City Big Things photo

I love photos like this, looking up at the City of London’s Big Things, which I found above a piece of “partner content” at the FT:

Like I say, I like photoing upwards at the City of London’s Big Things.

So, although that “partner content” is very dreary, I do like the photo.

A way to think about photos is to arrange them along a spectrum, at one end of which is a photo that looks exactly as whatever it was looked like if you had been there yourself. But at the other end of the spectrum are photos which emphasise how differently the way the camera can sometimes see things to the way we humans do, and makes whatever it is look quite different to the way we’d mostly see it. Both sorts of photo are worth doing, one way or the other, depending on what you and trying to do with the photo. I’m just saying that they’re two distinct ways to do photos.

Because of all the reflections in the above photo (helped by the the fine weather), because of the untypical direction things are being looked at from (cameras (especially cameras with twiddly screens) don’t get cricks in their necks), and because of the difference between how humans see perspective and how cameras typically do this (this difference being why human artists actually had to discover perspective), this photo is much nearer to the looks-different-from-how-it-looks-to-us end of the spectrum.

Which is all part of why I like it.

Vauxhall views two decades apart

In 2000, I was mostly using my very first digital camera, a Minolta Dimage, to photo people, but I did also photo a few buildings, such as these ones. This is Vauxhall, seen from downstream:

And here are the same buildings, with recent additions and subtractions, as best I could find in my more recent photographic efforts, in 2020:

The two spots I was standing at are by no means identical. Different bridges, I’m pretty sure. And the angle is somewhat different. But, I hope you get the pictures.

The trick of photoing buildings, for me, is to focus not so much on the unchanging monuments, but for me somehow to divine which architectural scenes are about to change.

Failing that, as I typically do, I need to get lucky. And I got lucky-ish with these.

Cropping was involved to create both of the above images.

Two favourite footbridges

Indeed:

They are both about the same size, and both, in my photos, pointing in the same direction. Otherwise they could hardly be more different.

On the left, a footbridge which forms part of the walk from the downstream footbridge beside Hungerford Bridge, which enables you to carry on walking a bit above ground until you get to Charing Cross Station. This is one of my favourite walks in all of London, perhaps partly because it is so very short.

And on the right, the footbridge across Floral Street that connects the Royal Ballet School to the Royal Opera House, Covent Garden. This is not one of my favourite walks in London, despite being very short, because I can think of no way that I’d ever be allowed to walk this walk. I used to work in a bookshop that started out in Floral Street and then moved but only around the corner, so I used to see this little bridge often. I wondered how one might contrive actually walking across it and I still do. Getting to know some ballerinas would be a start, but only, I suspect, a start. Maybe they permit occasional tours at prearranged times, but I doubt it.

Both these photos were photoed early in 2004, with my Canon A70. This was around the time when I was just beginning to get the hang of how to photo London in a way that I liked.

I’m pretty sure I have shown these photos, or photos a lot like them, before, on one of my various blogs. No matter. These bridges are nice enough for me to be able to repeat myself about how nice they are.

Pavlova from a distance

If in doubt, here at BMNB, I go with Pavlova:

Okay, not bad. But the interesting thing is how far away I was. This next photo, done about a minute later to emphasise this, shows that we are actually way down Victoria Street, next to House of Fraser, quite a bit further away than, say, Westminster Cathedral:

That vertical smudge of sunshine between the big column in the foreground and the building on its left as we look is where a tiny and distant Pavlova was doing her dance. My eyesight is such that although I knew that’s where she was, I couldn’t properly see her.

But my camera, a rather recently acquired Nikon B700 (and yes mine is red also), was able to see Pavlova very clearly. Although, the slightest motion of the camera meant I completely lost her from the picture, so I had to have several goes at photoing her before I got what I wanted.

I wish I could tell you that these photos were photoed in the last day or two, but sadly, they were not. Last September.

National Geographic on the evidence for evolution

Following my recent medical disappointments, I have been pondering, as you do in such circumstances, the big questions. Like: What Do I Really Believe? And it turns out that one of the biggest things I believe in is evolution, as the best explanation for why we humans are the sort of creatures we are, altruistic and selfish, affectionate and murderously aggressive, doomed to die, and so on. I was raised by Church of England atheists, and that is what I still am. The older I get the more this is so.

But what is the evidence for the truth of evolution, as opposed to the rival god-did-it explanations which evolution is slowly but surely replacing?

Was Darwin Wrong? asks a recent National Geographic cover. Inside, in very big capitals, the answer: NO. (Thank you Steve Stewart-Williams.) I opened up the article, to learn what I hoped would be more about all this evidence.

No one observation of the natural world would be enough to convert a convinced god-ist, because after all, god can do anything he pleases. Atheism is hard to prove with one knock-out punch. But evolution wins, for me, overwhelmingly, on points. Point after point after point, each point being made perfect sense of by the idea of natural selection of chance variations, and each point meaning that any god is going to have to have been the kind of god who, for no very obvious reason, wanted all creatures without exception to look exactly as if they had all evolved. Simply, evolution makes sense to me, while god, especially the idea of God that Christians and Muslims proclaim, makes, to me, no sense at all. It’s the range and volume of evidence that is so convincing.

Two of the many points made in the National Geographic article made particular sense to me. It’s not that I’d never thought before about such things, just that this time around, they both hit home with particular force.

Point one:

All vertebrate animals have backbones. Among vertebrates, birds have feathers, whereas reptiles have scales. Mammals have fur and mammary glands, not feathers or scales. Among mammals, some have pouches in which they nurse their tiny young. Among these species, the marsupials, some have huge rear legs and strong tails by which they go hopping across miles of arid outback; we call them kangaroos. Bring in modern microscopic and molecular evidence, and you can trace the similarities still further back. All plants and fungi, as well as animals, have nuclei within their cells. All living organisms contain DNA and RNA (except some viruses with RNA only), two related forms of information-coding molecules.

Such a pattern of tiered resemblances — groups of similar species nested within broader groupings, and all descending from a single source — isn’t naturally present among other collections of items. You won’t find anything equivalent if you try to categorize rocks, or musical instruments, or jewelry. Why not? Because rock types and styles of jewelry don’t reflect unbroken descent from common ancestors. Biological diversity does. …

Point two:

Vestigial characteristics are still another form of morphological evidence, illuminating to contemplate because they show that the living world is full of small, tolerable imperfections. Why do male mammals (including human males) have nipples? Why do some snakes (notably boa constrictors) carry the rudiments of a pelvis and tiny legs buried inside their sleek profiles? Why do certain species of flightless beetle have wings, sealed beneath wing covers that never open? Darwin raised all these questions, and answered them, in The Origin of Species. Vestigial structures stand as remnants of the evolutionary history of a lineage.

As I tried to explain in this conversation with Patrick Crozier, evolution performs, for me, many of the functions of a religion, in that it gives the best answers we humans have to the “big questions”, like: Where did we come from? And: Why does life feel the way it does for us? It even makes sense of things which we personally reproach ourselves for feeling, like an extreme and “irrational” fear of irrationally hostile strangers.

What I do not feel, now or ever, is any need to believe anything to be true that I do not in fact believe to be true. In that sense, evolution is not my “faith”, if that’s what faith is. Doubting Thomas, in the Bible (here comes my Church of England upbringing), says to Jesus: “Lord I believe. Help thou mine unbelief.” I simply believe what I believe, and doubt whatever I doubt. I believe in evolution, not just as true but as very helpfully and very illuminatingly true, and I do not doubt it.

When checking the links in the above, I discovered that National Geographic doesn’t want me to read that article again. It seems I have gone beyond my limit. I hope that if you want to read it, you’ll be luckier.

Australian region covered in cobwebs as spiders flee floods

Straya. Video here.

Developing countries were able to leapfrog that bottleneck

Mixed metaphor alert!

HumanProgress.org as recycled by Jacob Tudor:

The landline phone never reached more than 21.4% of the world’s population

By adopting cellular technology, developing countries were able to leapfrog that economic bottleneck.

Could it be that HumanProgress.org mixed this particular metaphor on purpose, to draw attention to the very good news they were trying to publicise, by getting mixed metaphor spotters like me all excited about how they’d said it?

Good news is notoriously hard to spread, because it typically happens so gradually.

I got into a muddle with linking to the original HumanProgress.org tweet, which is why I linked instead to Jacob Tudor’s rehashing of it. The original is number 75 of a set of 78 tweets, and linking to that gets you to the entire set, instead of linking to this particular one, so that link would only get you to this particular one while it remains the latest one.

Two photos of Frank Gehry’s Guggenheim Museum in Bilbao

Most internetted photos of Bilbao’s Guggenheim Museum, designed by Frank Gehry, look like this:

Which I found here.

But the fact that almost all the internetted photos of this building look like that is misleading.

Here is a corrective, in the form of the exact sort of photo of this building that the pros earn their money by doing the exact opposite of:

Yet one more illustration of a belief I have long held about us amateur photoers, which is that we amateur photoers often tell you more about how a building actually looks, if you actually go there, than many of the photos carefully contrived by the professionals.

I hope that Michael Jennings does not object to being called an amateur photoer. By this I do not mean that he is a bad photoer. On the contrary

I also particularly liked this photo of Michael’s, of Bilbao’s big transporter bridge

The latest conversation with Patrick Crozier is now up

I only started deciding what to put here today quite late on. What should I say here today? Then, to rescue me, incoming from Patrick Crozier, telling me that our latest recorded conversation is now up, at Croziervision. Once again, we are to be heard worrying about what caused World War 1 to start.

I listened to an earlier discussion we had about WW1, which including how it started. So I tried to say some different things. But as I said just after we recorded this latest chat, no apologies for going over the same ground again. And only a bit of an apology for saying that again also.

Rapid electric charging station in Woolwich

Further to this posting about electric cars, incoming from Alastair, photoe by him a few days ago:

The temporary railings show that this is new.

Everything depends now on the cost. Can you get further, for less, with one “filling”? If so, then there follows the rapid switch, followed presumably by a price hike (to stop regular electricity bills going through the roof and (worse) regular electricity supplies being buggered up and to encourage popular demand for new power stations (surely including nuclear)), followed by the slow but sure demise of the petrol car.

I take the point made in the comments on the earlier posting about how this will cause demand for electricity to rise. Nevertheless, a step-by-step process is easily imaginable, unlike with electric scooters going more than trivially faster than regular scooters. Electric scooters of a speed worth bothering with will require infrastructural upheaval. The difference between building this charging station, and that power station, repeatedly, each in just the one place, and on the other hand re-building the entire road system, all gazillion miles of it, to the disadvantage of all larger vehicles (definitely including electric cars), at huge expense, is all the difference.