Ely Cathedral again

I said, in this posting about a terrific photo by Andrew Sharpe of Ely Cathedral:

Sharpe would appear to have a very similar photo-relationship with Ely Cathedral to the one that this guy has with Salisbury Cathedral. Both photo the same cathedral, lots of times, with the cathedral looking different every time.

Here is another Andrew Sharpe photo of Ely Cathedral, one of two photos that he displayed on his Twitter feed earlier this month, both of them featuring light on the land and on the cathedral, with a dark sky behind:

Wonderful. Of the two, I prefer that one, because of the sheep having been included in the foreground.

Photoing the cricket in 1938 – and photoing it now

Cricket Monthly has a piece up about the tech that accompanies cricket, with some great historic photos of the tech of yesteryear, including this wonderful photo, from the yesteryear 1938:

I found it a bit unclear, but I think that’s not even a movie camera. It’s a still camera.

Love the Reverend, with binoculars, who looks to be slumbering.

Here is a posting I did about how they do the videoing of cricket nowadays and about how that’s still, of course, developing.

And here’s a photo I photoed in 2017, or photoers, pros and ams, photoing the Rugby v Marlborough game at Lord’s that year:

It wasn’t a big crowd, so plenty of social distancing even then.

Now that there’s a gap happening, between test match 2 (which ended Monday) and test match 3 (which kicks off Friday), between England and the Windies, I am now missing this cricket, the way I never did during full Lockdown, when there just wasn’t any.

Culture vulture photoer

I really like this poster, which I photoed, down in the Underground as it happens, in 2011:

The way my computer is set up, if you click on this, you get the whole thing, but smaller.

Look a bit carefully, and you can see that it’s also a selfie. So, another in this genre.

The idea that photoing is like being a bird of prey strikes me as very right. The idea captures both the annoyingness of us photoers, but also the fact that we are surely an improvement, for most purposes, on people who use literal weapons to hunt and capture their prey.

Linseed

Photoed by Martin Cook:

Are the tracks so far apart because they’re made by a crop sprayer? This is the countryside, so what do I know?

This and three more, bigger, here.

And in case you were wondering:

Linseed in uk mostly is grown for animal feed, pet food and human consumption. Lot goes to markets abroad to animal feed to produce animal products with higher omega-3 levels, such as meat and eggs etc.

Here.

Cat in Istanbul shop window

As not promised (see below), here’s a rather charming photo that Michael Jennings took in Istanbul last December, of a shop window:

Not just signs, but the place where they’re done from. And a cat. I recall Michael writing, somewhere, somewhen, that there are many cats in Istanbul and that they are very well respected by the humans of that city.

You can always tell how well cats are treated in this or that place that you visit, by how sociably they behave towards you. When cats hide from you, that’s a sign of a nasty neighbourhood, I think.

1916 motorised scooter

London commuter Lady Florence Norman:

Interesting thread.

As so often, events now throw new light on the past. Incomprehensible and/or insignificant past events suddenly become more comprehensible and/or significant, because of the history happening now.

LATER: More about these early motorised scooters here.

London Gateway sunrise

Four photos. Couldn’t decide, so …:

Here.

Hard to tell from those photos how many cranes there are yet at London Gateway. But in this photo I believe I see twelve. That being a photo of what they say is “the world’s biggest container ship” delivering its cargo of containers. It doesn’t look that big. I mean, not “world biggest” big. The fact it’s so wide is, I think, what is deceiving.

I’ll never know how these things don’t capsize when fully loaded. Presumably there is many tons of weight at the bottom of them, doing nothing but keeping them upright.

Bookmobiles

Here:

There are more such vans there.

Meanwhile I love that particular photo. An ancient vehicle with round soup plate headlights and round soup plate hubcaps. Books, made of paper and cardboard. Unusual vehicles of any vintage. BMNB heaven.

Signs in Seattle

Here:

I agree with what Matthew Continetti says in this piece, which the above photo adorns, that this is froth. History as farce, Tom Wolf style. This “Seattle Soviet” is going nowhere. It’s “signs and notices”, to quote one of my more frequent categories here, rather than revolutionary architecture of any substance. That being why the above photo is the most informative one I have seen concerning these dramas.

As Kurt Schlichter (who his now being seriously noticed by his enemies) says, the important thing about this Seattle drama is the impact it has on the forthcoming Presidential election in November. Will Trump get the blame for it? Or will the local Democrat politicians? And by extension, the Democrats nationally? Schlichter says the Democrats will get the blame for this Seattle farce, this being why Trump is leaving the local Democrats to not deal with it, until America landslides in his favour. “Silent majority” and all that.

Schlichter combines partisan rhetoric way beyond the point of self-parody with very shrewd observations and analysis. I read him regularly. He is like one of those crazy American lawyers, who seems insane, yet who is taken very seriously, and for good reasons, by his enemies. And as I understand him, which is only a bit, this is because Schlichter is one of those crazy American lawyers, who seems insane, yet who is taken very seriously, and for good reasons, by his enemies.

With all dew respect to 6k

I see that 6k is now calling quota photos QPs.

And here is his latest QP:

Go here for a bigger and thus even better version. And once there, click on the right, to get an equally amazing photo of the moon.

I kept on clicking, because I’ve not perused the 6k photo-feed recently, and, of course, I especially liked this photo of a cricket boundary rope.

More respect dew, although that’s probably just rain.

So, I guess leaves do have their uses, photographically speaking. Nevertheless