On how all new building on a large scale tends to start out looking meaningless

Here are some photos I took in and around City Island in 2017, while it was in the process of being constructed:

As you can see, there are maps and images as well as photos of the finished objects, to tell you what this place was going to be like. And cranes.

City Island is a particularly perfect illustration of what Modernist Architecture has now become, and as I have said here before, I quite like it. I especially like how City Island has what amounts to a moat around it, which gives it the appearance of a micro-Manhattan.

I entirely understand why Ancientists think that Ancientist architecture should also be allowed, and I’d also quite like to see more of that. But I suspect that if there were more of that, even the protagonists of such buildings would find themselves being somewhat disappointed, both in how others react and in how they find themselves feeling about what they were in theory so keen on seeing.

The basic aesthetic problem that new building of the sort we see on City Island is the sheer amount of it that is liable to be happening at any given moment. If lots of buildings are required, all for some similar purpose, then whatever gets built is liable to start out looking and feeling rather meaningless. And that emphatically will apply, I believe, if a mass of fake-Ancient buildings is what happens. That is awfully liable, at least to begin with, to look all fake and no Ancient. To look, in short, meaningless. So, why fight it? Why not build what makes economic sense, in a style that is rather bland, but efficient and reasonably smart looking, and be done with it?

What gives meaning to buildings is not just the way they look when they first appear; it is the life and the work that subsequently get lived and done in them. Because of those things, buildings acquire a particular character, and people start to have positive feelings about those buildings, provided of course the life and work they associate with the buildings is something they also have a positive feeling about.

If people hate what happens in new buildings, they’ll hate the buildings and yearn to see them destroyed, no matter what style they were built in.

Wooden maps of the world’s cities

So I did a rootle through the latest stuff at This Is Why I’m Broke, and came upon these rather classy looking carved wooden maps of cities:

The one on the left is London, and sadly, nobody told them that London has been doing a lot of expanding lately, in general, and in particular out eastwards. I’d have preferred wider coverage, including such things as the Thames Barrier. Not that it matters to me, because CDs and books mean I have no wall space at all for such things.

The one on the right is Brisbane. I include this map because the river that runs through Brisbane and which presumably provoked that city’s creation, is positively Parisian in its convolutedness. Apparently, this Brisbane river is called the Brisbane River. I did not know any of this.

Big Things above three urinals

Indeed. To celebrate being able to post photos again with ease, this:

We’re in the Gents, at the Lord Palmerston pub, Dartmouth Park Hill. Although, they call it the “Lords”.

The above photo was photoed in 2015. I’d just been checking out the view from that Bridge that goes over Archway, from which you can see London’s Big Things for real. I went back to this Lords Toilet more recently, to try to get a photo that would work for the permanent top of this blog, but the Big Things had gone. Shame. Maybe looking at giant architectural penises proved off-putting for those seeking to piss through their own smaller penises.

At the Royal Victoria Docks in March 2012

The basic reason I do personal blogging has always been that I don’t want any constraints placed by some agenda, in my case a political one, on what I consider to be interesting, or beautiful, or amusing, or interesting, or just likeable in some indefinable way. The rule I try to stick to is: Never, if I actually do not, say what I think or feel that I am supposed to think or feel. If that results in “contradictions” between things I consider of interest, so be it.

All of which is a preamble to saying that I hope I never stop doing postings like this one, with photos like this:

All of the above photos were photoed in March of 2012, on the way to (photo 1), on the way from (photo 28), or at or from (photos 2-27) the Royal Victoria Docks, which are out beyond Docklands. This evening, I came across a little directory, where I’d put them all, with something like this in mind. All the work of selecting had been done. So here they all are. And yes, you are right, I do have very conventional tastes in sunsets, with interesting things in the foreground. But if you ever decide to dislike something you like, because other people also like it, more fool you.

I love how shoving up great clutches of photos like this is so much easier than it was at the old blog, and that it is easy for you to click through them, if you want to, just as slowly or as quickly as you like, without a lot of backwards-and-forwards-ing. I don’t think that’ll ever get old.

Two Big Things were, at that particular moment, under construction. They were finishing up with The Shard, and they were building that weird cable car thing across the River, having, in March 2012, got as far as building the towers but being yet to attach the cables or cable cars.

One of my favourite Things at these docks is the new footbridge they built across it. It’s great to look at, and it’s great to look from.

I really hope that by the time half decent weather returns, some time around March 2021, I’ll be in a fit state to take advantage of it, and do more of this kind of photo-perambulating.

A Fake Ancient bridge with buildings on it in Scotland

I encountered this amazing place …:

… on account of it being advertised at, of all bizarre places, This Is Why I’m Broke. Not the whole thing to buy, you understand, just a stay there for the night.

It’s a late nineteenth century concoction. Fake Ancientism, in other words, at its considerable and Scottish Baronial best.

The above bridge was attached to Blackcraig Castle, both that “castle” and this bridge being the work of Patrick Allan-Fraser.

Also featured at TIWIB, and changing the subject somewhat, this gadget looks like it might come in rather handy.

That way that people hold their spectacles and their mobile

One from the “I just like it” photo-archive:

I can tell from the background, and in particular the lion statue, that we are walking east across Westminster Bridge.

Looking towards Vauxhall

I really like this photo, with its excellent detail in unpromising light, with its only occasional bits of colour and its big grunge boat in the foreground, by which I mean forewater:

St Thomas’s Hospital on the left. Westminster Bridge. Parliament on the right, with half of the still heavily scaffolded Big Ben on the right. And in the distance, the towers of Vauxhall, but with Millbank Tower at the right hand end of the distant towers, that being on the north bank. I know all those well.

It’s the latest photo posted to Facebook by Michael Jennings. Michael often says of his photos of London that all they are is photos of London: Michael Jennings – in London, United Kingdom. But sometimes, as with this photo, he has a little more to say:

The cluster of buildings that is growing between Vauxhall and Battersea Park on the south of the Thames really is quite something.

This cluster being quite near to where I live, I can confirm that Michael is not wrong about the scale of what is going on over there.

I can’t tell from the info I looked at what camera Michael used for the above photo. Another case (see also: this) of an iPhone?

View of Old London Bridge from the West

Found this here:

Painted in 1650. it’s this.

I particularly like how this shows the architectural dominance of old St Paul’s, on the right, and even more so of the Tower of London, to the far left. These were, for many centuries, London’s Biggest things.

In 1666, the Great Fire damaged old St Paul’s so badly that they had to build a new one.

Until 1561, when it was struck by lightning, old St Paul’s had a spire. Blog and learn.

Quota gallery of rather distant photos of the QE2 Bridge at Dartford

I am getting out far less these days, but am determined that this blog shall not degenerate into a mere succession of rants and complaints about politics. There is more to life than all that stuff. One of the essential features of freedom is that you are not personally obliged to obsess about whatever happen to be the dominant political narratives.

So, a quota gallery of bridge photos, which I photoed on June 10th 2014.

It’s the Queen Elizabeth II Bridge at Dartford, and the furthest bridge downstream before you get to open sea:

As you can see, I didn’t get as near to this bridge as I might have, just within sight of it, which was the limit of my ambition that day. But the day was a fine one, and the foreground clutter and low-tide mudscapes were diverting. And the walk back from this spot, back to London, was most enjoyable, aside from the stench of some huge sewage processing plant, or some such thing, that operates around there.

Memo to self: Take another trip out to this bridge, and get nearer to it.

New bridges in Hong Kong and Genoa

By the look it, it’s like that bridge that joins Scandinavia to Scandinavia, with big long viaducts, a tunnel, island where the viaducts turn into tunnels, a in among it all. a tiny – but actually very big – bridge, of the sort that does the entire job in a place like little old England. Only, this bridge connects Hong Kong to China. (Or, as I now like to think of it, West Taiwan.) So, it’s bigger. The biggest.

There have been the inevitable complaints that it cost too much, in lives as well as money. But this is not just a bridge for business. When transport infrastructure gets built on this scale, in a place like China now, there are militaristic as well as business reasons for it to get finished. Money, in other words, is not that much of an object. Nor is the odd life or twenty.

I prefer Renzo Piano’s new bridge in Genoa, built recently to replace the one that fell down:

I liked the design of this bridge when I first saw it, and I like it now.

Maybe I’m becoming too pessimistic about the state of the world just now, but will that Hong Kong bridge be the last of the big bridges for a while? And will most bridges from now on, and for a while, just be replacements for bridges that need replacing, like that one in Genoa?