’d enjoy, and he was not wrong.

I’m not sure I agree about London’s geometry being “imperfect”. I know what this means, but it is these very “imperfections” that distinguish great cities from boring ones. Rectangular grids make for urban uniformity. “Imperfections” make a city far more interesting. But that’s a whole other posting.