Antisocial Benches

Remember Jeppe Hein’s red seat sculptures outside the Royal Festival Hall. Well, when I went back there, in early May of this year, when Lockdown was getting started, to see how the red seats looked in bright sunshine (strictly for the essential exercise you understand), I discovered that what Stein called his Modified Social Benches had been modified, to look like miniature crime scenes. They had been smothered in red and white tape, thus:

However, towards the end of the time I spent photoing all these benches that had been modified to make them anti-social, I photoed this lady and her bike, resting in one of the benches:

She either didn’t know she wasn’t supposed to be sitting there, or she knew but she didn’t care.

You can see how they wouldn’t want the tape to be, to echo the name of some popular entertainers of yesteryear, simply red. (a) Too much like smothering these things in red tape, and (b) what with the benches already being red, the red tape might be rather hard to see.

Boris Johnson at Lord’s on July 17th 2006

Indeed. On that day, for the final day of this game between England and Pakistan, I was at Lord’s, photoing photos like this:

You can see what I was trying for there. A nice uninterrupted photo of that Space Pod Lord’s Media Centre, with that Spirit of Cricket sign in the foreground. The spirit of cricket having undergone a lot of modernisation lately. Something along those lines.

Only this blond-haired bloke strode past and got in the way, and it took me three goes before I had a photo I could crop down into what I was going for.

However, Boris Johnson was even then a celeb, and he grinned happily at me as I photoed him. I knew, and have known ever since, who this chap in my photos was. So, absurdly blurry though his face is, that is definitely him. Just like me, he had been watching the cricket.

Which rather gives the lie to this piece in The Critic, by John Joliffe, with this subheading above it:

What happened to Boris as a child that he hates cricket so?

Backed up by this in the text, in which Joliffe speculates, without really meaning it, why the Johnson government has smothered cricket in social distancing regulations:

One wondered about the motives of a government which was willing to foist these futile regulations on a harmless amateur game. It seemed unlikely that Simon and his sanitiser was all that kept us from an early death. Perhaps 40 years ago at Eton, Boris Johnson was overlooked to play for the Colts 4th XI on Agars Plough and has never forgotten the slight or forgiven the game.

If Johnson has hated cricket ever since he was a kid, he had a weird way of showing it back in 2006.

I don’t think Johnson hates cricket. More likely, he hates what he has been doing, for over-riding political reasons he was and is powerless to resist, to cricket and to the country, because of this damn Plague, and what both the press and the “experts” were and are still telling him he has to do about it. As a Prime Ministerial predecessor of Johnson’s is said to have said: “Events, dear boy, events.”

The third and deciding game of this summer’s weird test series between England and the West Indies begins tomorrow morning. Weather permitting.

How London is about to copy Notting Hill

Towers continue to soar upwards into the blue sky of London town:

But now, with The Plague, Lockdown, social distancing, blah blah, do cities have a future? Does London have a future?

Here’s detail of the tower on the right in the above photo, photoed by me a few days later on a much gloomier day:

There’s no getting away from it. Those are coffins. Did the architect know something that the rest of us didn’t? Are urban apartments death sentences? Is the age of urban social communion about to die in front of our horrified eyes?

For my elderly generation, well, maybe, for a short while. But cities are not going to stop happening, merely because a few oldies have died of a cough that was worse than the usual sort. History may be all about lots of people dying, but mere life is lived and will continue to be lived by those who do not die. In the short run, it will be interesting to see if London takes any sort of visible hit from The Plague. Will we finally see a London skyline bereft of construction cranes, after the current crop of projects have been finished, on a we’ve-started-so-we’ll-finish basis? Will all those eastern European construction workers be packed off back home to the country towns and villages from whence they came?

Temporarily, maybe, although even this I doubt. Permanently, not a chance. The advantages of city life are too great, too abundant, too transformative, too agglomerative.

Actually, disaster is a tried-and-tested technique for urban regeneration. Consider The Blitz. So much of the current dynamism of London can be traced back to those stressful times. The Blitz destroyed. And, by destroying, it created new opportunities. Paris is only now starting to recover from not having been bombed.

I am old enough to remember the Notting Hill Riots of the late fifties. After a short period of post-riot economic downturn, during which all the timid oldies who lived in Notting Hill fled in terror, young and adventurous types moved in, and the place has never looked back. They even made a movie about how it had become the kind of place a super-glamorous movie star would unwind in on her days off, and become acquainted with Hugh Grant.

I predict, although I may not live to see it, that The Plague will have a similar impact upon London as a whole. Many oldies will die or flee to the suburbs, to the Cotswolds or to the West Indies. At which point the young and vigorous and risk-embracing, with plenty of viral resistance or resilience or whatever it is that you need to not die of The Plague and any subsequent variations, will take the place over. In about five or six years from now, London will be buzzing again, and in a whole new way. (Preliminary detailed prediction: more colour.)

I actually, very probably, will live to see the beginnings of this. I may even be able to summon up the energy to photo some of it.

Poetic perfection in a reopening pub

Rebecca Day tweets:

I’ve spoken to regulars Chris and Jimmy. Jimmy hasn’t gone to bed after his night shift tarmacking the roads. He had a shower and came straight here. He described the taste of his first Carling as being like an ‘angel pissing on the tip of my tongue’.

In her original tweet, Rebecca Day put “p***ing” and “his” tongue, so I’ve restored what Jimmy said to its original state of perfection. You’re welcome.

One of the services this blog supplies to its regular readers is to pluck occasional pearls of perfection like that (or that (or that)) from the torrent of swine shit that is Twitter, or at any rate what Twitter seems to turn into for many people.

On how I may now not resume buying classical music magazines

Every month for as long as I can remember, I’ve been buying paper copies of Gramophone and the BBC Music Magazine, “Music” being how the BBC refers to classical music.

All over my home, these magazines have accumulated in shelves and in heaps:

I haven’t had these magazines on order, because I don’t trust my neighbours not to let in burglars through the front door we all share, and because I like the exercise of actually walking to a shop and buying these magazines.

Which means that during the recent Plague, I’ve not been getting either of these magazines. The shops where I would have bought them have all been closed.

One of the many changes I am now contemplating in my life is: Not resuming buying these magazines. Are many people now contemplating a similar decision with regard to these or other such printed publications? Surely, they are. Are many people contemplating buying printed publications they do not now buy? I doubt this very much.

If “normal” ever returns, it will, for most of us, in big ways and in small ways, be a different normal, not least among those who publish the magazines like the ones in my photo. It’s not just the obvious ways in which we will remain nervous of the Plague returning, though that will definitely happen also. It’s that by being jolted into doing this for the first time, and not doing that any more, we are all now shedding old habits and being pushed towards acquiring different habits. I try to resist generalisations involving words like “we all now …”, but I really do think that the above generalisations are largely right. (You need only look at the recent numbers for postings here per month at this blog, on the left, to see this kind of thing happening to me and maybe therefore also for you.)

So, habits are being dropped, and acquired. And, are you, like me, and provoked by the above experiences, going beneath and beyond such changes of habit, and asking yourself: What other habits should I now decide to shed, and decide to acquire?

After all, and especially for the likes of me, life has just got shorter.

Civilised disagreement works better face-to-face (therefore cities have a future)

The present dose of Plague History we’re having has caused much pessimism concerning the future of big, densely packed cities. Being an enthusiast for big city architecture, especially the seriously big and eye-catching sort, I am now more than ever on the lookout for people saying things about why cities confer, and will continue to confer, an advantage upon all those who live and work in them.

So, I particularly noticed this Bo Winegard tweet, when I encountered just now:

It depresses me how quickly a person on twitter can go from disagreeing with you to cursing and insulting you. Strikes me that there’s probably an evolutionary mismatch because almost all of our interactions were face-to-face. People are much nicer when they have to look at you.

I think that captures a key advantage of face-to-face communication, which is that it makes it more likely that those face-to-face communicating are that bit more likely to do it like ladies and gentlemen rather that like loutesses and louts.

I think people on twitter shout, so to speak, partly because they can. But also, maybe, because they feel they have to, to get their point across. If you do one of those oh-so-gently meaningful and very politely phrased criticisms, on Twitter, or for that matter during a conference-at-a-distance, you are liable to fear that your point will get lost. Your iron fist will be completely smothered by the velvet gloves you chose to wear. Face-to-face, you can literally see and hear and feel your point getting across. Or not, in which case you can politely rephrase it.

Being able to disagree in a civilised manner, in a way that doesn’t leave lasting scars or permanent feuds, is fundamental to the successful functioning of any organisation.

My dad was a barrister, in American: a trial lawyer. British barristers are always careful to call each other “my learned friend”, and the more fiercely they are quarrelling, the more they are careful to scatter these words upon all the insults they trade. That always used to amuse me, when my dad talked about it. But an important point was embodied in such drollery, not least because dad often spelled it out explicitly. When arguing, be polite. The more fiercely you argue, the more important politeness becomes. Twitter seems to make that harder. Face-to-face communication makes it easier.

So, cities will survive. Face-to-face communication is now one of their core purposes.

Skateboards with one big fat wheel will never catch on

Photoed by me, next to the River, earlier this month:

Here is another Micklethwait’s Law to offer to the world, in the process of being perfected. It goes roughly thus: No form of transport which makes you want to put on knee-cap protectors will ever catch on with regular people.

I am now seeing at least two e-scooter users every time I go out my front door, and I do mean every time. I now never don’t see e-scooters speeding by. My point here is that these people typically do not wear knee-cap protectors. These are regular people who feel very safe on their e-scooters. Will this change?