The roof of 120 Fenchurch Street

Yes, they claim it’s a garden, but really it’s just the roof. But what a roof:

Apparently, as of now, it’s free. Memo to self: when I get better or when the weather gets warmer, preferably both, check it out.

Bird and bird shadow

Charlie Waite hits the photographic spot for me hits the photographic spot for me:

(Again.)

Verticals. Horizontals. Excellent shadow. Symmetry. Beautiful blue and grey and white colours.

A commenter comments:

Any thoughts on cropping out the bird in flight altogether.

Question mark. Well, there’s nothing to stop you doing that if you’d like to. I tried it. Yes, quite nice.

I did a Charlie Waite twitter search. Reommended. Not the same as his mere twitter home.

I’ll believe it when I see it (but I just might see it quite soon)

It’s a bridge. It’s a swimming pool. A Because Now We Can! swimming pool:

And according to this, they’re actually going to build it, in London, a walk away from me.

Churchill War Rooms gallery

One of the nice things about people coming to stay is that you often find yourself visiting touristy but interesting things that you’d never quite get around to seeing on your own. Later, maybe, but not today. It’ll always be there won’t it?

Touristy things like: the Churchill War Rooms. In February of last year, nearly two years ago now, GodDaughter2’s Dad was in town, and that’s one of the places we went.

And I took the odd photo or two. Well, more like 350, of which here are 84:

A big spread of photos like that would have been an impossibly tedious operation to stick up at Brian Micklethwait’s Previous Blog, and an equally tedious business for you to be scrutinising. But now, here they all are, and you can do the usual, clicking through as quickly or as slowly as you like. Enjoy. Especially if you rarely or never visit London, and have no plans to see this place for real.

There’s a million things I could say about it. One of the more striking of the photos above is photo 33, which shows how thick the concrete was protecting everything, from all but the most direct of direct hits, that passage that you see having been drilled through afterwards, when they were turning these working spaces into a place people could visit and circulate around.

Other talking points? Well, lots of signs and souvenirs, often signs made into souvenirs, for sale in the inevitable gift shop. And also: signs that are not Original but Modern. Signs with lots of words. Which is appropriate, given how important Churchill knew words (see photo 80) to be.

Most of the human figures that you see are not real; they’re sculpted. And “Other creatures” is in the category list because, inevitably, there are bulldogs.

I did all the hard work for this posting before I got ill, and I’m still not fully recovered. So, please continue to wish me well.

Quota creature

Still rather ill. So, quota creature, painted on a building in Las Vegas:

Here, via here.

How London is moving downstream

What do you suppose this is?:

Okay, no silly games, this is Disneyland London. They have in mind to construct this during the next few years, out east, on the south bank, on that bit of land that sticks upwards into the beginnings of the Estuary (“Swanscombe Peninsula”), just this side of Tilbury.

The details don’t interest me. I’m pretty sure I’ll never go, not to the finished object. I don’t know when or even if they’ll build this.

What does interest me is that this huge project, even if it never gets beyond being thought about and puffed in the media, illustrates how the centre of gravity of London is moving inexorably downstream. The other Thing as big as this in that part of London is London Gateway, the big container port now being built on the north side of the Estuary, a long walk beyond Tilbury.

More Because-Now-We-Can! architecture

Indeed:

This time it’s Jean Nouvel, in Qatar:

Dezeen has more here.

More from me about the Because-Now-We-Can! style here.

The City – 5 years ago

Horrid weekend, having a cold that I’d postponed on Friday because I had a meeting to host. Sleep shot to hell. Tidying up to be done. So, quota photo time, or so I thought. Inevitably, it got out of hand:

All of that was exactly five years ago, to the day. Having assembled them all, I couldn’t then postpone shoving them up.

There was a Lego Gherkin next to the regular Gherkin. They still thought, or were pretending to think, that they were building the Helter Skelter, which they have now turned into something else, even bigger and a lot duller. Otherwise, it all looked much as it does now.

I really like this bus filled with architecture

As quite often noted here, I am fond of photoing tourist crap. So it was that, earlier this month, I photoed a whole clutch of photos like this:

Well, I like them. But in among them was a photo that I now think to have a bit more to it. This photo:

What I like about this is that cameras these days don’t just have better eyesight than I do; they have better eyesight than almost everyone. And by zooming in on this bus filled with Big Things, well, it’s a bit like looking through a rather weak microscope. But still one strong enough to show you something you don’t regularly see. You know what it is, but you don’t ever look closely at such a thing.

With things like flowers and insects, we all get to see lots of close-up zoom photos, because they are considered worthy of the close-up zoom treatment. There are competitions if you photo photos like that.

But tourist crap, close-up? You don’t see that very often, do you?

So, I don’t just like this photo, I really like it.

Also, note how Portcullis House made it into the bus, entirely because it is across the road from Big Ben.

Once again not mentioning The Wires!!! – this time in Kyoto

I think this must be the first The Wires!!! posting at BMNB, but there were several at BMOB. What these postings celebrate is photography that itself celebrates new architecture, typically Japanese, which is full of The Wires!!!, but which never mentions The Wires!!!

Here are some classic photos in this genre, which I first encountered in this report, celebrating a modernistical new house in Kyoto:

I tried copying the top one of these three photos from where I had first seen it, but that didn’t work. Instead I tried copying it from here. That worked, sort of, because I found I’d copied all three of the above photos, in one big old .jpg file.

But since these all three photos feature The Wires!!!, and since, once again, these The Wires!!! were never discussed in the text, I am content to just shove up all three, in one big old .jpg file.

One day, some Japanese architect is going to design a building which includes The Wires!!! itself, as a decorative feature.

I predict that as soon as The Wires!!! start getting buried, The Wires!!! will start to be missed, and will become a relentless topic of architectural analysis. In other words the opposite of what they are now.