An eccentric form of transport

I’m always on the lookout for eccentric forms of transport, and I especially liked this one, which I spotted on Blackfriars Bridge this afternoon:

In the background, Blackfriars railway (station) bridge, and beyond that, the Shard, Tate Modern Tower, Tate Modern Extension.

This is, I think, one of those electrically assisted bikes, by which I mean pedals and a motor of some sort.

I looks too big and heavy to have much of a maneuverability advantage in heavy traffic. But at least the thing must have been quite cheap to buy. So the guy can start earning his living without too much saving up. I’m guessing this is the saving up bit. Good luck to him.

I used to go biking round Europe with a small tent and sleeping bag on the back. With a gizmo like this I could have carried a far grander tent and really lived in some style. But, rather inconvenient.

Quota sunset (gallery) from a year ago

A year ago exactly. October 1st 2018. While journeying back from out East on the DLR:

That’s exactly how they came out of the camera. I don’t know why they vary so much in their degree of luridness, peaking with the one in the middle of the cranes, but they do so vary.

Illustrating an opinion I hold about how Unreal Photographers like me are best advised to photo sunsets. Advice: put Things in front of the sunset.

I particularly like photo 6, taken from the very front of my DLR train. The point being, DLR trains don’t have drivers, so provided you get lucky with one of the front seats you can photo directly forwards.

Also, note how, in photo 3, the shape of the Shard echoes the shape of a typical London church spire. That was, as I recall Shardchitect Renzo Piano explaining before the Shard had even been built, deliberate.

When you don’t know it’s temporary

It’s all very well to say, as I often do, that it makes more sense to photo temporary stuff than stuff that will be around for ever. Sometimes, you do know that something will be temporary, like scaffolding. But often, you don’t know that something will disappear until suddenly, poof, it disappears.

Take those yellow river buses, named after various Shakespearian ladies, that once upon a time used to go up and down the River, for instance. Here is one I found in my photo-archives, photoed on a dim and dreary afternoon in February 2003, arriving at its one-and-only London landing spot, just next to the MI6 Building:

Who knew beforehand that this would stop happening, on account of London’s new super-sewer demanding this landing spot for its own purposes?

Says a rather plaintive London Duck Tours:

Please note that we are no longer able to operate our usual range of tours due to Thames Water’s compulsory purchase of our slipway to build the next phase of the Thames Tunnel super sewer.

For the present time, we will offer a selection of entertaining and informative LAND-based (road-only) tours. Please note that these tours do not have a river splashdown and we do not offer individual tickets.

Happily, long before this particular Duck Tours disaster struck, I photoed the above photos, simply because I enjoyed what I was seeing. Fond thanks to my old Canon A70, despite it having had only x3 zoom.

Are these yellow Duck Tours river buses still operating? I don’t recall seeing any of them even on dry land recently. But, what I don’t recall is a very large category nowadays.

Is this taxi advertising anything or is this just decoration?

I’m talking about this taxi:

Which I photoed in the City of London this afternoon.

In my photoing experience, if a taxi is elaborately decorated, it’s usually an advert of some sort. But on this taxi, I would see no reference to any product or service. So is this Art?

I tried some image googling, but found nothing like this taxi to click on.

A van making a radical argument for eating cats

Here.

Demanding consistency can backfire.

Vapour trails

I photoed this vapour trail in December 2005. I’m pretty sure I have others, but this was the first vapour trail I found in the archives:

And I think that it is indeed a vapour trail. But now take a look at this next vapour trail.

That’s not a vapour trail.

This is a vapour trail:

As Michael Jennings, this blog’s technical curator (to whom continuing thanks), would say, this was in Straya.

Aerodynamic contrails occur when a plane lowers the air pressure as it flies, in turn lowering the air temperature and causing condensation to form on the wings. This condensation then trails behind as the plane continues forward.

In certain humid conditions, the drop in temperature and pressure is such that the droplets of condensation will freeze at varying sizes.

When the sunlight shines through these different sized droplets, it will refract at different wavelengths, hence the variety of colours that can be seen.

Blog and learn.

AAArt

I like photos that look like abstract art but which are really of something real.

To quote myself (underneath the August photo there, of London Bridge station seen from above):

I tend not to admire Modern Art. It takes itself far too seriously for my liking. But I love it when real stuff resembles Modern Art. Explain that to me, somebody?

Still working out the answer to that one.

So anyway, it would appear that these guys, agree with me. They call themselves AAA (they arrange the AAAs more aaartfully than this), which stands for Abstract Aerial Art.

Quote (from this):

Taken from a top-down perspective, every aerial photograph we take is of a real place on our planet. We like to compose our images as artworks rather than traditional photographs. Other than slight colour and contrast enhancements none of our images are manipulated in any way. As we always say, “the point is not to work out what it is, but to show how weird and wonderful the world can look from above”.

Actually, not quite my attitude. I like explanations, locations, etc. But, I still like these images.

Here are a dozen (I picked four, then nine, then twelve) that I especially liked:

Here’s the equipment the AAA guys use. Drones. Calling 6k. (The link at the top of this posting is to an earlier posting I did re another of 6k’s drone-photos.)

The new Google building in King’s Cross is taking shape

And the shape is the big green thing that someone has stuck in the middle of this photo …:

… which I found here. More about this building-to-be here.

On the right, King’s Cross railway station. On the left, St Pancras railway station, which is where the Eurostar trains go to and come from. It’s a pretty well connected sort of place. And proof that physical connection remains important, in the world of virtual connection that Google does so much to route us all about in.

A while back I was in and around all this with a friend, and just before I photoed these photos, I photoed these photos:

There’s something very appealing to me about the big concrete towers that signal a big new project like this one, towers ministered to by cranes, cranes which on sunny days often leave shadows on the towers. In a few months, all will be completely different. No sooner are these towers built than they are smothered in something else, after which some degree of permanence will return.

And whereas those earlier towers and cranes I linked to were for Brand X unaffordable apartments, the above towers are being built for one of the great economic and political facts of our time.

Three terrible photos of something interesting

Which is better? Three great photos of something rather boring? Or three terrible photos of something rather not boring? There are arguments for both, but here are three photos that fall firmly into the latter category. Well, they do if you agree with me that what is shown in them is interesting.

I photoed the three photos below while on a recent expedition to my local laundrette. I was in a hurry to get my camera operating, having been concentrating on my laundretting and surprised by what I saw through the front window of the laundrette, hence the terribleness of the photos:

It’s a lady, rollerblading along the road. And in the first photo I photoed of her, I didn’t even manage to include her rollerblades. But, in its inept way, that photo makes the point. If you only knew of this lady that she looked and dressed like that, would you expect her to be rollerblading? I guess the headphones are a clue. But otherwise? I wouldn’t.

In the first photo, as I say, no rollerblades to be seen. And in the second and third photos, she’s way off to the right of the picture. In the third, she’s even behind a street pole., which is, I think, some sort of sign. But, the point is made. A lady who looks like that is … rollerblading. And I can further report that she was doing it with practised assurance. For her, this is a routine. It’s how she gets around. To and from work, would be my guess.

There’s a lot of media frenzy about robot cars. Meanwhile, quietly, with no fuss, and with none of the eye-watering investment by big businesses betting their futures on their particular robot car, people are quietly attaching wheels to themselves, thereby making use of all that space in cities that is being cleared for bikers to bike around in cities, and in general to assume the rights and privileges of bikers, on regular roads, like this rollerblading lady. And it makes sense. Why buy a huge metal box with wheels on it, if you can have the wheels on your feet, in the form of a little skateboard with wheels, or a skateboard with wheels and a sticking up steering system, or just wheels, like this lady? What started as a childhood sport is mutating into a regular means of transport.

Well, I think this is really interesting. The only reason I don’t have many more photos here of people doing this kind of thing is that most of what I photo is stationary, or at the worst very slow moving and quite easy to see coming, so not a surprise. These mobile pedestrians are often gone before I can photo them, not least because I seldom hear them coming.

LATER: Sometimes I see the rollerblader coming and the photo comes out rather well.