Le Corbusier gets Dalrympled

Instapundit’s Ed Driscoll quotes two early paragraphs of a review by Theodore Dalrymple of a book about Charles-Édouard Jeanneret, aka Le Corbusier. I like these paragraphs, from near the end:

Jeanneret’s pronouncements, and the belief in them, led to the construction of a thousand urban hells, worse in some ways than traditional slums because they were planned and because they were specifically designed to eliminate spontaneous and undirected human contact or social life. Jeanneret hated what he called derisively the street, because the street was messy, it was unofficial and unofficiated. He hated it as an obsessively house-proud woman hates dust.

But the puzzle remains: How was such a man able to obtain and retain such a hold over other men’s minds, or at least over important men’s minds? I have no complete answer, though I suspect that the First World War had much to do with it. Without that cataclysm, Jeanneret would have been a crank, or a mere antisocial misfit; but so great was the emotional and intellectual dislocation understandably brought about by the war that almost anything seemed worthy of notice or consideration afterwards, anything that was different from what went before. And so Jeanneret had his chance.

As regulars here will know, I absolutely do not share Dalrymple’s hatred of all architectural modernism. And I even like some of Le Corubusier’s buildings, the more quirky and individual ones, although I am sure not having to live or work in them helps a lot. But what happened to the world at the hands of the architects, and in particular the city planners, who were influenced by Le Corbusier was appalling.

The book that Dalrymple was reviewing is cripplingly expensive, but I might just buy it anyway, on a kind of “vote with my wallet” basis.

Originally posted at Brian Micklethwait’s Old Blog

One thought on “Le Corbusier gets Dalrympled”

  1. Rob Fisher was curious:

    “specifically designed to eliminate spontaneous and undirected human contact or social life”

    I’m curious about what that looks like. I looked up some photos of his buildings and a lot of them look like ugly tower blocks. I couldn’t see what about them prevented people from spontaneously socializing. Was this a stated objective of his? How did he achieve it?

    I don’t doubt it but I am curious. Maybe I should read the book, too.

    Posted by Rob Fisher on 08 November 2017

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