Cricket lag will now be unavoidable

Oh dear. I’ve just discovered that this is happening, on Channel 4 TV:

You don’t need a jet to screw up your sleep patterns. Interesting television at 4am will do the job just as well.

I was just looking for daily highlights. Instead, I discover the whole thing.

For some reason this bit of computer graphics refused to allow Gadwin, my screen scanner, to scan it. So, I photoed it. “Rating 7”. Bloody cheek.

The game I’m now watching is this one. The very first thing I saw was Stokes getting out. Pujara nearly dropped it, but he didn’t. England now 431-4, with Root approaching his second double century in the space of three test matches.

And Root now has his two hundred, going to it with a six. 440-4. The stadium is empty, but he won’t care.

It seems I’m not the only one photoing taxis with adverts

Indeed:

Photoed by me last Tuesday, near to where I live.

Five more crowd scenes photoed in and from the Tate Modern Extension

As I have said here many time before, I love the Tate Modern Extension that they recently stuck behind the original power station. The Extension is the Thing you can see here, centre left, at the back:

It’s not that it is especially beautiful to look at, although liking the Thing itself so much, I have myself come to like how it looks. And I like the Thing itself because of all the fun things I can photo in it and from it.

For instance, I can photo crowd scenes in it and from it, or I could once upon a time. Like this crowd, photoed a bit nearer to it, after I’d gone under the bridge with the railway station on it (Blackfriars):

And here is part of that same crowd, photoed once I was up and in among that crowd myself:

So much for the crowd in the Tate Modern Extension. Now for four more crowd scenes, all photoed in one photo, from the Tate Modern Extension:

Three crowds in three boats there, and another crowd on a bridge, the Millennium Footbridge, another recent favourite addition to the London bridge collection.

Those were the days. May they soon return, which I will believe if and when I ever see it and no sooner.

The day when I photoed all of the above photos was in August 2016.

A regular view of Battersea Power Station – but in the morning!

A couple more photos from Christmas Eve, the first was showing what a weird, for me, time of day it was, even though I was already two-thirds walked home by then:

I know. 10.20am. AM!!! That’s the big clock at the top of Victoria Bus Station. And yes indeed, look at the weather, too.

Yet the funny thing is about that time in the morning is that in many ways it resembles the time when it is about to get dark again.

Consider, for instance, this next photo, of a favourite view of mine taken from the same spot and at the same time as the photo above, but just pointing in the opposite direction:

That’s one of my favourite views in London, being from the road where Warwick Way turns right, past the big bus terminal, over the big railway line into Victoria, and towards Posh Pimlico and its posh antique shops, as you go towards Sloane Square, which was where I had just come from.

I have photoed the slowly changing scene that has been Battersea Power Station over the last few decades, many a time during those years. And I have photoed photos where the evening sun was bouncing up at me like a short-pitched cricket delivery off the pitch in front of me, from railway lines like that. But I don’t recall ever having before photoed Battersea Power Station in the morning and combined that with the reflecting railways lines effect. But Christmas Eve morning having been the morning, the sun was coming from the opposite of the usual direction, and there it all was.

I like how the railway line has to climb, and also curve like that to get itself in line, past those sheds on the left, in order to be high enough and pointing in the right direction to get across the river bridge.

This is really just a posting to see if posting has got any easier from the mess it was yesterday, but I also owe regulars here, after yesterday’s single and decidedly fiascotic (also time-cheated (small hours of this morning) posting. Which means I am now going to save it in my Word-clone before trying to post it here.

Seems to be working better. Good.

Horse hearse – practising?

Today is Christmas Day and all that, and I hope you are having or had a good one. But today is also a Friday, which means it’s my day for non-human living creatures. So, today is the day to say that, just after I’d had another go at Mozart, yesterday morning, I was presented with this wondrous spectacle:

I have never seen such a collection of horses and riders before in London, doing this.

Odd, I think you will agree. At the time I had little idea of what I was merely at the time noticing and photoing. Now, looking at these photos more closely, I see that this is clearly a hearse, for carrying coffins to and maybe from funerals. But, London is locked-down. Why go to all this bother if nobody can be there? Besides which, who’d have a funeral on Christmas Eve? Maybe there are good answers to such questions, like: London Lock-down actually does still allow funerals, or: yes, people often have funerals on Christmas Eve in the morning. But to me, it makes little sense.

Unless … My best guess? Since the funeral business must have been so very flat lately, and because the roads of London are particularly empty just now, what they were doing was practising. Further guess: the lady riding at the back of this procession was the one in charge, watching all the riders and the lady stander in front of her, taking at least mental notes. Later she will tell them what they did right, and what they did wrong.

You frequently see police horses walking about in London, keeping in trim between demonstrations and such like. But, like I say, I’ve never seen this before.

Let me now see if the Internet can offer any further information about such enterprises. Nope, no exact fit. Plenty of horse hearse services, but nothing that seems to match. Can anyone enlighten me and the rest of my readers?

Keeping up appearances (however odd they were) just off Sloane Square

Here are a couple of photos I photoed earlier in the month, of a rather handsome building just off Sloane Square, just past the tube station as you leave, in the direction of Pimlico, Victoria and such places:

A moment later, I tried photoing a detail at the top of the building, of where the top of the tower seems to collide with the big rectangular chimney under a row of chimney pots. Seems being the word, because you cannot tell from my photo, any more than you can from looking at the photos above.

But my closer-ups didn’t solve the problem. They merely magnified it. Memo to self, blah blah. Go back and check it out.

Well, today I did just that. I was in a bus and in no mood to get off it. I wanted to be home. But luckily for me, the state of the traffic stopped the bus and I was able to photo the exact detail that I earlier didn’t photo properly. It helped that this time around, the light was in the right place:

There was photoshop-cloning in both of the above, but we’re not talking my prowess as a photoer, we’re talking architectural detail, and my photoshop-cloning made things clearer.

I don’t know quite what to make of this. Best guess, the chimney basically has the right of way, because without it the machine-for-living-in that this building is doesn’t work so well. But, that little top-of-the-tower thing has nowhere else to go except to bury itself in the chimney, while actually, in reality being brushed aside by it. Whatever exactly we are looking at, it’s decidedly odd.

It is also unclear whether this is an old building or a fake old building, or maybe a hybrid in the form of a painstakingly restored-exactly-as-was old building.

I say this because a year or two ago, this is how it was looking. This being posting with photos that show a lot of activity going on in what became the inside of this new building. I’m guessing, although it’s only a guess, that they only got planning permission if they left the previous exterior untouched. But this was very hard to contrive, give what they wanted to do behind that exterior. In short, a lot. So they said, can we smash it all down and then build a new building with an exterior that looks exactly like the old one? And that was okay, provided it was exactly like that. So that’s what they did, right up to and including the way this chimney collides with this roof top thingy.

It’s a bit unfair to call this “roof clutter” (as I do in the category list below), but what else can I call it? Maybe a new category is due called Rooves? Or is it Roofs?

On further reflection, I think that what this strange little circumstance shows is that chimney pots have swung wildly back and forth from being just severely practical, towards being highly ornamental (as well as practical) and then back again. Which means that umpiring between a plainly decorative tower top and a chimney gets very … odd.

Or something. Not sure. Just amused.

Wooden sheep out east

So there I was, out east, exploring what was happening to the canals in the Bow, Hackney Wick part of London, photoing photos like this, …:

When, rather suddenly, I came upon this:

All that grubbing around the canal being to create the sort of place where Desirable Apartments can be constructed, and Desirable Apartments need Desirable Sheep Sculptures.

Have you noticed how upmarket sculpture, and also upmarket toys, made of wood, make it very clear that they are made of wood? The woodenness is emphasised. Downmarket sculpture, and downmarket toys, are as realistic as they can be made to be, with the how of it left entirely behind. I veer into toys, because this sheep looks a lot like a toy, I think.

I see a connection between this emphasising of the particular material that the Thing is made of, in sculpture and toys, with Impressionism. Posh paintings, like Impressionist Paintings, make it clear that they are indeed paintings, made of paint, as well as paintings of something. I mean, take a close-up look. Paint! Paintings for peasants just look as much like what they are trying to be of as possible.

Signs reflected in cars (and other things (like water))

One of the unconsidered visual trifles of urban life is the reflections you can, if you want to, see in the bodies of cars.

Reflections like this:

It’s one of these.

Here are some reflections-in-cars photos that I posted here in 2019. I never managed much in the way of reflected signs, though. Memo to self …

If robot cars ever abolish cars as we now know them, as they well might, the explosion of nostalgia for these shiny old cars, cars that are now largely ignored from the aesthetic point of view by all but a few petrol heads, will be something to see.

You hate the look of whatever threatens to engulf you. You switch to liking it when it retreats and threatens to disappear. Neon signs are now in retreat, it would seem, so this Real Photographer guy in Boston now likes them. The cars are just one of his ways to notice the signs.

Harley in Earls Court

This afternoon, I was in the Earls Court area, getting tested for all my aches and pains and coughs. On my way back to the tube, I encountered a Harley Davidson, parked outside a barber’s shop:

The light was already fading, and the background is very distracting, despite being quite entertaining in its own right. But, whatever. Maybe it would have been better if I’d used my mobile. Memo to self: Do a session, in bad light, using only the mobile.

It’s the contrast between the lack of size of the front wheel and the size of the back wheel that I like about this beast. I love to photo these monsters, but I’d hate to own one.

I went searching on the www, to find an exact same beast nicely photoed. No success, although this is a bit like what I saw.

I miss those Wicked Campervans

I do ever more trawling through my photo-archives, and every time I do this, I seem to come across more Wicked Campervans, Wicked Campervans that I have not shown on a blog before, like (I’m pretty sure) these two, which I photoed in the summer of 2014:

I don’t really understand either of these WCVs, but the one on the right has definitely non-human creatures on it, so it’s suitable for a Friday here.

I miss these vans a lot. They used to live not far from Lower Marsh, where I used to go to buy second-hand CDs. And there was a brief time when they used to congregate in Lower Marsh itself, in a piece of dead land now built upon to a much more lucrative purpose.

That arrangement was never going to last, and they’ve now moved up north.