A view from the Shard

Earlier this evening I did some laundretting, and while I was there, this showed up outside:

I still photo taxis with adverts on them, and I especially liked this one, advertising this.

It made me think of the last time I went up to the top of the Shard, just over a year ago.

So I took a browse through the photos I took that day, and this time around, this one particularly struck me:

That was cropped to confine itself to the one building, and photoshop(clone)ed to resist the dullness of the day and general fogginess of the original.

Part of me wants to say that this is a classic case of the behind-the-scenes bit of a building, a chunk of it that you are not supposed to look at and get all aesthetic about. It is what it is.

But I actually think that this is the facade of the building that the architects of it were most proud. There is an exuberance about this roof, done in the equipment-as-decoration style, that is utterly lacking in the rest of the building. The “official” bits of which are about as dull as dullness can get. They didn’t have the budget to go full Lloyds Building, all over. But they were able to go crazy on the roof, because the politicians whose job it was to tell them to redo the design more boringly didn’t give the roof any attention. They thought they were building a machine for studying in, but only on the roof were they able to go mad with “expressing” that machineness.

I reckon they were delighted that the Shard was later put right next to this block of boredom with a great roof, enabling thousands of folks to gaze down on their favourite bit.. Gotcha, boredom police!

Okay, just a thought, and a thought that could well be wrong. Maybe they really didn’t care how the roof looked. But take a look through these photos of this mostly very dull slab, mostly taken from street level, of course, and see if you don’t share my suspicions.

Originally posted at Brian Micklethwait’s Old Blog

Kensington Gore

I think that’s what this building is called. Maybe Kensington Gore is the curved road which this buildings stands on. Google Maps suggests that Kengington Gore refers to both the building and the “thoroughfare”.

One of the most disagreeable features of Modern Movement architecture in and around the 1960s was its aggressive unwillingness to accommodate itself to the already established street pattern. Instead, higgledy piggledy streets at funny angles was bulldozed and replaced by rectangularity. Happily, those days are gone, and we are back to buildings being strangely shaped because the site is strangely shaped. Like the above pre-Modern-Movement edifice, which is now a favourite London sight of mine. I now visit the Royal College of Music quite a lot, to hear GodDaughter 2 sing or to be at some other event that she has arranged for me to attend. Every time I go there, I walk along Prince Consort Road, and there this Thing is.

I have only done a little googling, and so far I don’t have an exact date for when this Thing was built. Late Nineteenth Century is the best I can do for now.

Originally posted at Brian Micklethwait’s Old Blog

Helping hands

On that same photowalk with GodDaughter 1, five years ago, that I mentioned yesterday, and a bit earlier than when I took yesterday’s photo, of her and her shadow and my shadow, I took these photos:

You can see how that little mind of mine was working, can’t you? That being one of the amusements of me taking so many photos that comes across years later. I can now see exactly what I was thinking, in a little photo-moment, five years ago.

I encounter an interesting sculpture. (I find that I like sculpture more and more, provided I like it of course.) Then, in the distance, I see a favourite Big Thing, in this case the Big Olympic Thing. I line up the Big Olympic Thing up the sculpture. I line it up again, this time including only that very recognisable top of the Big Olympic thing, and putting that right on top of the sculpture, like a handle. Good. Nice one.

Then I draw back, and take another shot that provides some more context, while being careful to keep the Big Olympic Thing present, to one side. What I do not do, regrettably, is photo any sign or caption which told me about this piece of sculpture. What is it? Who did it? When? Why? What’s it of? There must have been some clue I could have photoed.

Happily, this is the twenty first century, and a little descriptive googling (“sculpture clasped hands” or some such thing) got me to places like this, which tell the story. And it’s quite a story.

Originally posted at Brian Micklethwait’s Old Blog

Photoer shadows

From the I Just Like It directory:

That’s GodDaughter 1 on the left there. We were on one of our photowalks, in August 2013, in other words just under five years ago. I was looking for something dated, perhaps because temporary, and there was quite a lot of stuff in that part of London, Olympic Games territory, that must look very different now. But that snap grabbed my attention, and I hope it tickles yours.

Originally posted at Brian Micklethwait’s Old Blog

Interesting headgear

The final full day of The Great Heatwave of 2018 was two days ago, on August 7th. August 8th was a couldn’t-make-up-its-mind day, and today was a could-make-up-its-mind day, and it made up its mind to be cold and wet and generally horrible, perhaps in honour of the Lord’s Test between England and India, today’s first day of which was totally rained off. One day, magic beams will rise up into the sky from around the boundaries of all major cricket games and will divert the rain into giant vats, also on the boundary, and play will proceed no matter what the weather beyond the ground. (Such devices will also transform global agriculture, and make the entire population of the world obese.)

So, as I was saying, two days ago was the last day of the Heatwave, and maybe it was this heat which cause this lady to be wearing, in a street near me, this headgear:

This lady looked normal enough, apart from the headgear. I made no secret of the fact that I was photoing her, and she clearly saw me doing this and didn’t seem to min. Or maybe she was concentrating on her phoning and actually didn’t see me. Either way, I waited until her face was hidden.

The sane explanation for the headgear was the heat. And honestly, I do believe that this was what it was for. That heatwave really was very hot.

Originally posted at Brian Micklethwait’s Old Blog

Heatwave jacket derangement syndrome

I don’t believe I am the only man to have been deranged by the heatwave in the manner I am about to describe, in fact I know that I am not, because I had one of those How-Very-True You’re-So-Right type conversations with GodDaughter2’s boyfriend, Only The Other Day, about exactly this matter.

I refer to the fact that I, and many other men, do not merely wear a jacket to fend off frigidity. We also wear it to carry stuff. It is our version of a handbag. In my case: wallet, cheque book and paying in cheques book (so I was born before you were – live with it) (both these items serve another purpose besides handling the financial instrument relics of the previous century, which is to fill up the pocket containing my wallet and stop the wallet falling out (which would be a catastrophe)), pen, purse, Old Git free London transport pass, keys, handkerchiefs, mobile phone, spectacle case with reading spectacles, spectacle case with spare camera batteries and spare SD cards (the latter for if I forget to put my regular SD card back in the camera), Disprins, cough sweets, regular sweets, eye allergy spray, and no doubt several other things I can’t now remember.

Unlike some men, I also carry an actual bag around with me on my travels, containing: a folder with paper to take notes, a shopping bag for if I shop, a camera, a book, a small bottle of fruit flavoured anti-dehydration liquid, any food I have bought, any spare garments I might need for if it gets colder, an umbrella, and even sometimes a laptop computer, on those days when I am in a mobile laptop computing sort of mood (although lately I have tended not to be in such a mood (too heavy)).

But, transferring all the clobber described in paragraph two above into the bag, and into the midst of all the clobber described in paragraph three above, is a serious derangement, not least because the bag gets far too full. For remember, what if, late at night, if the heatwave abates, I need the jacket? I have to have the jacket in the bag, just in case, even though it is far too hot to wear it and in fact, throughout the heatwave, it remained so. So, with everything now in an unfamiliar place, much of it buried under other bits of it, all the usual reflexes stop working. Nothing is any longer where it usually is. I start suffering from that frightful female syndrome of digging about inside the bag, frantically trying to find whatever it is. Which may in fact be in one of my trouser pockets, or maybe even my shirt pocket, for goodness sake. Oh God, where’s my wallet (which contains all sorts of priceless stuff which I dare not even itemise (see above))?!?! Etc..

Today, the heatwave sort of ended, as in: the weather oscillated between pleasantly warm and somewhat warmer. But unfortunately the London Underground didn’t get the email containing the link to the short-term weather forecast, and chose to remain full of the horribly hot air that it had been accumulating throughout the previous fortnight, or however long it’s been.

But the discomfort I suffered was the discomfort of wearing my jacket when it was rather hot. That I can live with.

But worse, just like the London Underground, I too found myself suffering a systemic hangover from the previous period of high temperature hell. Earlier this evening I was in a pub, and when my pubbing was done, I picked up my bag, and visited the toilet, prior to leaving. Luckily, while there, I realised that I had left my jacket on the back of the seat that I had been sitting on. I reclaimed it, seemingly unmolested by plunderers, except that … hell’s bells, my wallet wasn’t in it! It was, of course, in the bag, where I had recently been learning instead to put it.

It’ll be a few more days before I recover my usual calm and suave demeanour, when out and about.

Originally posted at Brian Micklethwait’s Old Blog

That Bartok statue again

Yes, every time I visit my friends in Fulham Road, I get out at South Kensington tube, a bit early, and I photo, and then sit on the plinth of, the Bartok statue. Follow that link to find out why it’s there.

Context, caption, and the prettiest photo I photoed of this, this time around:


Music is made up of melody, harmony and rhythm. What I like most about Bartok’s music is the harmonies, of the more “beautiful” and less strident sort. Too many instruments, too loud, or a piano on its own ditto, and he loses me. In other words, I basically don’t like Bartok’s music that much, but I sometimes very much like the sound that it makes. I especially like the very beginning of the Concerto For Orchestra, the Piano Concertos (especially number three), and the string quartets. Oh, and I really like Bluebeard’s Castle, provided the singing is bearable. I especially like the in-English CD I have of it that came attached to the BBC Music Magazine about two decades ago, in which Sally Burgess sings superbly. Memo to self: listen to that again. I presume that Bluebeard himself is the usual industrial drill noise that almost all such singers perpetrate for a living, but it will be worth it for Ms Burgess.

This is the recording I mean. Click on that, and you will discover that you can listen to it too.

Originally posted at Brian Micklethwait’s Old Blog

Battersea Power Station – 2005 – 2012 – 2016 – 2017

If you do four photos, adding very little in the way of verbiage, are they still quota photos? Probably, but what the hell. Today was hot, and this morning’s England v India test match finale was very tense. So this here’s your lot:

The Battersea Power Station is now smothered in cranes, so you’ll at once realise that the top two of these photos were taken earlier. 1.1, 2005, is a favourite view of many photoers, from Ebury Bridge, at the far end of Warwick Way from me. 1.2, 2012, was taken from the south end of Vauxhall Bridge. 2.1, 2016, how it from the top of Westminster Cathedral, in 2016. 2.2, 2017, is closer up, when I was checking out the beginnings of the work to extend the Northern Line, in 2017.

Whether you like Battersea Power Station or not (I happen to like it a lot), you’d surely agree that it is a very recognisable edifice, and I can understand why many regret that it is about to be surrounded by apartment blocks, of a similar height to the main body of the Power Station. But, that’s London for you.

Originally posted at Brian Micklethwait’s Old Blog

Waterloo sunrise

Radio early bird Julia Hartley-Brewer tweeted this photo, early this morning:

Best comment:

Enjoy it while you can Julia, because after BREXIT there will be NO sunrise. The Polish and Romanian workers who lift the sun up every morning will be gone.

Those laser beams that her camera has created make the sun look like a … white hole.

Originally posted at Brian Micklethwait’s Old Blog

Orange umbrellas in Lower Marsh

On August 2nd 2013, exactly five years ago today, there was a clutch of orange umbrellas above Lower Marsh. (Also (see bottom right), 240 Blackfriars Road was under construction.) I don’t believe I mentioned these umbrellas at the time I photoed them, and now, I can’t google my way to any sort of explanation of them. But, I think I recall investigating them at the time, and I think they were some kind of advert for an art gallery. This guy agrees that these umbrellas were indeed there, then, but he doesn’t say anything about them either.

Anyway, here they are, as I photoed them then:

The bottom left one looks to me like the head of some kind of oriental feline creature.

Originally posted at Brian Micklethwait’s Old Blog